Concavity and Convexity Ka Hana Mua: Loko Hale Kikowaena Hoʻokipa na Kevin Hsieh and Yunshuang Lin

ʻO Concavity and Convexity Ka Hana Mua: Loko Hale Kikowaena Hoʻokipa na Kevin Hsieh and Yunshuang Lin he mea lanakila hanohano loa o ka 2022 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.

HaoLoko Hale· 2022

Concavity and Convexity Ka Hana Mua: Loko Hale Kikowaena Hoʻokipa

na Kevin Hsieh and Yunshuang Lin

Mea Kūʻai: Form Space Design

Mea Lanakila A' Design Award Hao ma ka Māhele Loko Hale

8,375

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #136938

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Concavity and Convexity Ka Hana Mua: Loko Hale Kikowaena Hoʻokipa

Kikokikona Puke: ʻO Concavity a me Convexity kahi kikowaena hoʻokipa ʻelua kāʻahaʻa i loko o Taoyuan, Taiwan. Hoʻohui ka loko hale i nā laina kahiko me nā mea hana hou. Hoʻohana ʻia nā papa ʻupena galvanized ma ke ʻano he pale a me ka hale kaupaku a puni nā alapiʻi. ʻAe ka ʻupena i ka mālamalama e hele ma waena, no laila neʻe ka mālamalama a me ke aka ma luna o nā paia keʻokeʻo maʻemaʻe. Hoʻokumu kekahi alahaka me nā kaha keʻokeʻo a ʻeleʻele a me nā aniani ʻeleʻele i hopena ʻike like me kahi ʻauwaa lua. Hoʻokumu ʻia ke kaupaku e ka hana kālai ʻāʻole like ma kahi o ka hoʻonohonoho like. Ua hoʻoulu ʻia ke kālailai e nā kiʻi pena a Pierre Soulages.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Concavity and Convexity Ka Hana Mua: Loko Hale Kikowaena Hoʻokipa i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Concavity and Convexity Ka Hana Mua: Loko Hale Kikowaena Hoʻokipa he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Concavity and Convexity Ka Hana Mua: Loko Hale Kikowaena Hoʻokipa no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: The interior is designed with modern elements to interpret the classical style, bringing galvanized mesh panels into the space as screens and ceilings between staircases. The mesh panel has a penetrating characteristic to bring in light, so that the space can form natural ripples and dance with light and shadow. This design creates an artistic and stylish appearance through the use of contradictory elements.
Nā Ana a me ka Hoʻopili: Construction began in February 2021 and was completed in June 2021.
The total square footage is 1170 square meters. Located in Taoyuan, Taiwan, the two-story reception center includes a meeting area, audio visual room, exhibition area, VIP ROOM, pantry and lounge.
Nā Lepili: Symmetry, neoclassical, modern, material experimental, Corinthian Order, corrugated sheet, Pierre Soulages
ʻEnehana Hana: The concept of the corridor comes from Pierre Soulages paintings, using black and white stripes and black mirrors to create a visual interlacing effect, like a time tunnel. Through the mirror effect, light and different materials blending with each other, enlarging the depth of field and bringing spaciousness. The design of the ceiling is different from the common symmetrical approach, and is illustrated by asymmetrical collage carvings, allowing the classical to be presented in a modern form.
Pilikia Hoʻolālā: This is not a newly built project, but a retrofit of the original building. Corrugated sheet and galvanized mesh panels are the symbol of inexpensive materials in Taiwan, often used in factories and countryside bungalows. In this case, the designer has taken a common, mundane material and elevated its value with the use of color palette, structure and classical elements to make it both modern and technological.
Noiʻi: In Pierre Soulages paintings, the squeegee is used to create strong color blocks and stripes on the paint. The texture becomes the visual focal point, and the presence of light is felt in the concavity and convexity of the paint. Therefore, this project is based on the development of a classical and modern space, full of texture and the flow of light and shadow.
Hoʻoulu Manaʻo: Inspired by the abstract painter Pierre Soulages, the design explores the changing relationship between black, line and light through Pierre Soulages powerful and textured style of painting. The designer uses light as a design element, and through the reflection and interplay of colors and spatial textures, a sense of natural rhythm is derived from the space.
Ka Lōʻihi o ka Papahana: This project is built in Taiwan.
Kaʻina Hana: The designer installed galvanized mesh panels and metallic water ripple glass panels in the staircase, open the sense of space through the large vertical window openings. With a large amount of light and plain white walls, the designer let the expression of the space change with the weather and time of day.
Nā Palapala Kuleana: Copyrights belong to Form Space Design.
Nā Lālā Hui: Kevin Hsieh
Yunshuang Lin
Nā Kuleana Kiʻi: Photographer: Hezi Studio