Kinematic Konnection Ao Anna Vescovi omba'apóva

Kinematic Konnection Ao Anna Vescovi omba'apóva ha'e rembiporuarã oñemba'eguaséva 2022 A' Design Award Fiero pegua Ao Jejapo Ñeha'ã Categoría-pe.

FieroAo· 2022

Kinematic Konnection Ao

Anna Vescovi -gua

Mba'eporuhára: Anna Vescovi

A' Design Award Fiero Rembiporuarã Ao Categoría-pe

27,636

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #133098 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Kinematic Konnection Ao Rehegua

Kinematic Konnection ha'e peteĩ ao ojejapóva acrílico ojeperõmbyrégui láser rupive. Heta sã itaju (jump rings) ombojoaju umi mbyrague (roundel) peteĩ pulgada ha peteĩ pulgada tuichakue, ojeperõmbyréva chapa acrílico hovyũva tatatĩ-sa'yhápe. Pe dibuho ojekalkula matematicamente, ha ojejapo heta jehechakuaa oñeprobáva milímetro rupive ojejuhu hağua pe ipe ha ipoguýpe ijojaha. Pe hova brillante omoĩ jehechauka ambue apytépe, ojoguaite peteĩ ta'anga-rendápe (espejo). Pe joajuha ombojoaja tembiapo ha pohýi, he'ise upéva umi presión oĩva ballet-pe umi tekoharaguáicha ojejeruréva retekuépe. Pe estructura ojoajúva avei ombohasa ikatu hağuáicha oñemoĩve térã oñemondo pehẽngue ao pyaha ombojoja hağua.

Jeguerohory

A' Design Award Fiero Rehegua

Kinematic Konnection Ao ohupyty A' Design Award Fiero, peteĩ ñehechakuaa prestigioso oñeme'ẽva diseño iporã-pe ohupytýva requisito profesional ha industrial oñeha'ãrõva creación iporã oñemoĩva-gui. Umi ganador Fiero ohechauka habilidad guasu, especialización yvate, comprensión experta ha capacidad creativa umi creador rehegua. Oñeha'ãrõ Kinematic Konnection Ao ha'eha creación ojehayhúva, admirada ha estimada, práctica ha innovadora. Ko diseño ohupytýva A' Design Award Fiero ombojoaju mejor práctica industria rehegua ha oguereko característica técnica competente ojoajúva conocimiento ha talento ndive. Kinematic Konnection Ao oñerespeta hembiapo cuidadoso rupi ha oñemoĩ ome'ẽ hag̃ua mejora calidad de vida rehegua oipytyvõva yvy ape iporãve hag̃ua.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: The Kinematic Konnection garment is comprised of laser cut acrylic pieces, deliberately designed to parallel the weighted nature of the ballet industry and the struggle of fitting unrealistic cosmetic standards of physical image. The garment pattern is constructed mathematically in the Adobe Creative Suite, meticulously comprised of intentional juxtaposition. Unlike the flow of fabricated textiles, this garment pushes technical boundaries through contrast of kinetic freedom and restriction.
Tuichakue ha Ñemyenyhẽ: Acrylic roundels measures 1"x1", cut from four 12"x18" sheets. I'd calculated 30 excess roundels in the event of additive alterations for length or width of the garment if necessary. Inclusivity is an underlying theme; with joinery, one size fits all with customized additions or reductions. With fabric, there is often little room for a one-size-fits-all ability when tailored for traditional measurements. This garment computes 3.5' in length & 2.8' in hip width, made specifically for our model.
Ñe'ẽ Rape: kinetic, garment, structure, fashion, reflection, textile, acrylic, lasercut, material, innovation
Ñeapopy Tecnología: Adobe Suite files were digitally arranged to include roundel shapes with interior hole dimensions. Sample variations were created in order to arrive at the ideal width, size and thickness for the garment pattern. Sample considerations were paired down to the millimeter with the best result selected for the final cut. The finalized template is then laser cut into individual pieces from a 12"x18" "smoke" colored acrylic sheet, prepared to be joined with hundreds of assembled gold jump rings.
Diseño Jepy'apy: One of the greatest challenges were the mathematical calculations of this garment. Following several laser cut test prototypes, I'd noticed the heat of the laser beginning to warp the acrylic towards the end of the job. Calculating the distance of the joinery holes from the edge of the roundels, the ideal mm width of the jump rings, warping preventions, the exact amount of acrylic sheets needed with safety excess and the mathematical alterations for the model's dimensions was a tedious task.
Ñesẽheka: A second career in design opened my eyes to the extent of traumas contingent on what psychologists call "mirror-gazing." Research on Body Dysmorphic Disorder (BDD) stems from studies with the British Journal of Clinical Psychology, medical podcasts and discussions with doctors at Boston Behavioral Medicine. Mirror-gazing is an almost unavoidable complication, ingrained as unrealistic standards of living. Social research includes interviews with Simon Biles, Laurie Hernandez and Kathryn Morgan.
Inspiración: This garment, part of my senior thesis, is inspired by the 15 years I'd spent dancing under international ballet companies. Dancers in training dedicate 75-80% of their waking lives to mirror-gazing. Over 28,000 hours of my own life have been spent analyzing my reflection. Textiles' reflective materiality conveys physical and emotional confinement. Scandinavian principles of minimalist craftsmanship lay the aesthetic ground-work for this garment, voiced through appreciation of textile design.
Proyecto Ára Tuichakue: This project began in Georgia, USA in May of 2021 and was completed three months later at the end of the summer. It was then captured in-studio at Savannah College of Art & Design's Adler Hall.
Mba'apo Rape: One of the most captivating elements of this garment is its play of light; the glossy surface returns subtle reflections, just as a mirror would. Kinematic Konnection balances fluidity with weighted restriction; joinery techniques serve as the metaphorical juxtaposition between freedom and confinement. The purpose of this garment is to provoke an awe-inspiring allure of constructed elegance imagined from heavier subject matter of mirror-gazing.
Aty Rembiguái: Garment/Art Direction: Anna Vescovi
Photography & Editing: Patrick Cox
Photography Assistant: Emerson Scheerer
Talent: Chloe Hill
Ta'ãnga Mba'eñemoneĩ: Image #1 : Patrick Cox
Optional Image #2: Patrick Cox
Optional Image #3: Patrick Cox
Optional Image #4: Patrick Cox
Optional Image #5: Patrick Cox
Film Credits: Patrick Cox