Monk Latin and Arabic Geometric Lettertipeontwerp deur Paul Robb

Die ontwerp Monk Latin and Arabic Geometric Lettertipeontwerp deur Paul Robb is 'n hoogs gewaardeerde wenner van die baie prestigieuese 2020 A' Design Award in Silwer in die Grafika-, Illustrasie- en Visuele Kommunikasie-ontwerp-kompetisiekategorie.

SilwerGrafika· 2020

Monk Latin and Arabic Geometric Lettertipeontwerp

deur Paul Robb

Kliënt: Salt & Pepper

Wenner van die A' Design Award in Silwer in die Grafika-kategorie

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Verifieer Toekenningsstatus vir #95978

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Die Ontwerp

Oor Monk Latin and Arabic Geometric Lettertipeontwerp

Monnik soek 'n balans tussen die openheid en leesbaarheid van humanistiese sans serifs en 'n meer geregulariseerde karakter van die vierkantige sans serif. Alhoewel dit oorspronklik as 'n Latynse lettertipe ontwerp is, is daar vroeg besluit dat dit 'n groter dialoog nodig het om 'n Arabiese weergawe in te sluit. Beide Latyns en Arabies ontwerp ons dieselfde rasionaal en die idee van gedeelde meetkunde. Die sterkte van die parallelle ontwerpproses laat die twee tale 'n gebalanseerde harmonie en grasie hê. Beide Arabies en Latyn werk glad na mekaar met gedeelde tellers, stamdikte en geboë vorms.

Die Erkenning

Oor die A' Design Award in Silwer

Monk Latin and Arabic Geometric Lettertipeontwerp is 'n wenner van die A' Design Award in Silwer, 'n buitengewoon prestigieuse erkenning wat toegeken word aan topklas-, pragtige en indrukwekkende ontwerpe. Wenners in Silwer is geweldig briljante en uiters kreatiewe werke wat die uitstaande kundigheid, talent en skerpsinnigheid van hul ontwerpers illustreer. Daar word verwag dat Monk Latin and Arabic Geometric Lettertipeontwerp 'n wonderlike vertoonstuk is wat merkwaardig professioneel en diepgaande innoverend is. Hierdie ontwerp wat die A' Design Award in Silwer gewen het, is 'n hoogs noemenswaardige, bewonderde uitvinding wat die grense van kuns, wetenskap, ontwerp en tegnologie bevoordeel en uitbrei. Monk Latin and Arabic Geometric Lettertipeontwerp is 'n wyd beny skepping wat begeertes oproep, positiewe gevoelens bring en verbasing en verwondering wek.

Agter die Ontwerp

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Krediete, spanlede en tegniese besonderhede verskaf deur die ontwerper.

Unieke Eienskappe: Monk is a multi-language geometric harmoniously balanced font in Arabic and Latin. The font family has its origins from the Benedictine and Franciscan writing. Both Arabic and Latin work seamlessly together having shared counters, stem thickness, and curved forms. Monk is a type family that seeks a balance between the openness and legibility of humanist sans serifs. Letterforms have a distinct direction of the ductus, a wide overall stance, large open counters that help in its legibility.
Afmetings & Verpakking: True Type and Open Source Font
Etikette: Typeface design, Font Design, Font Family, Monk, Graphic typeface
Produksietegnologie: Designed and produced in Fontographer
Ontwerpuitdaging: The challenge was to create a modern typeface based on the historical research.
Navorsing: The Monk font family has its origins from the Benedictine and Franciscan writing. The initial research was based around the ancient text stored in and around Umbria in central Italy. Analyzing the form and structure of the monk's letter we created a modern approach to the forms creating repeatable geometric curves, which were applied first to create the Latin font. With a concept of open discussion through the religions, the next logical step for us was to develop those design rationals to Arabic lettering with the development of two harmonious fonts.
Inspirasie: The font family has its origins from the Benedictine and Franciscan writing. Originally designed as a Latin typeface it was quickly seen that we needed to open a wider dialogue and expand the font to include an Arabic version, using the same rationale to the design. The strength of the parallel design process allows the two typeset languages to have balanced harmony and grace.
Projekduur: The Project started in 2017 and finish in September 2018, in Perugia Italy.
Bedryfsvloei: Our underlying concept was to develop a font that could communicate harmoniously in Arabic and Latin that was constructed with shared geometry. When used in an Arabic text western words would be seamlessly intergraded in the text.
Spanlede: Design direction: Paul Henry Robb
Latin Font: Paul Henry Robb
Arabic Font: Naser Imache - Paul Robb
Design Ass: Tommaso Calderini