Sense Move Ao Jeroky Zhulin Shi omba'apóva

Sense Move Ao Jeroky Zhulin Shi omba'apóva ha'e rembiporuarã oñemba'eguaséva 2020 A' Design Award Pláta pegua Ao Jejapo Ñeha'ã Categoría-pe.

PlátaAo· 2020

Sense Move Ao Jeroky

Zhulin Shi -gua

Mba'eporuhára: Last Lab Inc.

A' Design Award Pláta Rembiporuarã Ao Categoría-pe

37,486

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #90799 Peg̃ua

Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Sense Move Ao Jeroky Rehegua

Sense Move ha'e peteĩ ao omimbipáva ojejapo vaʼekue jerokihárape g̃uarã. Ko ao ojekuʼe ha oñemboʼy hikuái forma geométrica-pe osegíva tete jekuʼe, ojapóvo peteĩ ta'anga oikoveʼatãva escenario ári. Umi tesape rembiapo ohechauka temiandu oñemoambuéva. Peteĩ jekuʼe mbeguemi ohechauka ñepytu, ha peteĩ tesape porerei ohechauka vy'a. Oñemoinge avei peteĩ guante osentíva ao rehe. Oñatói ramo peteĩ ohechávagui jerokihára po, tesape oñemoambue upe ñatói rehe. Ko ojejapopyre oheka omombarete pe jehecha temiandu apytepe umi ojerokíva ha umi ohechávagui.

Jeguerohory

A' Design Award Pláta Rehegua

Sense Move Ao Jeroky ohupyty A' Design Award Pláta, peteĩ ñehechakuaa extraordinariamente prestigioso oñeme'ẽva diseño de primera línea, hechapyrãva ha impresionante-pe. Umi ganador Pláta ha'e tembiapo brillante ha heta creativo ohechaukáva expertise, talento ha agudeza sobresaliente umi diseñador-pe. Oñeha'ãrõ Sense Move Ao Jeroky ha'eha peteĩ tembiapo maravilloso, ejemplar, profesional ha innovador pypukuvéva. Ko diseño ohupytýva A' Design Award Pláta ha'e invento ojehechakuaáva ha ojehayhúva ohepyme'ẽva ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Sense Move Ao Jeroky ha'e creación heta ojeenvidiáva omokyre'ỹva ipotapy, ome'ẽva sentimiento positivo ha omoheñóiva maravilla ha sorpresa.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: Sense Move costume communicates emotionally through the body movements of the dancers. The different light effects express the costume’s emotions; for instance, a slow fade is breathing, and a flash conveys excitement. It not only presents dynamic forms like a Kinetic 3D Sculpture, but also enable musicians and performers to improve their performance and enhances people’s experience of performances and expands the boundaries of the performance industry.
Tuichakue ha Ñemyenyhẽ: Width 70mm x Depth 30mm x Height 150mm
Ñe'ẽ Rape: wearable technology, led lighting costume, kinetic sculpture
Ñeapopy Tecnología: In the process of prototyping, sketching, draping, cutting sewing, sewing, soldering and programming have been applied.
Diseño Jepy'apy: The challenge part is finding the form and concept for the costume design. I did many prototypes in different material and explore the movement part can create imaginary space to inspire dancer and grab people's eyes.
Ñesẽheka: I love dancing. I started dancing from 5 years old. The costumes like Cinderella’s dress gave me confidence on the stage. In 2007, I studied contact improvisation in UC Davis with famous choreographer Nita Little. With the experience in dancing and choreography, I started to ask myself how can costume further link emotional experience to our mind. Nita Little wrote “the ‘mountain’ moves and the ‘cloud’ changes as a result. Notice how our attention travels across surfaces while your awareness may slip into the volumes they contain.” A common thread was found in my research, which is costumes can make a connection between movement, imagination and emotion.
I attempted to design costumes that serves the bi-lateral relationship between Poetic Design and the Pattern Language of Dance.
Inspiración: With the experience in dancing and choreography, I started to ask myself how can costume further link emotional experience to our mind. Since that, I interviewed with a famous choreographer and dance artist – Yin Mei, whose wise words “I can create an architecture space using my joints, which is already telling a story” sparked my inspiration. My initial concept is about geometrical folding following along with the kinetic movement of the body.
Proyecto Ára Tuichakue: The project original started in May 2016 for my MID thesis at Pratt. Sense Move costume has been applied and displayed in experimental workshops and a chamber opera in NYC. In 2016, I launched the “Sense Move” workshop featuring the renowned dancer and choreographer Yin Mei and violinist Wang Xiaotong in NYC. Since then, I and a collaborating guest artist Clarice Assad were invited to teach the experimental “Sense & Sound” workshop at the New Musical Instrument Hackathon 2016 at the Spotify headquarters in NYC. In 2018, I redesigned “Sense Move” Costume for a multimedia opera – Semulacrum.
Mba'apo Rape: The different light effects express the costume’s emotions; for instance, a slow fade is breathing, and a flash conveys excitement. It not only presents dynamic forms like a Kinetic 3D Sculpture, but also creates new geometric space for the dancers. I designed “Sense” glove as a part of “Kinetic Sculpture” Costume. When a member of the audience touches the hand of a dancer who is wearing the costume, the light changes by sensing the touch as if the costume was alive. This will enhance the emotional transmission between the dancer and the audience, and even engage the audience to participant into the contact improvisation.
Ta'ãnga Mba'eñemoneĩ: Image #1: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #2: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #3: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #4: Photographer Bengrong Zhu, Model Evita Zacharioglou
Image #5: Photographer Bengrong Zhu, Model Evita Zacharioglou