Off Screen Audio Ke Kālai Puke na Weiquan Long

ʻO Off Screen Audio Ke Kālai Puke na Weiquan Long he mea lanakila hanohano loa o ka 2020 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Paʻi a me Pāpaho Paʻi.

HaoPaʻi· 2020

Off Screen Audio Ke Kālai Puke

na Weiquan Long

Mea Kūʻai: Guangzhou zhengdian advertising co. LTD

Mea Lanakila A' Design Award Hao ma ka Māhele Paʻi

11,884

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #96152

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Off Screen Audio Ke Kālai Puke

ʻO Off Screen Audio kahi puke e hōʻike ana i nā kiʻi pena aila i hoʻoulu ʻia e ka hana keaka Kina. Hoʻohana ʻia ke kaʻei o waho i kahi hana ʻoki kukui laser, no laila e ʻike pono ʻia nā kiʻi o ke keaka ma luna pono o ka ʻili o ka puke. Kūkulu ʻia nā hua palapala o ke poʻo inoa mai nā kiko, kaha, a me nā papa pālahalaha, a lilo i hōʻailona no ke kani. He 190 a me 210 milimika ka nui o ka puke, a hoʻopaʻa ʻia me ke uwea laka i loko o kahi kaʻei paʻa hoʻopunipuni. Hoʻohana ʻia ka papa ʻāhinahina paʻa kiʻekiʻe me ke kāpili wela kālā mole ʻole no ke kaʻei o waho a me ke kaʻei hope. Manaʻo ke kālai e hōʻike i ka ʻuhane o ka moʻomeheu kuʻuna Kina.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Off Screen Audio Ke Kālai Puke i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Off Screen Audio Ke Kālai Puke he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Off Screen Audio Ke Kālai Puke no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: In the cover design, the technology of hollow out can directly reflect the world
of books and drama, highlight the theme of off screen sound, break the limitation of drama, cater to the essence of The Times, and create a specific symbol of off screen sound. Increased the aesthetic and artistic sense of books. The font design of off screen audio is an audio symbol composed of dots, lines and planes.
The work of "Sound Outside the Picture" uses a hollow-out process on the cover design. Through the mutual deposit of the theme of "Sound Outside the Picture" and the appearance of the drama, it can directly reflect the author's drama world, break the limitations of the drama, and cater to the spirit of the times Create a specific symbol with sound outside the painting. Increased the aesthetic and artistic sense of books.
Nā Ana a me ka Hoʻopili: DIMENSION: 190mmX210mm
Nā Lepili: Peng Xiao Hang、Opera paintings、Book Cover Design、Off-screen sound
ʻEnehana Hana: Lock wire false hardcover
Outer cover back cover high density gray plate
Hot dumb silver
Activated hollow
Laser void
Pilikia Hoʻolālā: The challenge comes from how to express the inner essence of Peng Xiao hang 's works and the Oriental feelings that urge him to work tirelessly.
Noiʻi: Through painting creation, Peng Xiao Hang expresses his love for drama, transplanting national freehand brushwork spirit into oil painting creation, and writing his Oriental feelings. Through the simplification of time and space in the process of creation, Peng Xiao hang makes the character unbending on the surface, but emphasizes the inner spirit. The character can be gone with the wind, but the soul is eternal.
Hoʻoulu Manaʻo: Opera elements are one of the important elements and components in Peng Xiao hang's works. His creation breaks through the description of the behavior of dramatic characters and wedge into their soul, breaks through the description of fragmental pictures and shows the eternal quality, and depicts the eternal texture at the core of his creation. The characters in the pictures are more abstract in common and symbolic of the spirit of traditional Chinese culture.
Ka Lōʻihi o ka Papahana: Guangzhou, China, 2019
Kaʻina Hana: "Sound outside the painting" Peng Xiaohang's work is a "Guangdong Freehand Oil Painting Society Nomination Exhibition" co-sponsored by Guangdong Freehand Oil Painting Society, New Southern Art, Guangdong Environmental Protection and Guangdong Fashion Brand Operation Group.
The opera element is one of the important elements and components in Peng Xiaohang's works. For him, drama is the epitome of oriental culture, permeating the vitality of the nation, containing oriental thoughts and humanistic feelings, which also inspired his thinking about life , Prompting him to express his love for drama with painting creation.
His heart is woven with oriental feelings, Chinese style is the appearance of his life, and oil painting is his tool for expressing emotions. Western oil painting is used to express the Chinese national spirit and culture. The rich traditional culture constitutes an inexhaustible art resource for the painter, and transplants the national freehand spirit into oil painting creation.
In recent years, his paintings have gradually reduced the depiction of character shapes, simplified the background, made the characters exist in non-specific spaces, emphasized the non-uniqueness of time, and increased the depth of time, making the symbol of the character not cause Time and space are limited.
In the process of his continuous creation, the painting language and form content are evolving. In this series of painting exhibition works, he let more people know the painter's unique painting language system and style, and how the painter uses painting To express the spiritual culture of the Chinese nation and the symbols of oriental civilization, to give the audience an experience of the dramatic world outside the painting.