ʻO Flores Hikieʻe na Joao Demele he mea lanakila hanohano loa o ka 2026 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Lako Hale.

KeleaweLako Hale· 2026

Flores Hikieʻe

na Joao Demele

Mea Kūʻai: Karams

Mea Lanakila A' Design Award Keleawe ma ka Māhele Lako Hale

9,740

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #163636

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Flores Hikieʻe

He hikieʻe ʻo Flores i hoʻolālā ʻia no ka noho hoʻomaha a me ka hoʻonanea ʻana. He poʻai ke ʻano o kēia mea hana, a wili mau ana ka pale kua pihaʻā a puni ka noho e hana ai i kahi manaʻo o ka puni ʻia. Kau ka ʻāpana nui ma luna o kahi kumu hūnā no ka paʻa ʻana, a hāʻawi ka pākaukau ʻaoʻao i hoʻohui ʻia i kahi ʻili no nā puke, nā mea inu a i ʻole nā mea pilikino. Hui pū ʻia kahi ʻano kūkulu paʻa o loko me ka huluhulu paʻa kiʻekiʻe a me ka uhi palupalu, me ka humuhumu pololei e hahai ana i nā pihaʻā. Hana ʻia ka pākaukau ʻaoʻao me ka lāʻau maoli ma luna o kahi kūkulu metala lahilahi.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Flores Hikieʻe i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Flores Hikieʻe he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Flores Hikieʻe i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: The piece features a generous circular geometry that encourages relaxed use. A curved backrest wraps continuously around the seat, creating a sense of enclosure and visual comfort.

The main volume rests on a discreet base for stability, while an integrated side table adds function without compromising formal clarity.

Soft, uniform upholstery enhances the tactile quality and highlights the precise stitching that follows the natural curves of the design.
Nā Ana a me ka Hoʻopili: Finishes: Tissue and Wood

Measures:
Width - 144.0cm
Height - 77.0cm
Depth - 144.0cm
Nā Lepili: Daybed, Flora, Conforming, Nature, Design, Modern
ʻEnehana Hana: The piece combines a robust internal structure with high-density foam, carefully shaped to preserve its curves and ergonomic comfort.

The upholstery is precisely applied to ensure visual continuity and a refined finish, following the organic lines of the design. The natural wood side table, supported by a discreet metal structure, provides strength while maintaining visual lightness.

The production process brings together craftsmanship and contemporary upholstery and woodworking techniques.
Pilikia Hoʻolālā: The main challenge was balancing generous volumes with visual lightness. The continuous curves required careful attention to proportion, ergonomics, and upholstery tension to maintain refinement.

Integrating the side table seamlessly into the structure was also essential to preserve the fluidity of the design. The result is a piece that unites stability, softness, and functionality in a cohesive form.
Noiʻi: The Flores Daybed, designed by João Demele, is a design piece that reflects inspiration from nature, with an aesthetic that evokes the softness and elegance of flowers.
Hoʻoulu Manaʻo: Flores is inspired by the organic qualities and quiet strength of nature. The piece interprets the idea of blooming through form and materiality. Like a flower emerging from the earth, its design begins with a solid base and unfolds into soft, welcoming curves.

The rounded volumes evoke the delicacy of petals, while the balanced relationship between structure and softness expresses a dialogue between firmness and lightness. The result is an object that conveys serenity, comfort, and a sense of timeless elegance.
Ka Lōʻihi o ka Papahana: The project began in 2023 and was published in 2024, in São Paulo, Brazil.
Kaʻina Hana: The circular configuration supports a fluid and informal user experience. The continuous backrest allows different seating positions, functioning both as support and as a subtle enclosing element.

The integrated side table enhances interaction with the piece, providing a practical surface for personal objects, books, or beverages. This integration encourages longer stays and moments of pause, positioning the piece as a focal point for relaxation and gathering.
Nā Lālā Hui: João Demele
Mollde