GGO Biomorphic Tembiporu Óga Rokẽ Guápe Ĝuarã Yoko Komatsu and Hajime Tokura omba'apóva

GGO Biomorphic Tembiporu Óga Rokẽ Guápe Ĝuarã Yoko Komatsu and Hajime Tokura omba'apóva ha'e rembiporuarã oñemba'eguaséva 2026 A' Design Award Itaju pegua Mba'epyru Jejapo Ñeha'ã Categoría-pe.

ItajuMba'epyru· 2026

GGO Biomorphic Tembiporu Óga Rokẽ Guápe Ĝuarã

Yoko Komatsu and Hajime Tokura -gua

Mba'eporuhára: Grand Green Osaka JV Group

A' Design Award Itaju Rembiporuarã Mba'epyru Categoría-pe

45,679

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #180101 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

GGO Biomorphic Tembiporu Óga Rokẽ Guápe Ĝuarã Rehegua

Grand Green Osaka-pe oĩva, ko apyka 16 métro puku ojejapo Japón oak yvyrágui, mymba rete rãichagua. Ojeporu mba'ejapo digital iporãva ombojoaju haĝua 6.000 mba'e peteĩteĩva 29 apehũme, tekove rãicha. Opa fiérro mbojoajuha okañy porã peteĩ jojaha kañymby rupive. Ko tembiporu jehechaukaha tekohapegua, oñembojoaju umi ipopeguáva ymaguare ha diseño parametrico computacional. Ojejapo omba'apo haĝua apyka pytu'uhárõ ha yvyra ryru rõarõ óga rokẽ ryepýpe.

Jeguerohory

A' Design Award Itaju Rehegua

GGO Biomorphic Tembiporu Óga Rokẽ Guápe Ĝuarã ohupyty A' Design Award Itaju, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño primera clase, maravilloso ha sobresaliente-pe. Umi ganador Itaju ha'e creación heta innovador, visionario ha glamoroso ohesape'ỹva ohechaukáva genio, sabiduría ha habilidad umi diseñador-pe. Oñeha'ãrõ GGO Biomorphic Tembiporu Óga Rokẽ Guápe Ĝuarã ha'eha peteĩ invento ojehechakuaavéva, tendencia omoĩva ha monumental ome'ẽva valor ndojehecháiva. Ko diseño ohupytýva A' Design Award Itaju ha'e proyecto espectacular ha respetado ohepyme'ẽva heta ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. GGO Biomorphic Tembiporu Óga Rokẽ Guápe Ĝuarã omoheñói sentimiento ipotapy mbarete, omokyre'ỹ pasión, ombokyre'ỹ creatividad ha ñanemombyasy.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: This 16-meter long furniture bridges the boundary between a static office lobby and a lush urban park. The design process fused analog and digital techniques: organic forms created by hand-molded clay models were 3D-scanned to capture vitality that computational design alone cannot produce. Crafted from 100 percent domestic Japanese oak using precision computer numerical control cutting, the structure conceals all metal joints, creating a seamless, life-like wooden landscape.
Tuichakue ha Ñemyenyhẽ: Dimensions: Total Length 16,000 mm. The structure is composed of vertically laminated plywood panels utilizing domestic Japanese oak. It functions as both a large-scale public bench and a planter. The modular units were precision-cut in the factory and assembled on-site to achieve millimeter-level accuracy across the massive 16-meter span. The design adheres to strict safety standards.
Ñe'ẽ Rape: Biomorphic Design, Public Furniture, Japanese Oak, Digital Fabrication, Parametric Design, Office Lobby, Wellness, Sustainable Design, Wood Craft, Bench
Ñeapopy Tecnología: The project is constructed from 100 percent domestic Japanese oak laminated panels. To handle the high density of oak and prevent grain tear-out during computer numerical control fabrication, the engineering team developed custom cutting tools and parameters. A key innovation is the concealed joint system featuring rotating wooden rings to cover assembly bolts, ensuring a seamless pure wood aesthetic without visible metal parts. Over 6,000 intricately milled parts were hand-finished.
Diseño Jepy'apy: The main challenge was translating the hand-molded clay's organic warmth into digital data. Initial 3D scans contained noise, making precise modeling of over 6,000 parts impossible. This was overcome by using parametric algorithms to extract and smooth cross-sections. Furthermore, to bypass the CNC milling risks of hard Japanese oak and ensure structural safety, rigorous full-scale prototyping was conducted, successfully fusing analog craftsmanship with advanced digital manufacturing.
Ñesẽheka: Research Objectives: To connect a static lobby with a dynamic park. Methodology and Data Collection: The project utilized an analog-to-digital translation. Clay models were hand-sculpted to verify comfort and volume, then 3D-scanned. Results: This captured organic irregularities lost in pure computation. Full-scale prototyping verified strict safety standards. Insights and Impacts: The project demonstrates how digital fabrication can preserve human touch using underused domestic hardwood.
Inspiración: Inspired by the unique context of Grand Green Osaka, where a vast urban park meets a sophisticated office tower, the goal was to bring the vitality of nature indoors and to bridge the boundary between the static lobby and the dynamic greenery outside. Inspiration was drawn from analog processes, using hand-molded clay models to capture organic warmth and complex undulations that computational design alone cannot produce, offering a moment of healing to busy office workers.
Proyecto Ára Tuichakue: The project was completed in May 2025. It is installed at the Park Tower lobby, Grand Green Osaka, located at 5-54 Ofukacho, Kita-ku, Osaka, Japan.
Mba'apo Rape: Designed for the lobby of a high-rise, this bench bridges the gap between the office environment and the adjacent park. Users can sit, recline, or wait, experiencing the warmth of wood. The floating organic form invites touch and offers a surprisingly soft seating experience, described by users as being embraced. It functions as a biophilic element that alleviates stress for office workers and visitors, providing a moment of tranquility.
Patente-kuéra: Copyrights belong to KOKUYO Co., Ltd., 2025.
Aty Rembiguái: Principal Designer: Yoko Komatsu
Project Director: Takashi Ueda
Technical Supervisor: Katsuhito Yui
Technical Supervisor: Mamoru Yamazaki
Assistant Designer: Hotaka Inagaki
Lead Architect: Hajime Tokura
Production Designer: Shimpei Ogawa
Engineer: Pyaezone Aungsoe
Fabricator: Yasufumi Hanada
Fabricator: Yoji Konishi
Fabricator: Kazuki Nagao
Ta'ãnga Mba'eñemoneĩ: Image #1: Creator KOKUYO Co., Ltd., GGO Biomorphic, 2025.
Image #2: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #3: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #4: Photographer Hayato Kurobe, GGO Biomorphic, 2025.
Image #5: Creator KOKUYO Co., Ltd., GGO Biomorphic, 2025.