Changes Cycles and Shapes Arte Digital de Yuko Suzuki

El diseño Changes Cycles and Shapes Arte Digital de Yuko Suzuki es un ganador altamente estimado del prestigioso 2025 A' Design Award de Oro en la categoría de competición Diseño Generativo.

OroGenerativo· 2025

Changes Cycles and Shapes Arte Digital

de Yuko Suzuki

Cliente: Feral File

Ganador del A' Design Award de Oro en la Categoría Generativo

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Colores

El Diseño

Acerca de Changes Cycles and Shapes Arte Digital

Esta obra explora la pregunta ¿Qué es la pintura? expresando la circulación de expresiones visuales. Inspirada en las transiciones de las pinturas de Mondrian, se basa en un diagrama de componentes de la pintura, donde la forma se desplaza entre lo figurativo y lo abstracto, y entre el ruido y la linealidad, una idea aplicada al color. La obra evoca el estado cambiante de la materialidad digital, enfatizando que las formas entre cambios son la esencia. Al incorporar texturas impresas con baren, refleja la identidad del artista como grabador en el ámbito digital.

El Reconocimiento

Acerca del A' Design Award de Oro

Changes Cycles and Shapes Arte Digital ha ganado el A' Design Award de Oro, un reconocimiento inmensamente prestigioso concedido a diseños de primera categoría, maravillosos y sobresalientes. Los ganadores de Oro son creaciones sumamente innovadoras, visionarias y glamorosamente deslumbrantes que reflejan el prodigio, la sabiduría y la destreza de sus diseñadores. Se espera que Changes Cycles and Shapes Arte Digital sea una invención muy elogiada, pionera y monumental que aporta un valor sin precedentes. Este diseño ganador del A' Design Award de Oro es un proyecto espectacular y respetado que beneficia enormemente y hace avanzar las fronteras del arte, la ciencia, el diseño y la tecnología. Changes Cycles and Shapes Arte Digital crea intensos sentimientos de deseo, despierta la pasión, fomenta la creatividad y nos fascina.

Detrás del Diseño

Kit de Prensa

Créditos, miembros del equipo y detalles técnicos proporcionados por el diseñador.

Propiedades Únicas: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Dimensiones y Embalaje: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Etiquetas: Generative Art, Coding
Tecnología de Producción: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Desafío de Diseño: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Investigación: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Inspiración: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Duración del Proyecto: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Flujo de Operación: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Créditos de Imagen: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.