Zig Zag Línea Joyería Koanga'ãgua Mayte Ossorio Domecq omba'apóva

Zig Zag Línea Joyería Koanga'ãgua Mayte Ossorio Domecq omba'apóva ha'e rembiporuarã oñemba'eguaséva 2025 A' Design Award Brónse pegua Jeguaka Jejapo Ñeha'ã Categoría-pe.

BrónseJeguaka· 2025

Zig Zag Línea Joyería Koanga'ãgua

Mayte Ossorio Domecq -gua

Mba'eporuhára: Mayte Domecq

A' Design Award Brónse Rembiporuarã Jeguaka Categoría-pe

21,546

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #171308 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Zig Zag Línea Joyería Koanga'ãgua Rehegua

Oĩháichagui Kyrápe: Pe Zig Zag Ojejapóva. Ko proyecto jeheka aplicada ohesa'ỹijo mba'éichapa oñemoambue peteĩ línea oĩháicha kyrá gotyo, ojejapóvo cortes transversales rupive. Pe objetivo ha'e omoheñói peteĩ aj'aha mbarete ha ohechapyrãva, oñemboguejy jave mba'e ojeporúva ha oñemyatyrõvo eficiencia estructural. Pe metodología oñemopyenda experimentación directa rehe, ojeha'ãvo opaichagua técnicas corte ha doblado rehegua ojehupyty hag̃ua flexibilidad ha forma ojeporuséva.

Jeguerohory

A' Design Award Brónse Rehegua

Zig Zag Línea Joyería Koanga'ãgua ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ Zig Zag Línea Joyería Koanga'ãgua ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. Zig Zag Línea Joyería Koanga'ãgua ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: From straight to curved: the Zig Zag takes shape. Morphological transformation and body adaptation through transversal, equidistant, and rhythmic linear cuts. Each piece starts from double layered, overlapping leather rectangles that, through specific cuts, create distinct visual and functional rhythms depending on their placement, necklaces, bracelets, or earrings. This, along with the reuse of remnants, optimizes resources and maximizes material exploration.
Tuichakue ha Ñemyenyhẽ: Double glued leather, in different colors and textures, pastel, metallic and basic.
Earrings w 3mm d 20mm h 65 mm. Necklace mini w 3mm d 25mm h 480mm. Necklace big w 3mm d 60mm h 540mm. Necklace 8 w 3mm d 30mm h 900mm. Bracelet w 3mm d 60mm h 220mm. Packaging is custom cardboard with outer loop, brand label, card and heart.
Ñe'ẽ Rape: from straight to curve, morphological transformation, jewelry, sustainability, body adaptation
Ñeapopy Tecnología: Double layer cowhide leather, bonded together.
Manufacturing, handcrafted using hole punch tools.
Cutting dies are used for all necklace bodies, shaping straight edges into curves through repetitive, equidistant transverse cuts. This method minimizes material use, ensures optimal body adaptation, maximizes efficiency, and creates unique differentiation between pieces through variations in the cuts.
Diseño Jepy'apy: For the Zig Zag line, the challenge was to create a bold necklace without relying on large leather surfaces, using mostly small remnants. The key was generating curvature after cutting, transforming a 22 cm x 6 cm rectangle, the one used for the bracelet, into a striking piece. Equidistant cuts were tested to determine how close they could get to the edge for flexibility without risking breakage. Unlike a single cut piece, this method required precision to maximize material use while ensuring structural integrity.
Ñesẽheka: From straight to curved: the Zig Zag takes shape. This is an applied research project aimed at transforming a straight line into a curve through cross sections. The goal was to create a strong necklace while minimizing material use. The methodology involved direct experimentation with the material. The result was remarkable, not only was the design immediately accepted, but it also received a clearly positive response. It is sold in Germany, Turkey, and Argentina.
Inspiración: When covering a notebook, rigid paper finds its flexibility through precise, cuts it folds, adapts, and embraces the shape without losing structure. That same principle guides the Zig Zag line. A firm lined rectangle transforms through strategic cuts that allow it to fall gracefully, as if the material were learning to move. Thus, what was once static becomes fluid, geometry adapts to the body, and air becomes part of the design.
Proyecto Ára Tuichakue: The proyect started in January 2019 with the bracelet, january 2022 and finished in July 2022, the hole line in Bs As Argentina.
Mba'apo Rape: Designed for comfort and easy wear, these pieces can be put on without assistance. Ideal for daily use, they have the right weight to prevent strain. Their material ensures silent movement. Both necklaces and the bracelet feature metal cufflinks for secure fastening. The bracelet has two adjustable positions. The earrings use standard stainless steel posts that fit seamlessly into the earlobes.
Patente-kuéra: Awarded the Sello del Buen diseño Argentino 2024 (Seal of Good Argentine Design 2024) #5429
Aty Rembiguái: Mayte Ossorio Domecq
Ta'ãnga Mba'eñemoneĩ: Image #No 1 : Photographer Edgardo Delfino Model Sergio Calegoya
Image #No 2 : Photographer Edgardo Delfino model Mayte Ossorio Domecq
Image #No 3 : Photographer Edgardo Delfino
Image #No 4 : Photographer Edgardo Delfino
Image #No 5 : Photographer Edgardo Delfino