Tai Quan Palace Wahi Hana Keʻena na Shen Fu Chen

ʻO Tai Quan Palace Wahi Hana Keʻena na Shen Fu Chen he mea lanakila hanohano loa o ka 2020 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.

HaoLoko Hale· 2020

Tai Quan Palace Wahi Hana Keʻena

na Shen Fu Chen

Mea Kūʻai: Jiun Wen Industrial Co., Ltd

Mea Lanakila A' Design Award Hao ma ka Māhele Loko Hale

7,496

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #98645

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Tai Quan Palace Wahi Hana Keʻena

Kēia ʻo Tai Quan Palace, he wahi hana keʻena aia ma New Taipei City, Taiwan. ʻO ke ala komo e hahai ana i ke ʻano kuʻuna Kina a hoʻomanaʻo ana i kahi hale aliʻi kahiko. Ua uhi ʻia nā paia o ke ala me nā ʻāpana gula lau he 26,000, hoʻokomo ʻia ma ka lima ma luna o ke kula mua ma kahi o ka pena. Ua hana ʻia nā puka pālua kuʻuna Kina me nā kui puka a me nā hui morutiseti-a-tenona e nā kanaka hana lāʻau. He maʻalahi launa ʻole nā wahi hana, me nā paia keʻokeʻo, nā pahu waiho, nā papa hana, a me nā noho, a me nā mea liʻiliʻi i hana ʻia me ka hao a me ke keleawe. Hoʻoponopono ʻia ka ʻokoʻa kiʻekiʻe ma ka puka komo e kahi ala pihoihoi e ʻae ana i nā mea kāohi ʻole.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Tai Quan Palace Wahi Hana Keʻena i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Tai Quan Palace Wahi Hana Keʻena he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Tai Quan Palace Wahi Hana Keʻena no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: The decoration style and techniques of the project are beyond the existing practice, trying to create a new harmonious aesthetics with contradictory elements in a limited space. The design team used gold foil and manually pasted the entire space surface with luxurious yet low-keyed gold color to the Chinese style corridor. Thereafter, looked for woodworkers to make traditional Chinese double doors, Mortise and tenon joints, bringing the best effort to make the entire space without ambiguity.
Nā Ana a me ka Hoʻopili: Tai Quan Palace is not just a visual experiment. In terms of living functions, the Chinese corridor entrance is designed with barrier-free ramp, which solves the height difference on the raised floor area. In order to connect the Chinese style on the outside and simplicity of European and American style on the inside, the floor tiles are gradually decreasing to create a progressive connection effect. As the line of sight extends to the end of the space, the design team replaced the solid partition with full glass to separate the space. While enlarging the vision, it is also an interesting attempt to make the space into a painting.
Nā Lepili: Traditional Chinese Architecture, Chinese and Western combination, Hand-glued gold foil, Modernism, Office Space
ʻEnehana Hana: As the main point of the Chinese style corridor, the design team used 26,000 pieces of gold foil, which was manually pasted to the entire wall surface after applying primer to replace the modern feeling of paint. Mortise and tenon joints, the Chinese double doors and door nails, are specially made by the woodworkers. On the contrary, the office space is relatively simple, which is decorated with details of different materials such as iron and copper. The gold color is used to portray the outline of the space, making a connection in a contrast differences.
Pilikia Hoʻolālā: The palace-like entrance corridor breaks the common perception about office, and it is also technically very different with the office in the past. Whether the traditional Chinese double doors with embedded door nails on it, Mortise and tenon joints, a progressive porch tiles, while at the same time a lot of communication and discussion with the technicians are needed for the design execution.
Noiʻi: The overall design style derived from the design team concern on the importance of their own tradition and the spirit of reminiscent. Adopting a strong traditional Chinese architectural style to create an ancient-palace-like entry corridor. Using hand-glued gold foil instead of common paint to show the timeless richness. The interior space is based on all white walls, cabinets, desks and chairs, and decorated with beautiful details such as door frames, lamp holders and Chinese cultural elements. Write the design intention between tangible and intangible.
Hoʻoulu Manaʻo: The designer upholds the fundamental idea of not forgetting own culture and quoting the traditional Chinese style as the main axis of the design and present the common classical elements one by one. A bold and no-hesitation design vocabulary are implemented, hoping that whoever enters the space may have the sense of acceptance, not just as a visitor but as a guest, who is well received. The style is quite different, but it creates a new balance with the extreme, which is the contradictory balance that the design team wants to try.
Ka Lōʻihi o ka Papahana: This project was completed in December 30th, 2019 in New Taipei City, Taiwan.
Kaʻina Hana: The overall design style is pushed to the extreme. Many seemingly like contrasting elements, whether it is the combination of Chinese and Western cultures, different materials, or the use of single color, which are some rare attempt to be found in commercial space. So, rather than compromising, the design team integrated the conflicting elements in an eclectic way. It is better to say that the design team retains the unique characteristics of each element to the maximum extent within the acceptable range.
Nā Lālā Hui: SHEN FU CHEN
Nā Kuleana Kiʻi: Chuang-Chieh Chiu, Jan 2019