Noshudo Zero Mba'e Reko Rehegua Ojehechakuaáva Kenichi Mizuno omba'apóva

Noshudo Zero Mba'e Reko Rehegua Ojehechakuaáva Kenichi Mizuno omba'apóva ha'e rembiporuarã oñemba'eguaséva 2026 A' Design Award Itaju pegua Tekove Reko Ymaguare Jejapo Ñeha'ã Categoría-pe.

ItajuTekove Reko Ymaguare· 2026

Noshudo Zero Mba'e Reko Rehegua Ojehechakuaáva

Kenichi Mizuno -gua

A' Design Award Itaju Rembiporuarã Tekove Reko Ymaguare Categoría-pe

61,966

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #180133 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Noshudo Zero Mba'e Reko Rehegua Ojehechakuaáva Rehegua

Noshudo Zero ha'e peteĩ mba'e reko rehegua ojehechakuaáva, oñe'ẽmyatyrõva Hapõ kyse puku apo rembiaporã ip-arandukuaápe ha'ehápe peteĩ tembiporu ñañemomandu'a ha py'aguapy rekávo. Ojejapo po rupive techapyrã ymaguare ha tamahagane potĩ, ko tembiapo oñemohu'ã peteĩ hovamongy'a ojoykére oĩva ohechaukáva pe omañáva ha oporomokyre'ỹva oñemomba'e haĝua. Omoambueramo peteĩ mba'e reko ojekuaaporãva peteĩ mba'e ojojoja ha ñeñandúpe, ko tembiapo oheka tape pyahu oñeñongatu ha oñemongakuaa hağua tembiapoapo ymaguare. Ko tembiapo opyta oñehecha meme opavavépe táva Seki-pe.

Jeguerohory

A' Design Award Itaju Rehegua

Noshudo Zero Mba'e Reko Rehegua Ojehechakuaáva ohupyty A' Design Award Itaju, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño primera clase, maravilloso ha sobresaliente-pe. Umi ganador Itaju ha'e creación heta innovador, visionario ha glamoroso ohesape'ỹva ohechaukáva genio, sabiduría ha habilidad umi diseñador-pe. Oñeha'ãrõ Noshudo Zero Mba'e Reko Rehegua Ojehechakuaáva ha'eha peteĩ invento ojehechakuaavéva, tendencia omoĩva ha monumental ome'ẽva valor ndojehecháiva. Ko diseño ohupytýva A' Design Award Itaju ha'e proyecto espectacular ha respetado ohepyme'ẽva heta ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Noshudo Zero Mba'e Reko Rehegua Ojehechakuaáva omoheñói sentimiento ipotapy mbarete, omokyre'ỹ pasión, ombokyre'ỹ creatividad ha ñanemombyasy.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: Noshudo Zero is a circular Japanese sword reinterpreted as a symbolic blade for self reflection. To the best of our knowledge, it is the first documented circular Japanese blade realized primarily through traditional hand forging. The blade is made from tamahagane and reclaimed historic iron and was intentionally finished without a sharpened cutting edge, emphasizing cultural meaning, reflection, and presence rather than aggression.
Tuichakue ha Ñemyenyhẽ: The project features a circular Japanese blade with an approximate diameter of 300 millimeters. Primary materials include high purity tamahagane steel and reclaimed historic iron. The hilt and guard incorporate precision machined metal components. Traditional hand polishing and modern surface refinement were combined to achieve precise circular geometry, structural stability, and a uniform mirror like finish suitable for public exhibition.
Ñe'ẽ Rape: Japanese sword, circular blade, symbolic blade, self reflection, cultural heritage, Seki City, traditional craft, hand forging, tamahagane, mirror finish
Ñeapopy Tecnología: Creating the circular blade required controlled forging beyond conventional sword making practice. Under heat, the inner edge had to be contracted while the outer edge expanded in balance. Three forged material sets were lost before the final form of about 300 millimeters was achieved. The blade was then hand polished over several days to secure stable geometry and a uniform mirror surface, while precision machined parts were integrated in limited areas.
Diseño Jepy'apy: The main challenge was realizing a continuous circular blade through traditional hand forging while maintaining structural stability, material integrity, and visual balance. This geometry is rarely attempted in Japanese sword making because curvature control under heat is extremely difficult. Repeated trials, close coordination among swordsmiths, polishers, and machinists, and refinement of each step were necessary before the final blade could be completed successfully.
Ñesẽheka: This is practice based design research. The objective was to test whether Japanese sword craft could gain renewed cultural relevance through reinterpretation. Methods included historical review, concept development, prototyping, forged trials, and observation of workshop processes using reference models and process records. Experiments with swordsmiths and machinists produced a circular reflective blade. The result suggests new social and design value for traditional craft.
Inspiración: This project reinterprets the Japanese sword as a reflective symbolic blade and a symbol of peace. Inspired by the cultural role of the mirror in Japan as a medium of self reflection, the design transforms the sword from an object associated with direction and confrontation into one of balance and contemplation. Through a continuous circular geometry, the work preserves the craft heritage of Seki while proposing that tradition can evolve through reinterpretation.
Proyecto Ára Tuichakue: The project began in April 2023 in Seki City, Gifu Prefecture, Japan. Over twelve months, design development and prototyping were carried out between the design studio in Anjo City and traditional swordsmith workshops in Seki. The final prototype was completed in April 2024 and publicly presented as part of a local cultural initiative. Since completion, the work has remained on continuous public display in Seki City.
Mba'apo Rape: The object functions as a focal point for quiet contemplation. In a gallery setting, the mirror surface reflects the viewer and encourages a reconsideration of the sword as a symbolic cultural presence rather than an instrument of force. Because the circular form removes the usual directional character of a blade, viewers engage with it less as a weapon and more as a mirror of the self, inviting reflection, balance, and awareness.
Patente-kuéra: Copyrights belong to Kenichi Mizuno, 2024.
Ta'ãnga Mba'eñemoneĩ: Image #1: Photographer Misaki Manabe, Noshudo Zero, 2024.
Image #2: Photographer Takao Inoue, Noshudo Zero, 2024.
Image #3: Photographer Takao Inoue, Noshudo Zero, 2024.
Image #4: Photographer Takao Inoue, Noshudo Zero, 2024.
Image #5: Photographer Takao Inoue, Noshudo Zero, 2024.