Xiangxin Huzhou Songyuanli التصميم الداخلي السكني بواسطة Zhijun Zhong

التصميم Xiangxin Huzhou Songyuanli التصميم الداخلي السكني بواسطة Zhijun Zhong هو فائز رفيع المستوى بالجائزة المرموقة جائزة A' Design Award الفضية لعام 2023 في فئة المسابقة تصميم الفضاءات الداخلية والمعارض.

فضةالتصميم الداخلي· 2023

Xiangxin Huzhou Songyuanli التصميم الداخلي السكني

بواسطة Zhijun Zhong

العميل: Herabenna

فائز بالجائزة جائزة A' Design Award الفضية في فئة التصميم الداخلي

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فائز بجائزة موثّقة

تحقّق من حالة الجائزة للتصميم رقم #148815

زيارة الموقع عرض في A' Design Award بيان صحفي شارة الجائزة

الألوان

التصميم

حول Xiangxin Huzhou Songyuanli التصميم الداخلي السكني

"شيانغشين هوتشو سونغ يوان لي" هو مشروع تصميم داخلي سكني يُستخدم أيضًا كمنزل نموذجي معروض للجمهور. تمتد مساحة المشروع على 696 مترًا مربعًا في مدينة هوتشو بمقاطعة تشجيانغ في الصين. تستلهم العمارة من الطراز التقليدي لمباني هويتشو، بجدرانها البيضاء وقرميدها الأسود. أما في الداخل، فيُجمع بين الكريستال والمعدن، وتكتمل الغرف بالتحف الذهبية والفضية واللوحات العتيقة. ويستخدم الأثاث الحرير المحلي من هوتشو. وقد امتزجت تقنيات النقش والتطريز وفنون الحدائق التقليدية بأسلوب حياة عصري، بحيث يلبي المنزل احتياجات صاحبه وزوّاره على حد سواء.

التقدير

حول جائزة A' Design Award الفضية

Xiangxin Huzhou Songyuanli التصميم الداخلي السكني هو فائز بجائزة A' Design Award الفضية، وهي تقدير رفيع المكانة بصورة استثنائية يُمنح للتصاميم الرفيعة المستوى والجميلة والمبهرة. والفائزون بالفضية هم أعمال لامعة بشدة وشديدة الإبداع تجسّد الخبرة والموهبة وحدة الذكاء المتميزة لدى مصمميها. ويُتوقع أن يكون Xiangxin Huzhou Songyuanli التصميم الداخلي السكني عملًا رائعًا يُعرض كنموذج، شديد الاحترافية وعميق الابتكار. وهذا التصميم الفائز بجائزة A' Design Award الفضية اختراع جدير بالذكر ومحل إعجاب، يعود بالنفع ويوسّع حدود الفن والعلم والتصميم والتكنولوجيا. وXiangxin Huzhou Songyuanli التصميم الداخلي السكني إبداع يغبطه الكثيرون، يثير الرغبات ويبعث مشاعر إيجابية ويشعل الدهشة والإعجاب.

خلف الكواليس

الملف الصحفي

الاعتمادات وأعضاء الفريق والتفاصيل التقنية المقدمة من المصمم.

الخصائص الفريدة: The project is located in Huzhou, Zhejiang Province, and its architecture draws on the traditional "huizhou architecture" with its white wall and black tile, recreating the highlight of "Aesthetics of China". It intends to respect tradition, review history with contemporary aesthetic taste, open up the lifestyle of modern aristocrats, reorganize the elements of the new era, and write new "story chapters ",which can be traced back to the Chinese modern era.
الأبعاد والتغليف: 696 square meters
الوسوم: Mansion, luxury, classical, golden age, aristocratic circle, Modern Times of China
تقنية الإنتاج: Under the contemporary background, the design shows the aesthetics of China, incorporating classical British expressions into the design, and enhancing the space with soft furnishings such as gold and silver wares and antique paintings.

In terms of material selection, c crystal and metal are perfectly integrated, showing the prosperity of the industrial age and reappearing the golden years of the Oriental Modern. The interior furniture uses local silk products from Huzhou as raw materials, and the joint design with BIZZOTTO, the world leading furniture brand. This reflects the quality and craftsmanship, and conveys the essence of high quality spirit.

The design carries forward the excellence of Chinese culture by inheriting traditional Chinese dark engraving techniques, traditional handicraft embroidery techniques, Jiangnan gardening techniques and an inclusive human attitude.
تحدي التصميم: "Fusion is a better reservation"

In an era of rapid development of science and technology, the inheritance of handicrafts and excellent traditional culture has always been facing great difficulties. The design of the large space draws inspiration from modern 'Shanghai', applying the 'cross-border fusion' model once again to the design, integrating traditional culture with contemporary lifestyles and fusing Chinese and Western design features. The multifunctional parlour in the basement will lead the design to trendy movies and video games, and then disassemble and reorganize them to create a boy's ultimate dream playground. In the future design, standards and styles are constantly being broken. We prefer to try to constantly integrate and cross boundaries, challenging more and more interesting fields, and conveying a design concept that is constantly breaking through.
البحث: n the 1930s and 1940s, the area around the Yangtze River Basin, headed by Shiliyangchang (Shanghai), was gradually westernized. The aristocratic circle's recognition of "Ambilight" decoration has reached the peak of the times, and the classical and luxurious temperament of the space given by the luxury materials such as crystal, metal and leather is generally accepted by people in the circle, which has formed a unique interior decorative style such as naval style and Hong Kong style by integrating with the traditional implicit, class distinct interior layout style. As we all know, gold and silver utensils are the symbol of luxury and the belief of excellent craftsmanship and quality, and also reflect the attitude of noble circles pursuing quality of life. Promoting high quality of life is also the most desired quality concept to be conveyed by the design itself.
الإلهام: When we think back to China in 1930s, the lifestyle of the upper aristocracy has always been regarded as a classic of the times. Chinese people's aesthetic appreciation began to go from traditional classical subtlety to international modernity. Interior decoration styles began to show the characteristics of the industrial era, not only modern and stylish but also retaining the traditional subtle and elegant temperament.
مدة المشروع: This project is located at No. 58 Meiquan Road, Wuxing District, Huzhou City, Zhejiang Province, China, and was completed in May 2022.
سير العمل: This project is the private residence of the project developer, and also needs to be shown to the public as a prototype house. Therefore, we are faced with a paradox: our works should conform to both the owner's preferences and the audience's design preferences, which means that our design works should be both "relatively universal" and "exclusively pertinence". In the first stage, from the perspective of the audience circle, we mainly researched design preferences. In the second stage, we conducted a more detailed investigation on the design details for the owners, thus achieving both the exhibition purpose and meeting the exclusive needs of the owners.