ʻO Longmen Realm Hoʻolālā Hōʻikeʻike na Ecust Creplus Design he mea lanakila hanohano loa o ka 2026 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.
KeleaweLoko Hale· 2026
Longmen Realm Hoʻolālā Hōʻikeʻike
Mea Kūʻai: Lingshan Museum
Mea Lanakila A' Design Award Keleawe ma ka Māhele Loko Hale
Mea Lanakila i Hōʻoia ʻIa
Hōʻoia i ke Kūlana Makana no #183008Ka Hoʻolālā
E Pili Ana iā Longmen Realm Hoʻolālā Hōʻikeʻike
Hōʻike ka hōʻikeʻike ʻo Longmen Realm i nā mea kālai hana kahiko he 76 mai nā Ana ʻo Longmen, e komo pū ana nā kiʻi kālai Buddhist, nā kiʻi kālai pōhaku, a me nā kope kākau lima paʻi ʻia. Hoʻonohonoho hou ka hoʻolālā i ka lumi o ka hale hōʻikeʻike ma o ka hoʻonohonoho ʻana i ka wahi, nā mea hoʻokomo, a me ka hoʻomālamalama ʻana e kākoʻo i ka nānā maopopo a me ka wehewehe ʻana. Hana nā hae kau ʻia i luna, ka papahele ʻālohilohi, a me ka hoʻomālamalama hoʻohui ʻia i kahi kaiapuni ʻike maka i hoʻonohonoho pono ʻia. Paipai nā mea launa pū i ke komo ʻana o ka poʻe kipa a me ke paʻi kiʻi, e hoʻomaikaʻi ana i ke komo ʻana o ka lehulehu i ka hoʻoilina moʻomeheu.
Ka Hoʻomaikai
E Pili Ana i ka A' Design Award Keleawe
Ua lanakila ka hoʻolālā Longmen Realm Hoʻolālā Hōʻikeʻike i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Longmen Realm Hoʻolālā Hōʻikeʻike he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Longmen Realm Hoʻolālā Hōʻikeʻike i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.
Ma Hope o ka Hoʻolālā
ʻEke Nūhou
Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.
- Nā ʻAno Kūʻokoʻa
- The exhibition presents 76 artifacts from the Longmen Grottoes, including sculptures, reliefs, and calligraphic rubbings. Through spatial design, scenography, and lighting, the project adapts the museum gallery to improve how visitors view and understand the works. By combining historical artifacts with installation design, the exhibition supports cultural interpretation and public awareness of heritage. Within 45 days of opening, the exhibition recorded over 450000 visitors.
- Nā Ana a me ka Hoʻopili
- Total exhibition area: 2000 m². The exhibition includes suspended textile banners, sculptural installations, mirror-finished flooring, and lighting systems integrated with the octagonal ceiling structure to enhance spatial depth and visual layering.
- Nā Lepili
- Longmen Grottoes, Exhibition Design, Installation, Museum Space
- ʻEnehana Hana
- The exhibition integrates spatial design, installation structures, textile banners, reflective flooring, and programmable lighting systems. Fabric structures are used to suspend large scale imagery, while mirror-finished flooring enhances spatial reflection. Installations derived from calligraphic brushstrokes translate traditional visual elements into contemporary spatial forms.
- Pilikia Hoʻolālā
- The main challenge was presenting ancient sculptures shaped by long-term historical processes in a contemporary exhibition format while maintaining their cultural context. The design introduced large suspended banners, reflective flooring, and a central lotus structure to organize the space. In the calligraphy section, brushstroke forms were transformed into installations, creating a relationship between traditional artifacts and spatial design.
- Noiʻi
- The project is based on research into the sculptural forms of the Longmen Grottoes and the spatial characteristics of the museum gallery. The study analyzed proportions, carving styles, and calligraphic inscriptions to identify visual elements adaptable to exhibition design. These findings informed artifact placement, installation structures, and lighting strategies, enabling the exhibition to balance historical authenticity with immersive contemporary presentation.
- Hoʻoulu Manaʻo
- The exhibition draws inspiration from the artistic language of the Longmen Grottoes, including Buddhist sculpture, stone reliefs, decorative patterns, and calligraphy from the Northern Wei period. Through research into these elements, the design reinterprets traditional aesthetics using a contemporary spatial and visual approach.
- Ka Lōʻihi o ka Papahana
- The project design began in February 2025 in Shanghai, China, and the exhibition opened in July 2025 at Lingshan Scenic Area, Wuxi, China.
- Kaʻina Hana
- Visitors move through a spatial narrative that transitions from historical interpretation to immersive experience. Sculptures and calligraphic artifacts are arranged around large-scale installations that guide circulation and visual focus. Suspended Buddha banners, reflective flooring, and dynamic lighting create layered perspectives as visitors move through the space. A central lotus seat invites visitors to pause, interact, and photograph, transforming the exhibition into both a contemplative and participatory cultural experience.
- Nā Lālā Hui
- Chief Project Planner: Weiping QIN
Deputy Project Planner: Yidong FAN
Creative Director: Hao Shan
Art Director：Yueqi DING
Graphic Designer: Haoming XIAN, Jingning ZHANG, Yizhou Hua, Shuyi TANG, Zhonghang LI - Nā Kuleana Kiʻi
- Photo Credits: ECUST Creplus Design，Wuxi Lingshan Cultural Tourism Group
Video Credits: Wuxi Lingshan Cultural Tourism Group
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