ʻO Baochao Hutong Primary Function: Ka Hoʻoponopono ʻana i ka Pā Kahua na Daga Architects he mea lanakila hanohano loa o ka 2022 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Hale, Kūkulu a me Hōʻuluʻulu.
KalaHoʻolālā Hale· 2022
Baochao Hutong Primary Function: Ka Hoʻoponopono ʻana i ka Pā Kahua
Mea Kūʻai: DAGA Architects
Mea Lanakila A' Design Award Kala ma ka Māhele Hoʻolālā Hale
Mea Lanakila i Hōʻoia ʻIa
Hōʻoia i ke Kūlana Makana no #117572Ka Hoʻolālā
E Pili Ana iā Baochao Hutong Primary Function: Ka Hoʻoponopono ʻana i ka Pā Kahua
Baochao Hutong he hale pā kahua i hoʻoponopono ʻia aia ma kahi apana hutong o Beijing. Aneane 12 mika huinahā ka pā kahua a he ʻano lōʻihi a haiki. Hoʻohana ʻia ke aniani kilo ma ka honua a me nā paia o ka pā. ʻO nā ʻili hoʻohuli ʻana e hōʻike ai i ka lumi liʻiliʻi me he mea lā ua ʻoi aku ka nui, a hoʻohuli aku i nā alanui, nā kumu lāʻau a me ka lani a puni. Hoʻoikaika ʻia ke kūkulu lāʻau i pōʻino, a ua kūkulu hou ʻia ke alo ma ke ʻano he pale aniani. Lawe mai ke alo ʻike ʻia i ka mālamalama o ke ao i loko, a ʻae aku i nā ʻike ʻana ma kēlā ʻaoʻao o ka pā kahua.
Ka Hoʻomaikai
E Pili Ana i ka A' Design Award Kala
Ua lanakila ka hoʻolālā Baochao Hutong Primary Function: Ka Hoʻoponopono ʻana i ka Pā Kahua i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Baochao Hutong Primary Function: Ka Hoʻoponopono ʻana i ka Pā Kahua he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Baochao Hutong Primary Function: Ka Hoʻoponopono ʻana i ka Pā Kahua e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.
Ma Hope o ka Hoʻolālā
ʻEke Nūhou
Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.
- Nā ʻAno Kūʻokoʻa
- This courtyard is located in the Beijing Hutong area with an area of 12 sqm. Mirror glass is used on the ground and walls of the yard. When the owner steps into the door, she will be surrounded by the perspective effect of specular reflection, which increases the permeability of the space and gives people a double landscape experience. The unique reflectivity of the mirror allows the surrounding hutongs, trees, and sky to be reflected on the ground of the yard, which brings more possibilities to space.
- Nā Ana a me ka Hoʻopili
- Width 7750mm x Depth 13400mm x Height 240mm
Since this is an L-shape project, the floor area is the result of
7750mm x 13400mm minor the result of 4670mm x 6820mm. - Nā Lepili
- Architecture, Renovation, Interior Design, Courtyard, Transparent, DAGA
- ʻEnehana Hana
- Mirror glass is mainly used for the ground and wall part of the yard. The unique reflectivity of the material can make the surrounding hutongs, trees and sky map to the ground of the yard, bringing more possibilities to the space. Since the small courtyard is only about 12 ㎡ with a long and narrow shape. The glass mirrors of the ground and walls enlarge the area of the courtyard visually. When the owner steps into the door, she will be surrounded by the perspective effect of specular reflection. In the transformation, the dis-repaired wooden structure has been strengthened, and the facade has been changed into the form of glass curtain wall. The transparent curtain wall added day-lighting to the interior space, allowing the line of sight to penetrate each other on both sides of the courtyard.
- Pilikia Hoʻolālā
- The courtyard is really small and narrow with a square of 12㎡, in order to make it visually spacious, mirror glass is used on the ground and walls of the yard. The unique reflectivity of the material allows the surrounding hutongs, trees, and sky to be reflected on the ground of the yard, which brings more possibilities to space. This kind of interaction between virtual and reality is more prominent. People in the scene, people also in the mirror, in the layered reflection and transparent contrast, give people a sense of space experience like a dream.
- Noiʻi
- Type of Research: Applied research practice
Research Objectives: To explore a design language in a house renovation project in Hutong to bring back memories and histories and connect people and buildings through creating new contrast and integration between people, house and the Hutong community.
Methodology: The core construction method is to use mirror. Mirror glass is used on the ground and walls of the yard in order to accept the environment (hutongs, trees, and sky) into the house. This allows to create and kaleidoscope which means a collection of Greek words such as KALOS (beautiful), EIDOS (shape), and SCOPE (watch)
Data Collection and Research Tools: Data are obtained from client and remeasured. Kaleidoscope is an essential concept for this house. Using mirror and black bricks allows us to express the design concept: reflecting and transparentizing surrounding spaces and local community environments.
Participants or Experiments: DAGA Architects and the client.
Results, Insights and Impacts: A living space suitable for the modern lifestyle has been created, and the life marks of those hutongs that have been awaken. This 'invisible yard' has positively impacted a client and a local hutong community. Most of the buildings in Hutong are old and dilapidated. This house with light and mirror brings new modern features and create new identity, refreshing local residents' memories and history.
Effect of the Research in Real-Life Phenomena: Effect of the research in real life phenomena : Renovating a house in a plot does not mean fixing one architectural building in a community. It needs to be connected with local residents, visitors, and people living around that area. Using mirrors and the existing bricks, this building is naturally placed in the hutong area. The spaces are connected through visibility, lights, and unique materials in Hutong. - Hoʻoulu Manaʻo
- Mirror glass is used on the ground and walls of the yard. The unique reflectivity of the material allows the surrounding hutongs, trees, and sky to be reflected on the ground of the yard, which brings more possibilities to space. This kind of interaction between virtual and reality is more prominent. People in the scene, people also in the mirror, in the layered reflection and transparent contrast, give people a sense of space experience like a dream.
- Ka Lōʻihi o ka Papahana
- The project started in June 15th 2020 and finished in June 29th 2020 in Beijing, took only 14 days.
- Kaʻina Hana
- The design of the mirror gives the building an interesting relationship with its surroundings: the mirrored ground reflects the surrounding environment, and the building is surrounded by trees and sky as if it disappears in the environment. The owner can take a glimpse of the changes in the surrounding environment in the room, and the ground turns into a huge picture, reflecting and changes in nature. At the same time, the mirror also blurs the boundaries of internal and external, blurring the boundary between virtual and real. The scene flowing in the mirror made the yard move, refreshing people's hearts with invisible poetry. People's sight seems to be lost in the unreachable landscape, and the scenery reflected in the mirror is close at hand.
- Nā Lālā Hui
- Design Director: Shen Jianghai
Interior Designer: Li Shaoyi
Decoration Designer: Yu Xiaoyu
Designer: Gao Yuze
Designer: Zeng Yijun
Designer； Liu Yu - Nā Kuleana Kiʻi
- Image #1 : Photographer Jin Weiqi, Baochao Hutong Mirror Yard, 2020.
Image #2 : Photographer Jin Weiqi, Baochao Hutong Mirror Yard, 2020.
Image #3 : Photographer Jin Weiqi, Baochao Hutong Mirror Yard, 2020.
Image #4 : Photographer Jin Weiqi, Baochao Hutong Mirror Yard, 2020.
Image #5 : Photographer Jin Weiqi, Baochao Hutong Mirror Yard, 2020.
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