ʻO Move Noʻonoʻo na Ariel Sliwinski he mea lanakila hanohano loa o ka 2024 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Lako Hale.

KeleaweLako Hale· 2024

Move Noʻonoʻo

na Ariel Sliwinski

Mea Kūʻai: Ariel Śliwiński Studio

Mea Lanakila A' Design Award Keleawe ma ka Māhele Lako Hale

13,587

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #156196

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Move Noʻonoʻo

He noho ʻo Move i hoʻolālāʻia e hoʻololi i nā ʻano kino pākahi a me nā pono ergonomic. Hiki i ka noho ke hoʻololi i kona ʻano hina e like me ka hāliʻi keiki, ʻoiai ke kau ʻia nei ke kua ma nā wahi ʻelua e hui pū ana, no laila hiki i ke kua ke wili a hina paha. Aia kahi mea ʻike kaomi i hoʻokomo ʻia i loko o ka noho e hoʻomaopopo i ka mea hoʻohana e kū i luna ma hope o kahi manawa i hoʻonohonoho ʻia ma o ka haʻalulu. Hana ʻia ke kūkulu me ke keleawe hoʻoheheʻe i hana hou piha ʻia, a hana ʻia ka noho, ke kua, a me nā lima kākoʻo me ke kaʻa i wili ʻia i ʻelima ʻaoʻao. Hiki i ka mea hoʻohana ke hoʻonohonoho iā Move ponoʻī a hoʻouna ʻia ia i loko o nā pahu pālahalaha, e hōʻemi ana i ke kapuaʻi kalapona.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Move Noʻonoʻo i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Move Noʻonoʻo he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Move Noʻonoʻo i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: The chair has ability to adjust to individual needs, and body shape. To achieve the best ergonomics, a seat was employed that, like a cradle, can change its tilt angle. The backrest, on the other hand, suspended at two converging points along the axis, has the ability to rotate and tilt. An additionally designed element is an embedded pressure sensor in the seat. After a specified period, it automatically reminds the user to stand up through vibrations, promoting a healthier sitting routine.
Nā Ana a me ka Hoʻopili: 550mm x 515mm x 740mm
Nā Lepili: ergonomic chair, cork, aluminum, haptic, stackable, health sitting routine, rotating backrest,
ʻEnehana Hana: The chair's structure was designed with cast aluminum elements, providing both lightness and rigidity, while the seat, backrest, and armrests were crafted from five-axis milled cork.
Pilikia Hoʻolālā: In the material selection and construction phase, environmental considerations played a significant role in the project. The aluminum used in designing the chair's structure is a material composed entirely of recycled content. The cork, employed for the remaining elements,
is a natural material that can also be recycled. The chair's design was developed to be easily assembled by the user, allowing it to be shipped in flat boxes, thereby reducing its carbon footprint.
Furthermore, all components share the same material, facilitating the option to repair or replace worn elements, promoting sustainability throughout the chair's lifecycle.
Noiʻi: During several years of working in the furniture industry, I came to the conclusion that there is no such thing as the perfect chair, mainly because each of us is unique and has different needs. In the context of the prevailing global overconsumption, I asked myself whether it makes any sense to design another chair, and if so, what characteristics it should have. In response, a project was created that attempts to reconcile ergonomics, functionality, high quality, and above all, ecology. The main challenge was to create a piece of furniture with a reduced environmental impact and one that would bring a new level of quality to the furniture market.
Hoʻoulu Manaʻo: The primary goal of the project was to create a form in line with the principles of Juhani Pallasmaa. The aim was to provide the user with not only visual but also tactile experiences. The use of materials differing in texture, hardness, and temperature within a single piece of furniture allowed for a design that is intriguing not only visually but also haptically. A crucial aspect of the project was to achieve a form based on material contrasts.
Ka Lōʻihi o ka Papahana: the project started in April 2023 in Poland
Kaʻina Hana: This project is oriented towards the user on multiple levels. Firstly, the organic form, diverse in terms of touch, aims to also appeal to the sense of touch, thereby enhancing the user's connection with the product. On the other hand, movable elements allow the furniture to be adapted to individual ergonomic needs. Its construction has been designed so that the furniture can be easily assembled by the user.