Bio Guapyha Vladimir Zagorac omba'apóva ha'e rembiporuarã oñemba'eguaséva 2022 A' Design Award Brónse pegua Mba'epyru Jejapo Ñeha'ã Categoría-pe.

BrónseMba'epyru· 2022

Bio Guapyha

Vladimir Zagorac -gua

Mba'eporuhára: Vladimir Zagorac

A' Design Award Brónse Rembiporuarã Mba'epyru Categoría-pe

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Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #140098 Peg̃ua

Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Bio Guapyha Rehegua

Bio ha'e peteĩ guapyha ryru ojejapo ojepuru hag̃ua ita róga ko'agãgua rupi. Pe jeike hykuere apyka jere gotyo ombojoja peteĩ ka'avo rogue térã peteĩ mbotéko, ha pe forma oñemoambue pe ape mbytépe ha ojehecha peteĩ yvoty Calla aethiopica ha'éicha. Ko ape ojeku'i michĩmi tapykue gotyo ha ojupi peteĩ ykére, ojapo peteĩ silueta ndojojáiva. Ko jojaha'ỹ oiko mbatehápe umi ape okapegua rupi año, upéicha ramo pe jeguapy porã ha ergonomía opyta oñemoĩporãva. Umi mba'e ojeporúva apo hag̃ua ha'e plástico termomoldeado, akaru (acero), aluminio ojeitýva, yvyra oak ha vaka pire.

Jeguerohory

A' Design Award Brónse Rehegua

Bio Guapyha ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ Bio Guapyha ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. Bio Guapyha ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: The ambiguous shape of the opening on the seat's back, recognizable as a leaf or shell transforms into a more characteristic form similar to the flower of the Calla aethiopica plant on the edge of the backrest. This edge bends slightly backwards and rises on one side, creating a new visual effect as opposed to the other side. The asymmetry of the silhouette does not affect the functionality and ergonomics of the seat since changes in the shape occur only in the outer areas of the form.
Tuichakue ha Ñemyenyhẽ: Width / Depth: up to 680mm, Height: 849mm (medium)
Ñe'ẽ Rape: Asymmetry, Natural, Bio-form, Growth, Stylization
Ñeapopy Tecnología: Molded thermoplastics, Welded laser-cut and pressed steel, Cast aluminum, Oakwood, Leather
Diseño Jepy'apy: The shape of the seat can be associated with a multitude of natural forms but also with the general characteristics of the living world. The silhouette of the seat is defined through two edge curves similar in shape but with subtle differences such as curvature, orientation, distortion, and depth. These gradual changes emphasize growth as a universally understandable natural pattern and accentuate the form through minimal spatial deformations associated with gravity and weight. A firm overall construct was kept whilst utilizing asymmetry as one of the main chosen attributes.
Ñesẽheka: The research was performed by analyzing samples from flora and fauna and simplification and stylizing through drawings and 3D computer models. The result contains no unnecessary visual details, and was driven by the challenge of creating asymmetrical functional aesthetics within an ergonomic fresh design, universally understood as a bio-form. Different variants were developed depending on the purpose of the chair and type of legs, with metal and wood as starting materials. The organic lines of the seats are additionally emphasized in contrast with the materials of the legs.
Inspiración: Bio is a conceptual research project in the subject of stylistics created as a part of doctoral studies. The proposal of the chair collection was inspired by organic shapes and universal principals of nature.
Proyecto Ára Tuichakue: The project lasted one semester at the Faculty of Applied Arts in Belgrade.
Mba'apo Rape: Bio is a low armchair collection designed for various usages. It complements modern interiors with simplistic asymmetry and unobtrusive form open to interpretation.
Patente-kuéra: Copyrights belong to Vladimir Zagorac and the Faculty of Applied Arts in Belgrade
Aty Rembiguái: Designer: Vladimir Zagorac
Mentor: Marko Lukovic
Ta'ãnga Mba'eñemoneĩ: Vladimir Zagorac, Faculty of Applied Arts in Belgrade