Seylan Aty Sofá Nastaran Khanzade omba'apóva

Seylan Aty Sofá Nastaran Khanzade omba'apóva ha'e rembiporuarã oñemba'eguaséva 2026 A' Design Award Pláta pegua Mba'epyru Jejapo Ñeha'ã Categoría-pe.

PlátaMba'epyru· 2026

Seylan Aty Sofá

Nastaran Khanzade -gua

Mba'eporuhára: Rendi

A' Design Award Pláta Rembiporuarã Mba'epyru Categoría-pe

29,104

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #174865 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Seylan Aty Sofá Rehegua

Seylan ha'e peteĩ aty sofá ojejapóva umi koty jeikoha ko'ãgagua peguarã. Iforma oñemoheñói umi karugua syryrýva Nastaliq persa jehai porãgui. Umi línea ndopáiva ha karugua hu'ũ omyengovia umi ángulo hakuáva, upéicha pe aty sofá ojehecha eskultúraicha opa hendágui. Pe estruktúra ojejapo yvira atãgui, oñemoforma CNC ñekytĩ rupive ha upéi ojekarái, oñemosỹi ha oñemohu'ã po rupive. Pe apykaha ojejapo espuma hypy'ũva kapa hetávagui ao jepe'aha reheve, ha umi karugua omoirũ peteĩ ñeguapy porã. Pe aty oguereko peteĩ apyka peteĩ tapichápe guarã ha peteĩ mbohapy tapichápe guarã. Pe jehupytyrã ha'e ogueru peteĩ tembiapokue ymaguare umi koty pypegua ko'ãgagua ryepýpe.

Jeguerohory

A' Design Award Pláta Rehegua

Seylan Aty Sofá ohupyty A' Design Award Pláta, peteĩ ñehechakuaa extraordinariamente prestigioso oñeme'ẽva diseño de primera línea, hechapyrãva ha impresionante-pe. Umi ganador Pláta ha'e tembiapo brillante ha heta creativo ohechaukáva expertise, talento ha agudeza sobresaliente umi diseñador-pe. Oñeha'ãrõ Seylan Aty Sofá ha'eha peteĩ tembiapo maravilloso, ejemplar, profesional ha innovador pypukuvéva. Ko diseño ohupytýva A' Design Award Pláta ha'e invento ojehechakuaáva ha ojehayhúva ohepyme'ẽva ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Seylan Aty Sofá ha'e creación heta ojeenvidiáva omokyre'ỹva ipotapy, ome'ẽva sentimiento positivo ha omoheñóiva maravilla ha sorpresa.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: What sets this design apart is its ability to translate intangible rhythm into physical design. Unlike conventional modular or geometric sofas, this piece is born of movement; an uninterrupted gesture that echoes the energy of writing. It is not only functional but also emotionally resonant, rooted in Iranian visual culture yet universal in elegance.
Tuichakue ha Ñemyenyhẽ: Single Seater Dimensions:
W 85 cm × D 75 cm × H 75 cm

Three Seater Dimensions:
W 210 cm × D 80 cm × H 75 cm

Materials:
Solid Wood Structure, High-Density Foam, Fabric Upholstery

Production Technique:
CNC Machining Combined With Hand Carving And Finishing

Packaging:
Protective Wrapping With Padded Corners, Suitable For International Shipping
Ñe'ẽ Rape: Furniture Design, Modern Sofa, Sculptural Furniture, Fluid Form, Ergonomic Seating, CNC Woodwork, Handmade Finish, Minimal Form, Contemporary Design, Iranian Design, Artistic Furniture, Flowing Lines, Organic Shape, Calligraphy Inspired, One-Piece Form, Seamless Design
Ñeapopy Tecnología: The structure of the sofa set is crafted through a combination of CNC precision cutting and traditional hand-carving techniques. Solid wood is sculpted to achieve the flowing, calligraphy-inspired curves, then meticulously sanded and finished by hand to enhance its tactile and visual elegance. The seating is constructed using high-density foam layered for ergonomic comfort, upholstered with carefully selected fabric to complement the organic form. This blend of digital accuracy and artisanal craftsmanship allows the piece to maintain both structural integrity and sculptural fluidity.
Diseño Jepy'apy: One of the key challenges was creating a unified and continuous form that feels both sculptural and inviting. The design process involved extensive studies to develop a shape that maintains visual fluidity from every angle while also functioning as ergonomic seating. Preserving the harmony between curves, ensuring structural integrity, and integrating all parts into a seamless whole required a careful balance between digital precision and handcrafted sensitivity. Achieving this unity while working within material and production limitations was a central creative and technical effort.
Ñesẽheka: This design explores the integration of traditional Persian calligraphy, specifically the fluid curves of the Nasta'liq script, into contemporary furniture design. The form is characterized by a seamless, organic flow without sharp angles, reflecting the graceful and harmonious movement of the Nasta'liq lines. The absence of rigid structures emphasizes comfort, fluidity, and elegance, creating a unified form that adapts to both functional and aesthetic needs. The design aims to bring cultural heritage into the modern living space, bridging the gap between timeless artistry and modern design principles. Through this project, I seek to create a piece of furniture that not only serves as a functional object but also as a work of art that carries the essence of Persian craftsmanship into contemporary contexts.
Inspiración: The core inspiration for this design is “Seylan” (the fluid, continuous motion that defines the elegance of Persian Nastaliq calligraphy). In Nastaliq, letters do not simply sit beside each other; they flow with grace, as if carried by a silent internal rhythm. This flowing quality is not just visual; it is deeply emotional, creating a sense of calm movement.
This sofa seeks to capture that motion in space. Its seamless form, soft curves, and uninterrupted structure reflect the essence of Seylan.
Proyecto Ára Tuichakue: The project began in January 2025 and was completed in April 2025. The prototype was designed and built in Mashhad, Iran, at the Rendi Furniture Factory.
Mba'apo Rape: The user engages with the sofa through intuitive physical interaction; by sitting, leaning, or resting. The flowing curves naturally guide the posture, offering comfort without requiring adjustment. The tactile quality of the carved wood and the softness of the fabric enhance the sensory experience. Beyond seating, the piece invites visual interaction, encouraging users to move around it, observe its lines, and feel its sculptural presence in the space.