Fab Ñemboguata Tenda: Kine Ryepy Jehai Xiang Li omba'apóva

Fab Ñemboguata Tenda: Kine Ryepy Jehai Xiang Li omba'apóva ha'e rembiporuarã oñemba'eguaséva 2021 A' Design Award Pláta pegua Ogapype Jejapo Ñeha'ã Categoría-pe.

PlátaOgapype· 2021

Fab Ñemboguata Tenda: Kine Ryepy Jehai

Xiang Li -gua

Mba'eporuhára: X+Living

A' Design Award Pláta Rembiporuarã Ogapype Categoría-pe

29,937

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #111752 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Fab Ñemboguata Tenda: Kine Ryepy Jehai Rehegua

Fab ha'e peteĩ kine ryepy oĩva Xi'an, China-pe, ohupytýva 1150 metro kuadrádo yvýpe. Ko jehai omýi peteĩ ta'ãnga jejapoha renda oike hag̃ua ogaguasu tuichavévape, upéicha rupi umi oñevisitáva oikóma jave peteĩ ohechávaramo añetehápe ha avei peteĩ oñemomba'apóvaramo ta'ãngápe. Umi tembiporu ojejapopyre omoirũ ko tema, oĩháme peteĩ ohovaguasu jyvakua asãiháicha, apykaguapyha oñemombytu'uha "director" ysajaicha ha peteĩ jehepyme'ẽha ojogua peteĩ ta'ãnga renda ryrúpe. Peteĩ mbayru ha vy'arã tembiporu ijayvúva peteĩ máquina jaguapoicha oñembojoaju irundy jehechaha ndive. Umi tyapu remikotevẽ ha apykaguapy myatyrõ ojehecha jave opa mba'e apópe.

Jeguerohory

A' Design Award Pláta Rehegua

Fab Ñemboguata Tenda: Kine Ryepy Jehai ohupyty A' Design Award Pláta, peteĩ ñehechakuaa extraordinariamente prestigioso oñeme'ẽva diseño de primera línea, hechapyrãva ha impresionante-pe. Umi ganador Pláta ha'e tembiapo brillante ha heta creativo ohechaukáva expertise, talento ha agudeza sobresaliente umi diseñador-pe. Oñeha'ãrõ Fab Ñemboguata Tenda: Kine Ryepy Jehai ha'eha peteĩ tembiapo maravilloso, ejemplar, profesional ha innovador pypukuvéva. Ko diseño ohupytýva A' Design Award Pláta ha'e invento ojehechakuaáva ha ojehayhúva ohepyme'ẽva ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Fab Ñemboguata Tenda: Kine Ryepy Jehai ha'e creación heta ojeenvidiáva omokyre'ỹva ipotapy, ome'ẽva sentimiento positivo ha omoheñóiva maravilla ha sorpresa.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: The design of the theater is different from traditional theaters. The project is not only rendering the film sense with different forms, but also giving the audiences dual identities, both an audience in the reality and a participant of the movie-shooting in the imagination. They are connected and laid down to enter the film world step by step. And instead of waiting boringly, they will enter an active participation sparticipation state through the mobilization of the atmosphere.
Tuichakue ha Ñemyenyhẽ: The floor area of this project is 1150 sqm.
Ñe'ẽ Rape: Li Xiang, retail, cinema, interior design, xliving, China
Ñeapopy Tecnología: Through some interesting customized furniture, we have taken the theme of the entire space to the extreme. Bathtub sofa, director's rest seat, as well as the ticket counter that imitates the set box, etc, all satisfy the function while cooperating with the creation of the theme, allowing consumers to experience the charm of the movie in an immersive atmosphere.
Diseño Jepy'apy: The biggest challenge is how to break the trditional pattern. It is easily to be misunderstood that the design ignores functions while completing the aesthetics, but in fact, all the specific requirements of the acoustics environment and the comfort of the audience are all under our consideration at the beginning. We believe that the cinema should undergo a transformation of spatial attributes. It should meet the increasingly vigorous social needs of young people. Simply relying on the sale of movie tickets cannot allow it to maximize the value of a commercial space. So we broke through this situation and completed this design.
Ñesẽheka: Traditional theaters pay more attention on panoramic sound effects and the viewing experience on the screen while they lack creativity. The single business model of selling tickets and snacks, it weakens the experience and expectations that the venue can give the audienceThrough the design of this project, we have found a possibility that may be able to answer the problem of the future development of the theater.
Inspiración: The inspiration for the project comes from the movie itself. We moved the shooting scene of film production to the main hall of the theater. We hope that the audience will be immediately impressed by the dramatic scene the moment they enter the theater. At the same time, through the integration of different entertainment facilities, the interaction between the audience and the cinema is not limited to watching the movie itself, which increases the possiblity of their consumption.
Proyecto Ára Tuichakue: The project finished in January 2020 in Xi'an, China.
Mba'apo Rape: According to the original plane, we can only build four relatively square video halls. Since this space pattern is difficult to provide rich viewing, instead of focusing on decoration, we integrated the space with other formats with similar entertainment attributes to build an avant-garde new cinema space. We moved the lounge bar into the theater space. It is not only an independently operable space, but also symbiotic and mutually beneficial with the cinema. The experiential claw machine and other entertainments also stimulates consumers to extend their stay in the theater, maximizes the value of the space.
Aty Rembiguái: Lead Designer: Li Xiang
Project Director: Ren Lijiao
Project Director: Wu Feng
Ta'ãnga Mba'eñemoneĩ: Image#1: Photographer Shao Feng, FAB Cinema, 2019.
Image#2: Photographer Shao Feng, FAB Cinema, 2019.
Image#3: Photographer Shao Feng, FAB Cinema, 2019.
Image#4: Photographer Shao Feng, FAB Cinema, 2019.
Image#5: Photographer Shao Feng, FAB Cinema, 2019.