Evd Nhazi Ime Ụlọ Ọrụ nke Yang Bing and Hao Liyun

Ihe emepụtara bụ Evd Nhazi Ime Ụlọ Ọrụ nke Yang Bing and Hao Liyun bụ onye meriri a na-asọpụrụ nke ukwuu nke 2021 Ihe Nrite A' Design Award nke Ọlaedo na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

ỌlaedoIme Ụlọ· 2021

Evd Nhazi Ime Ụlọ Ọrụ

nke Yang Bing and Hao Liyun

Onye Ahịa: EVD Design

Onye Meriri Ihe Nrite A' Design Award nke Ọlaedo na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #112174

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Evd Nhazi Ime Ụlọ Ọrụ

EVD bụ ime ụlọ ọrụ na ebe ngosi dị na Shanghai, China. Ohere ahụ ruru mita skwea 300. E ji asụsụ ochie kpụọ ọdịdị ohere ahụ, a na-ejikwa ihe ndị e ji ewu ụlọ n'ụdị ochie eme ihe site n'ụzọ ọgbara ọhụrụ iji tinye mmetụta nke ịdịgide ogologo oge. A na-ejikọta mpaghara nwere ọdịdị U na otu akụkụ ogologo na nnukwu windo ise, ka ìhè sitere n'okike na-abanye ma na-agbasa n'efu. A gbakwunyere ọdịdị okirikiri iji mee ka ime ụlọ ahụ maa mma karịa. Nhazi ahụ na-amalite site n'idozi ihe mgbochi ndị sitere n'ọkpọkọ mgbochi ọkụ na ọkpọkọ ikuku. Ọtụtụ mgbidi na-eji agba nka e mere site na ntụ ntụ shel na nnyapade sitere n'okike.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaedo

Evd Nhazi Ime Ụlọ Ọrụ meriri A' Design Award nke Ọlaedo, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa mbụ, dị ịtụnanya ma pụtara ìhè. Ndị meriri na Ọlaedo bụ ihe e kere eke dị oke ọhụrụ, nwere ọhụụ ma na-egbu maramara nke na-egosipụta ọgụgụ isi, amamihe na nka nke ndị designer ha. A na-atụ anya na Evd Nhazi Ime Ụlọ Ọrụ ga-abụ ihe e mepụtara kacha enweta otuto, na-edu ọnọdụ ma bụrụ ihe ncheta nke na-enye uru na-adịbeghị mgbe ọ bụla. Design a meriri A' Design Award nke Ọlaedo bụ ọrụ dị ebube, a na-asọpụrụ nke na-erite uru buru ibu ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Evd Nhazi Ime Ụlọ Ọrụ na-eweta mmetụta ọchịchọ siri ike, na-akpali agụụ, na-akwado nzụlite ihe ma na-adọrọ anyị adọrọ.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The spatial form of the office is shaped based on classical languages. The design team utilized classical architectural elements with modern approaches, to add a sense of eternity to the space. Besides, sphere -the most beautiful solid figure is brought in, which enhances the spatial aesthetic. The designers elevated the area outside the door opening of the "garden" to create natural height difference of sight line and to endow the space with fun and a sense of mystery.
Nha & Mkpuchi: Type: office and exhibition area
Area: 300 sqm
Mkpado: Evd, office, workplace, classical aesthetics, Classical spatial languages
Teknụzụ Mmepụta: The design starts from solving with spatial limitations caused by pipes for fire protection and air conditioners in the original space. Such a design method can avoid repeated construction and resource wastes. 95% of walls use sustainable art paints. Those paints are composed of shell powder and natural gums, harmless to the environment and convenient for construction. Open and flexible spatial
Ịma Aka Imepụta: Due to site limitations, the position of the foyer determines the location of the entrance. In addition, the structural framework and the five orderly window openings define the placement of the wall. The challenges are how to allow light from the north naturally into the interior space and offer people a sense of participation and a playful perception.
Nchọpụta: Located in Shanghai, China, EVD office is conceived based on two design threads that derive from site restrictions. One extends from the entrance to the interior, while the other is folded out vertically in the 5-meter-high space. Due to site limitations, the position of the foyer determines the location of the entrance. In addition, the structural framework and the five orderly window openings define the placement of the wall.
Mkpali: The designers created a U-shaped area that combines with one long side and the five large windows, allowing natural light to filter in and diffuse freely. The entrance protrudes towards the foyer, due to the consideration of fire control regulations. Its position and width for evacuation bring new opportunities for organizing spatial pattern and form. The overall spatial design starts here.
Oge Ọrụ: April 2019-September 2019, Shanghai
Usoro Ọrụ: The spatial form is shaped based on classical languages. It absorbs arched elements from Antonello da Messina's masterpiece "St. Jerome in His Study". In the painting, Messina depicted an "eternal" space that combines openness and privacy as well as fluidity and serenity by the use of arches, which can be seen on architectural and interior structures, landscape and furniture. Based on 3D shapes, he t
Ndị Otu: Design team: Yang Bing, Hao Liyun
Asụsụ Foto: Super Yingxiang