Kinetic Chinese Characters Kinetyske Typografy troch Li Xinlin

Kinetic Chinese Characters Kinetyske Typografy troch Li Xinlin is in heech wurdearre winner fan de tige prestizjeuze 2020 A' Design Award yn Izer yn de kompetysje-kategory Generatyf, Algoritmysk, Parametrysk en AI-stipe Ûntwerp.

IzerGeneratyf· 2020

Kinetic Chinese Characters Kinetyske Typografy

troch Li Xinlin

Klant: Li Xinlin

A' Design Award yn Izer Winner yn de kategory Generatyf

24,467

Ferifiearre Priiswinner

Ferifiearje Prisstatus foar #96658

Besykje Side Besjoch by A' Design Award Parseberjocht Priisbadge

Kleuren

It Untwerp

Oer Kinetic Chinese Characters Kinetyske Typografy

Kinetic Chinese Characters is in searje fan sechstjin kinetyske typografyske wurken basearre op de komponinten fan Sineeske karakters. Elk wurk hat in oar ûnderwerp en is folslein makke troch kompjûterprogrammearring en algoritmen, mei gebrûk fan Processing. De tafoeging fan generative technology makket de eartiids fêste tiidline fan de karakters fariabel en de resultaten ûnfoarspelber. By elk wurk heart in koart wurdearringsopstel, neffens de Aziatyske tradysje om poëzij en skilderkeunst tegearre te presintearjen. De searje lit sjen hoe't kinetysk ûntwerp tapast wurde kin op Sineeske karakters.

De Erkenning

Oer de A' Design Award yn Izer

Kinetic Chinese Characters Kinetyske Typografy is in winner fan de A' Design Award yn Izer, in prestisjeuze erkenning foar goede ûntwerpen dy't foldogge oan de profesjonele en yndustriële easken dy't ferwachte wurde fan goed ûntwurpen skeppings. Izerwinners litte grutte feardigens, hege spesjalisaasje, deskundich begryp en kreatyf fermogen fan har makkers sjen. Fan Kinetic Chinese Characters Kinetyske Typografy wurdt ferwachte dat it in tige heech achte, bewûndere en dierbere skepping is dy't praktysk en ynnovatyf is. Dit winnende ûntwerp fan de A' Design Award yn Izer yntegrearret de bêste praktiken fan de sektor en hat feardige technyske skaaimerken ferbûn mei kennis en talint. Kinetic Chinese Characters Kinetyske Typografy wurdt respektearre foar syn yngeandens en is ûntwurpen om ferbetteringen fan de kwaliteit fan it libben te leverjen dy't helpe de wrâld ta in bettere plak te meitsjen.

Efter it Untwerp

Parsepakket

Credits, teamleden en technyske details levere troch de ûntwerper.

Unike Eigenskippen: In this project, integration of code to type and typography revealed that the originally fixed or invariable timeline has changed. Addition of the generative technology resulted in more rich work content and changed it to become unpredictable. With this, the creative technique of kinetic typography can be applied to Chinese characters and the kinetic design integrated with the characteristics of Chinese characters holds unlimited potential.
Ofmjittingen & Ferpakking: Media & Print matter
Labels: Kinetic , Typography , Generative , Chinese Characters
Produksjetechnology: Processing and based on openprocessing.org
Untwerpútdaging: All Asian designers face the common question of how such theories can take root and become fruitful in the East. As an Asian artist, the author of this study attempted a method of converging computer programming technology and traditional Chinese characters with a focus on the potential of Chinese characters.
Undersyk: Expression of Meaning of Kinetic Chinese Characters using Computer Programming Techniques.
16 works were created based on the components of Chinese characters. The subjects of these works were all different and were made purely through computer programming and algorithms.
Ynspiraasje: The field of kinetic Chinese character design is currently expanding steadily, but the field is yet vague and without a clear definition. However, the everlasting Eastern culture and abundant perspective in search of beauty can become the basis for converging new technologies and new design so that the kinetic Chinese character design can definitely become a new trend that leads the advancement of future design.
Projektdoer: 2019, College of Fine Arts, Seoul National University.
Operaasjestreamferrin: 16 works were created based on the components of Chinese characters. The subjects of these works were all different and were made purely through computer programming and algorithms. Additionally, work appreciation essays were added to each work and this was derived from the Western culture where work appreciation essays are occasionally used for interaction and communication with the audience and the concept of “poetry and paintings having the same source” in Asian traditional art that presents poetry and paintings together.
Patinten: LI XINLIN
Teamleden: LI XINLIN
Ofbyldingskrediten: LI XINLIN