由設計師 Meng Zhao 創作嘅 Near Figure 博物館係備受推崇嘅 2026 A' Design Award 銅獎得獎作品，獲獎類別為建築、樓宇及結構設計。

銅建築· 2026

Near Figure 博物館

由 Meng Zhao

建築類別嘅 A' Design Award 銅獎得獎者

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經驗證嘅獲獎者

驗證設計 #173036 嘅獲獎狀態

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色彩

設計

關於 Near Figure 博物館

Near Figure係一座為芬蘭赫爾辛基設計嘅博物館。建築物探索可辨識同不可辨識形態之間嘅狀態。各種形狀傳達出一種目的感,但又未完全定形,所以當訪客喺空間中移動嘅時候,可讀性會逐漸浮現。兩條獨立嘅流線路徑透過建築形態嘅變化交織喺一齊。博物館設有開放式畫廊、展覽廳、咖啡室、戶外平台同活動區域。綠色混凝土同回收木材提升咗隔熱性能,並減少碳排放。總樓面面積為6400平方米。

榮譽認可

關於A' Design Award 銅獎

Near Figure 博物館是 A' Design Award 銅獎得主，這是授予以創造力、獨創性和敏銳見長的傑出設計的極具聲望的認可。銅獎得主是技藝嫻熟、創意驚人的作品，印證了其設計師豐富的經驗、想像力與機智。預計Near Figure 博物館將成為一件備受推崇、令人欽佩且被珍愛的物品，兼具顯著的專業性與創新性。這件贏得 A' Design Award 銅獎的設計融入藝術、科學、設計和技術領域的最佳實踐，並因注重細節而出類拔萃。Near Figure 博物館出色地滿足需求，觸動渴望，迷住情感，並吸引好奇心。

設計背後

新聞資料包

由設計師提供嘅製作人員名單、團隊成員同技術詳情。

獨特屬性: The Museum in Finland explores the concept of "Near Figure" in architecture, an idea that engages with the critical state between identifiable and unidentifiable forms. This project delves into the tension of architectural progression, capturing a transitional phase where space and form exist in a state of both static and dynamic potential. Through this exploration, the museum represents an evolving symbol of the future of architectural trends.
尺寸同包裝: Gross floor area: 6400 square meters Project type: Museum, Exhibits, Pavilions
標籤: Museum, Near Figure, Exhibition, Helsinki, Finland, monumental building, city landmark, public space
生產技術: The material choice of concrete plays a central role. Its malleability offers the flexibility to express the tension between clarity and abstraction, making it an ideal medium to embody the critical state of architectural form. Concrete allows for the fluidity of shape transitions, highlighting the project's exploration of thresholds and the notion of purpose in design. The combination of recycled wood with green concrete improve the building's insulation and effectively reduces carbon emissions
設計挑戰: The biggest challenge is exploring the meaning in Architecture. The project invested the big shape/form/figure with an air of purposefulness and will. Since modernism as a global hegemonic attitude was shaken and then definitively overcome by the forces of pomo and decon and the digital revolution, there has been a crisis in the belief that questions such as: How does architecture communicate? What is legible? The notion that meaning is possible or desirable in architecture has been challenged.
研究: The punchline to the project is something called a "near figure." Something with a shape, form or figure that conveys an uncanny sense of purpose, but is unable to be satisfactorily resolved into anything identifiable that could become singular and ultimately repressive. Trying to catch the sense of Progressiveness from mathematic geometry-cube. A series of transformation help to discover the threshold of Progressiveness of Legibility. Figure out the minimal and maximum transition of near figure
靈感: The "Near Figure" concept, where shapes and forms convey a sense of purpose but are deliberately left in a state that resists complete resolution. This ambiguity allows for a new type of legibility-one that emerges gradually as the viewer engages with the structure. Through the concept, the museum pushes the boundaries of contemporary architecture. It symbolizes a shift in architectural thinking towards a more conceptual, evolving expressions of purpose and identity in architecture.
項目時長: The project located in Helsinki Finland
操作流程: Two independent and directionally distinct circulation paths are interwoven through the transformation of the architectural form. The building's primary functions include open galleries, exhibition halls, cafe, exterior platforms, and activity areas. Within the public spaces, formal variations and deformations create enclosed functional zones such as offices, kitchen, private dining rooms, lounges, and intimate exhibition rooms.
圖片來源: Designer: Meng Zhao Graphic: Meng Zhao