Tha Qin Sreath Postaer le Kaidi Mao na bhuannaiche air leth urramach anns an fharpais chliùitich 2021 Duais Umha A' Design Award ann an Roinn Farpais Dealbhadh Grafaigean, Dealbh-mhìneachaidh agus Conaltradh Lèirsinneach.

UmhaGrafaig· 2021

Qin Sreath Postaer

le Kaidi Mao

Neach-ceannach: Kaidi Mao

Buannaiche Duais Umha A' Design Award ann an Roinn Grafaig

9,015

Buannaiche Duais Dearbhaichte

Dearbhaich Inbhe na Duaise airson #124488

Seall aig A' Design Award Brath Naidheachd Suaicheantas Duaise

Dathan

An Dealbhadh

Mu dheidhinn Qin Sreath Postaer

Is sreath postaer é Qin a chuireann léirmhíniú nua ar thraidisiún phéintéireacht tírdhreacha na Síne trí mheáin dhigiteacha. Tagann an t-ainm Qin ó fhocal Síneach a chiallaíonn dul tríd nó síothlú isteach, agus ceanglaíonn an carachtar scríofa na comharthaí don uisce agus don chroí. Tosaíonn na híomhánna mar ghrianghraif agus ansin forbraítear iad le huirlisí digiteacha ar nós Photoshop, Cinema 4D agus Procreate. Táirgtear an sreath i dhá mhéid agus is féidir é a thaispeáint i gcló nó ar scáileán, i ndánlann nó sa bhaile. Is é an rún atá leis ná dearcadh Taoach an dúlra a chur in iúl do lucht féachana idirnáisiúnta.

An Aithneachadh

Mu dheidhinn Duais Umha A' Design Award

Tha Qin Sreath Postaer air Duais Umha A' Design Award a bhuannachadh, aithneachadh gu math urramach a bheirear do dhealbhaidhean sònraichte a tha air an comharrachadh le cruthachalachd, innleachd agus geurchuis. Tha buannaichean Umha nan obraichean gu math sgileil agus gu sònraichte cruthachail a dhearbhas eòlas farsaing, mac-meanmna agus tapachd an luchd-dealbhaidh. Thathar an dùil gum bi Qin Sreath Postaer na nì air a bheil mòran meas, ion-mholta agus gràdhach, a tha gu sònraichte proifeiseanta agus ùr-ghnàthach. Tha an dealbhadh seo a bhuannaich Duais Umha A' Design Award a' cur nan cleachdaidhean as fheàrr ann an ealain, saidheans, dealbhadh agus teicneolas an gnìomh, agus tha e sàr-mhath airson an aire do mhion-fhiosrachadh. Bidh Qin Sreath Postaer a' sàsachadh fheumalachdan gu h-iongantach, a' suathadh ri miannan, a' tàladh faireachdainnean agus a' togail fiosrachd.

Air Cùl an Dealbhaidh

Pasgan Naidheachd

Creideasan, buill sgioba agus fiosrachadh teicnigeach a chuir an dealbhaiche ri chèile.

Feartan Sònraichte: Kaidi Mao's examination of the aesthetic and intellectual tradition of Chinese landscape painting has enabled him to understand the connection between classical Chinese painters and their natural environments. To explore such painting's relationship to nature in a contemporary context, Mao has used today's technology to produce digital images inspired by the traditions of China.
Tomhasan & Pacadh: There are two sizes for this poster series: 24 inches x 36 inches, and 24 inches x 30 inches
Tagaichean: Art, poster, Taoism, culture, landscape, painting
Teicneòlas Cinneasachaidh: The initial images are from photography, then digitally created using tools like Photoshop, Cinema 4D and Procreate.
Dùbhlan Dealbhaidh: The biggest challenge of this project is to visually communicate this East Asian worldview to international viewer, especially under the current political environment.
Rannsachadh: This project is a pictorial reinterpretation of Chinese painters' use of nature to communicate the Taoist notion that the whole planet is permeated by invisible Tao, "the Way of the cosmos, which is evident in nature." Mao has titled this project Qin. Qin, comes from the Chinese word, which means "to permeate", "to seep into". This project allows different cultures, concepts and methods to seep together. The character Qin consists of two parts: the left represents water, and the right represents the heart. Heart can be interpreted as the depth of one's feelings, and when combined with water, expresses something that comes from one's innermost being. Qin explores the aesthetic depth with which Chinese culture responds to, reveres, and honors the natural environment by reexamining pictorial traditions using contemporary digital image production. It also serves as an expression of the connection felt by a producer of such imagery with the underlying concept of Tao that inexpressibly permeates universal being in the Chinese tradition.
Brosnachadh: As a designer from China living in the United States, I have sought to integrate my training in contemporary design with my personal and cultural identity. This has come through an examination of different media and technological approaches. This process has led me to a series of digitally produced design pieces that examine my own Chinese pictorial tradition. These works have also allowed me an alternative approach to understanding The Natural within my practice.
Faid a' Phròiseict: The project started in September 2019, finished in May 2020 in Los Angeles.
Sruth Obrachaidh: These posters/graphic arts can be displayed physically and digitally, in a gallery setting or in a home setting.