Ihe emepụtara bụ Yearning For Art Ọrụ Ime Ụlọ Obibi nke Yan Ru Chen bụ onye meriri a na-asọpụrụ nke ukwuu nke 2021 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.
BronzIme Ụlọ· 2021
Yearning For Art Ọrụ Ime Ụlọ Obibi
nke Yan Ru Chen
Onye Ahịa: Mu’s Design
Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ime Ụlọ
Onye Meriri Onyinye A Kwadoro
Nyochaa Ọnọdụ Onyinye maka #106955Nhazi a
Maka Yearning For Art Ọrụ Ime Ụlọ Obibi
Yearning For Art bụ ọrụ ime ụlọ obibi emechara na Kaohsiung City, Taiwan. Ime ụlọ ahụ ji usoro agba oji, ọcha na igirigi mepụta ikuku dị jụụ na nke oge a. Mpaghara mmadụ niile na-abanye bụ ihe saara mbara na obosara, na-ejikọta ime obi, ebe iri nri na kichin aịlandị, ebe ebubu tebụl ogologo nwere oche dị iche iche edobere n'ime ebe iri nri maka ndị ọbịa. Ọnụ ụzọ gilaasị na-agbanwe agbanwe na-ekewapụ mpaghara mmadụ niile na nke onwe onye, na-echekwa nzuzo. Ihe ọtụtụ pụrụ iche ndị dị iche iche, dị ka ihe eji ese ihe, taịlị yiri mabụl, taịlị rust-copper, mbadamba titaniomu-ejiri emecha, na louvers osisi na-enye mgbidi ndị ahụ ọkwa dị iche iche na ọdịdị dabara adaba.
Nkwanye Ugwu
Maka Ihe Nrite A' Design Award nke Bronz
Yearning For Art Ọrụ Ime Ụlọ Obibi meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Yearning For Art Ọrụ Ime Ụlọ Obibi ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Yearning For Art Ọrụ Ime Ụlọ Obibi na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.
N'azụ Nhazi a
Ngwugwu Mgbasa Ozi
Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.
- Àgwà Pụrụ Iche
- The "black white gray" color system has the characteristics of evoking visual perception and also has the effect of relieving stress. The design team combines the pure residential elements with "commercial space" to clearly point out the theme of the guest house. The space lays out the substrate in the pure colors through an artistic and pleasurable perspective. With stone surface, metal, rusted surface, wooden louvers and other material surfaces, the space has a rich visual layer. At the same time, it also changes the texture of the wall from a flat surface to a three-dimensional one.
- Nha & Mkpuchi
- This case is a 55-ping space, and the client often invites relatives and friends to come to the house as guests. The public area is open and spacious, connecting the living room, dining room, and kitchen island, creating a smooth and comfortable circulation, and setting up a long table with multiple seats in the dining room to show the hospitality. Besides, the use of glass sliding doors between the public and private areas not only brings a mysterious beauty into the space, but also allows the client to maintain personal privacy and security.
- Mkpado
- Modern, artistic, guest house, leisure, relaxation
- Teknụzụ Mmepụta
- Special paint, marble-like tile, rust-copper tile sheet, titanium-plated sheet, wooden louvers. Art and feelings, comfort and taste are inextricably linked with life, and also have a deep resonation with the site of this project. The design team carefully interprets the causal relationship between space and people. In the phenomenon of low chromatic colors, the media, lines, light and shadow, etc., which are very visible, are consciously expressed through the diversity of the forms, linking the aesthetics and the life, thereby leading the resident to a spiritual environment.
- Ịma Aka Imepụta
- The male client likes a clean and modern feeling, and the female client yearns for a gentle and elegant life, and made a disagreement during the first design phase. Through communication with the design team, integrating the needs of the two, from opposition to harmony and balance, propose the most appropriate design plan. In addition, this project uses many large-scale thin-plate tiles, which have certain difficulties in the transportation and implementation process. Through many attempts and adjustments, this problem has been successfully solved.
- Nchọpụta
- The design team then used the core concepts of "art" and "travel" to launch a diverse dialogue between aesthetics and leisure. The entrance is surrounded by iron and glass materials, creating a clear and ambiguous hidden boundary and shaping a unique space area. The main wall of the living room is paved with imitation marble and thin bricks, and the detailed texture is reflected in the bright surface, and the shape a restrained and soft configuration. The elegant gray cabinet at the back of the dining area is complemented by dense dividing lines and geometric hollow design, which expresses the goal of quality of life.
- Mkpali
- For the design team, space and site region have some kind of "metaphysical" connection, so with the soft intervention of "art", through the fusion of spatial narrative, the urban context is extended from the inside out to the state of "daily life aesthetics". In this project, simple and clear low chromatic color is used to create a very modern spatial context. At the same time, with the unique texture of materials and the black and white shades, the visual freedom, from artistic paintings to space scenes.
- Oge Ọrụ
- The project finished in January 2020 in Kaohsiung City, Taiwan.
- Usoro Ọrụ
- There are crossing beams in the public area. The design team use titanium-plated metal to cover the separation between the living room and the dining room, and frame the exquisite interior view. In addition, the use of black and white stacked ceiling layers and concise shape echoes the overall color system, bringing a longitudinal visual extension.
- Ndị Otu
- MU’S DESIGN
- Asụsụ Foto
- MU’S DESIGN
Nkwado
Nyochaa Karịa Designers.org
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