ʻO New Year Kiʻi Hōʻike na Jui-Ping Lee he mea lanakila hanohano loa o ka 2024 A' Design Award Hao ma ka Māhele Hoʻokūkū Hana Noʻeau Kikohoʻe.
HaoHana Noʻeau Kikohoʻe· 2024
New Year Kiʻi Hōʻike
na Jui-Ping Lee
Mea Lanakila A' Design Award Hao ma ka Māhele Hana Noʻeau Kikohoʻe
Mea Lanakila i Hōʻoia ʻIa
Hōʻoia i ke Kūlana Makana no #158137Ka Hoʻolālā
E Pili Ana iā New Year Kiʻi Hōʻike
Ma kahi kahua malu, ma waena o ka hau mālie o ke hoʻoilo a me nā ʻoniʻo nani o nā lau o ka hoʻoilo, e noho ana kekahi kino hiʻohiʻona i kahiko ʻia me kahi Kimono nani loa. Hōʻike ka wāhi i ke ʻano o Wabisabi, e komo ana i ka nani o ka noho mehameha a me ka maluhia. He mau waihoʻoluʻu mākaʻala e kahiko ana i ka lole, ʻo nā Pines ka nui, e hoʻailona ana i ka hoʻano; a me ka Seigaiha hīmeni e hoʻailona ana i ka maluhia o ke kai. Ma ka nānā pili ʻana, ʻike ʻia nā kikoʻī hou aku, e waiho ana kahi pā pōhaku e lawe ana i ka inoa peni o ka mea kiʻi ma ka ʻaoʻao hema; a ma luna o ke Kimono, nā waihoʻoluʻu ʻiole e hoʻailona ana i ka makahiki hou 2020, ka makahiki o nā ʻiole.
Ka Hoʻomaikai
E Pili Ana i ka A' Design Award Hao
Ua lanakila ka hoʻolālā New Year Kiʻi Hōʻike i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā New Year Kiʻi Hōʻike he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā New Year Kiʻi Hōʻike no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.
Ma Hope o ka Hoʻolālā
ʻEke Nūhou
Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.
- Nā ʻAno Kūʻokoʻa
- An elegant figure with splendid Kimono, serenely sitting in a yard on a cold winter's day at new year, with colourful leaves and slowly showering snow around her that represents the traditional artistic term, Wabisabi (beauty of solitude and tranquility).
If we zoom in, it can be seen that the Patterns are mainly Pines, which is used in the most formal kimono, to be worn only on ceremonious occasions; and also "Seigaiha (sea waves)", which represents tranquility.
Aside from that, the stone plate on the left reads the pen-name of the artist; and on the kimono, there are patterns depicting mice, to celebrate 2020, the year of mouse. - Nā Ana a me ka Hoʻopili
- Original dimensions at 5600*3150 px, with 935 canvas layers
- Nā Lepili
- Illustration, Kimono, Furisode, Kouyou, Karesansui
- ʻEnehana Hana
- Drawn using a Wacom Cintiq Pro 32, with software Easy Paint Tool SAI 2.0
- Pilikia Hoʻolālā
- The key challenge is to make a painting while keep the authenticity of the elements - the kimono, the karesansui ("dry yard") and the red leaves. While many other illustrators prefer drawing kimono-like outfits, this work must be authentic on the kimono design so it can fit the theme properly; under such condition, the creating process became much more difficult due to the fact that it can not be a free-form creation, but a restricted one that the combination of all the elements in the painting must be meticulously designed and crafted.
- Noiʻi
- Research especially on the meaning of the kimono patterns was conducted, to better represent kimono while avoid improper designs. Books and documents are examined, and different combinations of patterns are tried in the painting, and the one with best both cultural and visual effect was determined, resulting in a design which is both having superb color representation and cultural meaning that befit the theme of the work (new year).
- Hoʻoulu Manaʻo
- When I was sitting alone in my home watching a video about how Kimono's (traditional Japanese dress) are made, I suddenly imagined a figure in Karesansui (Japanese stone yards), surrounded by maples and wearing the most fine, magnificent Kimono; and I, a "photographer", would quietly approach, crouching on the ground and capture the evanescent moment with a single-lens-reflex camera (which is my canvas and pen)
- Ka Lōʻihi o ka Papahana
- The vague inspiration of it formed since 2017-2018, and the actual drawing started in December 2019, finished & published in January 2020.
- Kaʻina Hana
- At first sight, you will immediately focus on the figure in the middle, in spite of the fact that the saturation level of the background is much higher. This is called the "blurring perspectives" technic that by burring out items whilst no obvious perspective cues, it creates a huge sense of space, and can lead the beholder to focus their sight at once at the non-blurred items, namely the figure in this painting, sitting in the middle, creating a "photo-like" effect.
Kākoʻo ʻIa
ʻImi ma ʻō aku o Designers.org
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Hou Aku e ʻImi Ai
Nā Hoʻolālā Pili
E ʻimi i nā hoʻolālā lanakila hou mai ka māhele like, i koho ʻia ma ka waiwai.