Proof of Existence Ang Sinina Sa Mga Babaye ni Hyeonjeong Woo

Ang disenyo nga Proof of Existence Ang Sinina Sa Mga Babaye ni Hyeonjeong Woo usa ka labihan ka tinahod nga mananaog sa prestihiyosong 2022 A' Design Award nga Bronse sa Kategoriya sa Kompetisyon sa Disenyo sa Moda, Bisti ug Sinina.

BronseModa· 2022

Proof of Existence Ang Sinina Sa Mga Babaye

ni Hyeonjeong Woo

Kliyente: Hyeonjeong Woo

Mananaog sa A' Design Award nga Bronse sa Kategoriya sa Moda

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Mga Kolor

Ang Disenyo

Bahin sa Proof of Existence Ang Sinina Sa Mga Babaye

Ang mga kolor ug simbolismo sa bandera sa balangaw mao ang inspirasyon alang niining andam nga isul-ob nga koleksyon. Dugang pa sa ilang mga detalye sa disenyo sama sa box pleating ug shirring, ang matag gamhanang hitsura aduna usab mga hand-made pendants ug beads nga gilakip sa mga panapton nga nagmugna og mga texture. Kining grabe nga monochrome ug ang talagsaon nga eccentric silhouette nga gisuportahan sa mga detalye sa pagtukod naghatag og makapaikag nga mga visual impression. Kini tanan mahitungod sa unsa ka mamugnaon ang disenyo nga pinulongan gihubad ngadto sa sinina nga walay pagsakripisyo sa mga detalye sa pagtukod o aesthetics, nga nagsugyot og bag-ong mga bag-ong hitsura.

Ang Pag-ila

Bahin sa A' Design Award nga Bronse

Proof of Existence Ang Sinina Sa Mga Babaye usa ka mananaog sa A' Design Award nga Bronse, usa ka labihan ka prestihiyoso nga pag-ila nga gihatag sa talagsaon nga mga disenyo nga gipaila sa pagkamamugnaon, kaabtik, ug kamatngon. Ang mga mananaog sa Bronse mga hanas kaayo ug makapahibulong nga mamugnaon nga mga artipakto nga nagpamatuod sa dakong kasinatian, imahinasyon, ug kaabtik sa ilang mga tigdesinyo. Gilauman nga ang Proof of Existence Ang Sinina Sa Mga Babaye mahimong gipabilhan, gihangaan, ug gihigugma nga butang nga talagsaon ang pagkapropesyonal ug bag-o. Kini nga disenyo nga nakadaog og A' Design Award nga Bronse naglakip sa labing maayong mga praktis sa arte, siyensya, disenyo, ug teknolohiya ug maayo kaayo tungod sa pagtagad niini sa mga detalye. Proof of Existence Ang Sinina Sa Mga Babaye nagtagbaw sa mga panginahanglan sa matahom nga paagi, nag-igo sa mga tinguha, nagbihag sa mga pagbati, ug nagdani sa pagkamausisaon.

Luyo sa Disenyo

Press Kit

Mga kredito, mga miyembro sa team ug teknikal nga mga detalye nga gihatag sa tigdisenyo.

Talagsaong mga Kinaiya: The rainbow flag serves as an inspiration for this streetwear-inspired collection, with each of the colors denoting a different aspect of what we hold dear in life. Handcrafted resin jewelry depicting nature-inspired designs adorns the monochromatic. I investigated ways to realize traditional two-dimensional repeated prints on fabrics into three-dimensional work to create exciting textures, each look holding different meanings. I concentrated on the thoughts and feelings while visualizing and tactilely experiencing each color and linked them to its purpose. Red represents life; Yellow means the sunlight, which reminds me of Atlanta, with great pine pollen in the springtime, which led me to use yellow durag. Green reflects nature, but it also means poison. To imply that, I painted the deadstock poly fabric with acrylic paint. Blue represents harmony. Finally, I used purple taffeta to achieve this effect by reflecting sun rays, creating the illusion of Venus or the Statue of Liberty.
Gidak-on ug Pakete: Industry-standard size of S/M for women.
Mga Tag: Monochrome, Womenswear, Street Fashion, Rainbow, Wearable Art, Clothing, Textile Design
Teknolohiya sa Produksyon: Utilizing my deadstock fabrics was the key. Initially, I had no intention of creating monochrome looks, but after doing some research, it became clear that this was the best option. I wanted to add dynamics to the eyes, I decided to make my own embellishments to add interplay and exciting textures to the design while staying true to its concept. I applied hand-drawn, molded, colored, ground, coated, and hand-stitched resin embellishments. I experimented with as many fabrics as I could find around, when I couldn't find the right color, I dyed, painted, or printed them since I wanted to maximize the use of fabric and buy less. I also sought to accomplish fruitful design details and structures and offer intricate designs and silhouettes, shirring, unbalanced cutting, pleating, and draping techniques to give organic and geometric aesthetics while having fun with small design details. The more the audience looked closer, the more details they could find.
Hagit sa Disenyo: In this collection, five different fabrics had to be utilized and placed correctly, which was the most challenging part of the project because using deadstock could mean a limited choice. Each material has its unique characteristics and quality; unexpected accidents always occur. Besides, I was desperate for industrial sewing machines and sergers. It also was my first time working with epoxy resin; producing hundreds of tiny pieces, casting, and grinding was such a time-consuming process. Everything was well-assembled and provided enjoyment in discovering small details, so it was worthwhile.
Panukiduki: Designers and artists should each have their own values and principles that guide their work. To make the world a better place, they must put in the time and effort and offer their skills to it. I use fashion as a platform because I believe the wearer can be a great exhibition with mobility; I frequently use it as a chance to discuss mental health with social issues; The rainbow flag's origins can be traced back to that place because it symbolizes acceptance and love, two things we desperately need.
Inspirasyon: As a result of the rise in hate crimes against the socially marginalized, I've found it increasingly difficult to deal with the issues. This collection was created in response to it, and it was inspired by rainbow flags, which intuitively represent the harmony, peace, and love we so desperately need right now. The collection's key is in how imaginatively it interprets the meaning of rainbow-hued clothing.
Gidugayon sa Proyekto: It was produced in South Korea from April 2021 to January 2022.
Daloy sa Operasyon: The primary and monochromatic hues give the clothes distinct energy of their own. With a wide range of fabric and garment construction techniques, it is Ready-To-Wear; however, the unique fabrications and decorative elements allow it to provide an elevated atmosphere to the wearers and viewers. Most garments are light to midweight; the wearer can perform without hassles and not lose the aesthetics. It can be worn in various settings, from business to a night on the town. Its traditional patternmaking method comforts the wearers, but its intense colors and unique surface design will make a difference. Equipped with both straight and curved harmony, softness, and solidity, this collection is faithful to the role of clothes yet aesthetical.
Mga Patente: Copyrights to Hyeonjeong Woo, 2022
Mga Credit sa Imahen: Image #1: Hyeonjeong Woo, Proof of Existence, 2022
Image #2: Hyeonjeong Woo, Proof of Existence, 2022
Image #3: Hyeonjeong Woo, Proof of Existence, 2022
Image #4: Hyeonjeong Woo, Proof of Existence, 2022
Image #5: Hyeonjeong Woo, Proof of Existence, 2022