Kabootar Khaneh Hale Nui na Nima Keivani

ʻO Kabootar Khaneh Hale Nui na Nima Keivani he mea lanakila hanohano loa o ka 2021 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Hale, Kūkulu a me Hōʻuluʻulu.

KeleaweHoʻolālā Hale· 2021

Kabootar Khaneh Hale Nui

na Nima Keivani

Mea Kūʻai: Keivani Architects

Mea Lanakila A' Design Award Keleawe ma ka Māhele Hoʻolālā Hale

15,299

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #123994

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Kabootar Khaneh Hale Nui

He pākuhi hemolele e hoʻemi i ka hopena i ka ʻāina a puni, me he kaupoku hiʻo i huna ʻia ma hope o nā pā, ua hāʻawi ʻia kekahi hapa o ka lewa i loko no nā manu, me ka hoʻoulu ʻana mai nā hale manu kahiko. Ua hoʻokumu ʻia nā lewa i loko ma o ka lanai kahi e noho ai nā manu, i hana ʻia he pāʻani kaha ʻōkina a me nā ʻokoʻa o nā papa i loko o nā lewa, a pēlā pū me ka hoʻolālā ʻana o nā aniani piʻi ma loko. Ua hoʻonohonoho ʻia nā puka aniani o ka hale e like me ka pāʻani mahele i loko. I loko o ka hale, ua hoʻohana ʻia ka lāʻau e hana i ka ʻano o ka honua.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Kabootar Khaneh Hale Nui i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Kabootar Khaneh Hale Nui he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Kabootar Khaneh Hale Nui i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: Perhaps what sets this building apart is its new look at biophilic architecture, Architects have always paid attention to the use of plants and light and water. But this house has become a place for more interaction; birds. This is a house for humans and birds. In this respect, inspired by Iranian historical dovecotes, a part of interior space was dedicated for this purpose.The interior spaces is formed around the patio where the birds live, by creating cross-sectional play and level differences in the spaces, as well as the special design of the stairs and the holes inside it.
Nā Ana a me ka Hoʻopili: Field area 332 square meters (24.5 meters of length, 13.5 meters of Width), Ground floor area is 67 square meters, total built area 210 square meters, the buildings Height 10.6 meters.
Nā Lepili: villa, Biophilic architecture, home, Keivani Architects, Nima Keivani, Sina Keivani, Iranian architecture, residential, minimalism, minimal architecture
ʻEnehana Hana: All the wood used in the construction of the building, such as the facade and sloping roof are made of old wood recycled from the old buildings of the place. The rocks used in landscaping are sedimentary rocks in the village that were collected and used in the site. A form of sloping roof was used in this building that had not been used before. In fact, the sloping roof are hidden behind the walls to maintain the cubic and minimalist form of the building. And rainwater is collected on the roof surface by drainage and utility pipes. And is used for irrigation of site plants
Pilikia Hoʻolālā: The main challenges of the design team were how to create an atmosphere where humans can live together with birds but in kind of coexistence such a way that the independence, peace, and security of each is not lost. On the other hand, it must be made an interaction space between birds and different spaces inside the human house to affect the mood of the residents. Another challenge was the very limited budget that led the architects to a minimalist work.
Noiʻi: The main strategy was to bring characteristics of the natural world into built spaces. as well as establishing a visual relationship, for example between light vs shadow.To achieve this goal, the design team began extensive studies on the traditional architecture of the region and finally decided to search more about historic pigeon houses in Iran. comprehensive research was conducted on the architecture of the indigenous houses of the region, such as air circulation, how to deal with climatic issues, spatial arrangement diagrams, vertical and horizontal connections such as stairs, corridors, screens.
Hoʻoulu Manaʻo: the basic concept of the design was to create a space for co-existence between humans and birds. After visiting the project site, the architecture team noticed the widespread presence of birds there. they decided to design a house where people could live next to them. inspired by Iranian historical dovecotes, a part of interior space that acts as a patio due to the use of glass material and the transparency around it. The interior spaces is formed around the patio. the also inspired from sections, voids and stairs of traditional architecture
Ka Lōʻihi o ka Papahana: The project designed in August 2017 in Shirgah Mazandaran IRAN and the construction finished in September 2018 in Tehran.
Kaʻina Hana: The windows are arranged according to the interior section game. In addition to creating different sequences of view and the outside perspective, we will see the light radiating from different angles, and consequently playing the dance of light with a change in the angle of incidence. The staircase box is designed in such a way to be different in each floor, it has evolved into an exciting space. a window opens to the staircase from one of the bedrooms so that the user can see a larger window facing the outside of the staircase that allows one to view the tree from the other side of the courtyard.
Nā Palapala Kuleana: copy right by Keivani Architects 2019
Nā Lālā Hui: Principal Architects: Nima Keivani & Sina Keivani
Graphic: Sahar Najafi & mahsa Kiani & Azin Hadizadeh
client: Masoud Adnani
construction manager: Masoud Adnani
Project Manager: Nima Keivani & Sina Keivani
BIM Manager: Sina Keivani
Nā Kuleana Kiʻi: Image #1: Photographer Deed studio, facade, 2019. Image #2: Photographer Deed studio, facade, 2019. Image #3: Photographer Deed studio, Interior space, 2019. Image #4: Photographer Deed studio, Interior space, 2019. Image #5: Photographer Deed studio, Interior space, 2019.