Museum Hanmi Exhibition Dearadh Leabhair le Sunghoon Kim

Is buaiteoir an-mheasúil den ghradam fíor-ardghradamach 2023 Duais Cré-umha A' Design Award sa Chatagóir Comórtais Dearadh Clóite é an dearadh Museum Hanmi Exhibition Dearadh Leabhair le Sunghoon Kim.

Cré-umhaCló· 2023

Museum Hanmi Exhibition Dearadh Leabhair

le Sunghoon Kim

Cliant: Museum Hanmi

Buaiteoir an ghradaim Duais Cré-umha A' Design Award sa Chatagóir Cló

34,290

Buaiteoir Gradaim Fíoraithe

Fíoraigh Stádas Gradaim do #147990

Féach ag A' Design Award Preasráiteas Suaitheantas Gradaim

Dathanna

An Dearadh

Maidir le Museum Hanmi Exhibition Dearadh Leabhair

Dhear sé bailiúchán grianghraf de "Inside Out, A History of Korean Photography 1929-1982", arb é taispeántas oscailte Museum Hanmi Exhibition é. Mar thaispeántas stairiúil a fhéachann siar ar 50 bliain anuas na grianghrafadóireachta Cóiréach, leanann sé i lorg na gcoinniollacha institiúideacha faoinar chruthaigh grianghrafadóireacht na Cóiré stair ó 1929 go 1982. In éineacht leis an taispeántas, cabhróidh an leabhar le lorg a leanúint ar ghrianghrafadóireacht na Cóiré faoi na coinniollacha institiúideacha faoinar chruthaigh sí stair agus beidh sé ina dheis luachmhar chun stair ghrianghrafadóireachta na Cóiré a bhunú.

An Aitheantas

Maidir leis an Duais Cré-umha A' Design Award

Bhuaigh an dearadh Museum Hanmi Exhibition Dearadh Leabhair Duais Cré-umha A' Design Award, aitheantas an-ghradamach a bhronntar ar dhearaí sármhaithe a mbíonn cruthaitheacht, aireagacht agus géarchúis mar shaintréithe acu. Is déantúsáin ghlic agus chruthaitheacha go suntasach iad buaiteoirí Cré-umha a dhearbhaíonn taithí fhairsing, samhlaíocht agus acmhainneacht a ndearthóirí. Táthar ag súil go mbeidh an dearadh Museum Hanmi Exhibition Dearadh Leabhair ina rud a bhfuil an-mheas air, a n-ardaítear agus a ghráitear, atá thar a bheith gairmiúil agus nuálach. Ionchorpraíonn an dearadh seo a bhuaigh Duais Cré-umha A' Design Award na cleachtais is fearr san ealaín, san eolaíocht, sa dearadh agus sa teicneolaíocht, agus tá sé sármhaith as a aird ar mhionsonraí. Sásaíonn an dearadh Museum Hanmi Exhibition Dearadh Leabhair riachtanais go hálainn, bainíonn sé le mianta, cuireann sé draíocht ar mhothúcháin agus tarraingíonn sé fiosracht.

Taobh Thiar den Dearadh

Pacáiste Preasa

Creidiúintí, baill foirne agus sonraí teicniúla curtha ar fáil ag an dearthóir.

Airíonna Uathúla: He were directly inspired by the word photo because it is an exhibition photo book that looks back on Korea’s photography history over the past 50 years. Black and white were actively used as design elements on the cover and interior of the book, using photographic techniques that are printed in the way of light and darkness. The exhibition title is Inside Out, so he used intuitive parentheses as graphic elements.
Toisí & Pacáistiú: Softcover book, 170mm x 240mm x 38mm, 512 pages, the cover of two versions black and white, black cover is glossy black and glossy red hot foil stamping, white cover is pearl and glossy red hot foil stamping, bookbinding fully unfolded
Clibeanna: MUSEUM HANMI, Photo Book, Book, Photography, Design, Editorial, Graphic, Typography
Teicneolaíocht Táirgthe: To express light and darkness, the paper on the cover was made in two versions: black and white. The black version is hot foil stamping with glossy black and glossy red, and the white version is hot foil stamping with pearl and glossy red. He printed it on matte paper so that the pictures of the past could be realized well. The book was tied with thread so that it could be fully unfolded and the back of the book has not adhered to.
Dúshlán Deartha: The biggest goal is to understand the purpose of the exhibition while following in the footsteps of the institutional conditions in which Korean photography has made history and to convey its meaning well in the photo book. Also, since it is a photo book, He wanted to find a design methodology so that the techniques and elements of photography could be expressed in the book, and the two elements of light and darkness presented a great direction.
Taighde: Over the years, he reviewed and organized the LIMB Eungsik’s Scrapbook, the largest archive of Korean photographers owned by MUSEUM HANMI. Based on this, he collected and organized photo materials with the help of various related organizations, bereaved families, and writers. Through this, he found the lost link in Korean photography history and filled the gap in the scrapbook. These efforts will serve as a foundation for academic attempts to establish the history of Korean photography.
Inspioráid: He designed a photo collection of , which is the opening exhibition of the MUSEUM HANMI SAMCHEONG. As a historical exhibition that looks back on the past 50 years of Korean photography, he follow in the footsteps of what institutional conditions Korean photography made history from 1929 to 1982.
Fad an Tionscadail: The project began in Seoul, South Korea in August 2022 and ended in January 2023. In Korea, books have been distributed to customers since January 2023.
Sreabhadh Oibríochta: He designed this book hoping that it will be a memorable book so that visitors to the exhibition can feel their feelings and thoughts about Korea’s photo history even after the exhibition. Along with the exhibition, the book will help follow the footsteps of Korean photography under what institutional conditions it has made history and will be a valuable opportunity to establish Korea’s photography history.
Baill Foirne: Creative Directed & Designed by Kim Sunghoon
Creidiúintí Íomhá: Kim Sunghoon