由設計師 Daisuke Nagatomo and Minnie Jan 創作嘅 Arrival 裝置藝術、燈光裝置 係備受推崇嘅 2026 A' Design Award 銅獎 得獎作品，獲獎類別為 燈光項目設計。
銅燈光項目· 2026
Arrival 裝置藝術、燈光裝置
由 Daisuke Nagatomo and Minnie Jan
客戶: MisoSoupDesign
燈光項目 類別嘅 A' Design Award 銅獎 得獎者
11,611
經驗證嘅獲獎者
驗證設計 #180159 嘅獲獎狀態設計
關於 Arrival 裝置藝術、燈光裝置
「抵岸」（Arrival）係一個臨時燈光裝置，由兩個垂直疊起嘅回收貨櫃組成。貨櫃構成一條狹窄嘅可步行通道，配以彎曲鋼鐵表面，設計靈感源自駛入海港嘅船頭。通道兩端嘅鏡面反射出城市、大海同參觀者，模糊咗真實空間同倒影之間嘅界線。內置嘅LED燈光同噴霧系統喺夜晚時分令通道生動起嚟。「抵岸」展示咗退役嘅工業物料點樣可以轉化成一件沉浸式嘅公共藝術品。
榮譽認可
關於A' Design Award 銅獎
Arrival 裝置藝術、燈光裝置是 A' Design Award 銅獎得主，這是授予以創造力、獨創性和敏銳見長的傑出設計的極具聲望的認可。銅獎得主是技藝嫻熟、創意驚人的作品，印證了其設計師豐富的經驗、想像力與機智。預計Arrival 裝置藝術、燈光裝置將成為一件備受推崇、令人欽佩且被珍愛的物品，兼具顯著的專業性與創新性。這件贏得 A' Design Award 銅獎的設計融入藝術、科學、設計和技術領域的最佳實踐，並因注重細節而出類拔萃。Arrival 裝置藝術、燈光裝置出色地滿足需求，觸動渴望，迷住情感，並吸引好奇心。
設計背後
新聞資料包
由設計師提供嘅製作人員名單、團隊成員同技術詳情。
- 獨特屬性
- AARRIVAL is an immersive installation art and lighting project constructed from two vertically stacked recycled shipping containers. The containers are refabricated into a narrow walkable space with curved interior surfaces inspired by the bow of a ship entering harbor. Mirrors installed at both ends reflect the surrounding city and sea, visually blurring the boundary between real space and reflection. Integrated lighting and a mist system activate the installation, transforming industrial waste into a sensory spatial experience aligned with the zero waste theme of the art festival.
- 尺寸同包裝
- The project consists of two vertically positioned 20 foot shipping containers. Total footprint area is approximately 15.4 square meters. The installation is designed for outdoor use and temporary exhibition. Lighting includes integrated LED strips and outdoor projectors. A mist system is installed and requires water supply. Electrical power is required for lighting and mist operation
- 標籤
- nstallation Art, Lighting Design, Recycled Materials, Sustainable Design, Public Art, Temporary Architecture
- 生產技術
- The installation is constructed from two retired shipping containers reused as the main structure. Original container steel frames are retained for stability. Corrugated steel panels are cut and reshaped into curved surfaces inspired by ship geometry. Materials include recycled steel panels, metal mesh, mirror glass, LED lighting, outdoor spotlights, and a mist system. All components are selected to allow reuse, disassembly, or recycling.
- 設計挑戰
- The main challenge was transforming rigid industrial shipping containers into a fluid and immersive spatial experience while maintaining zero waste principles. The project required reshaping steel panels without excessive material loss and integrating lighting, mist, and reflection in a narrow passage. Balancing structural stability, sustainability, and poetic expression was central to the design process.
- 研究
- ARRIVAL investigates how recycled industrial materials can be transformed into immersive public art through light and spatial experience. By reusing shipping containers, mirrors, and mist, the project explores perception, reflection, and movement within transitional urban spaces. The installation demonstrates a zero waste design approach that combines sustainability with sensory engagement in a waterfront environment.
- 靈感
- The project is inspired by the moment of arrival at a harbor, when a ship transitions from movement to stillness and from sea to city. This transitional condition is translated into spatial form through curved surfaces, reflection, and light. The mirrored ends echo the changing relationship between water, sky, and urban landscape, while the narrow passage emphasizes movement and pause. By walking through the installation, visitors experience arrival as both a physical and emotional journey.
- 項目時長
- Year 2025
Event Kaohsiung International Container Art Festival
Location Kaohsiung Harbor area, near the Kaohsiung Music Center waterfront plaza
Duration Temporary exhibition period (festival-based installation) - 操作流程
- Visitors enter the installation from one side and walk through the narrow space formed by two vertical containers. The compressed passage emphasizes light, reflection, and movement. Mirrors at both ends reflect the city, harbor, and visitors, creating layered visual depth. During evening hours, lighting and mist are activated to enhance the immersive atmosphere. The installation encourages slow movement, pausing, and quiet observation.
- 團隊成員
- Jenny Yeh, Sugar Hu
- 圖片來源
- Kaohsiung Art Museum
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