Maria Gazdag 嘅作品 Essence of 220 Years of the Library 展覽

由設計師 Maria Gazdag 創作嘅 Essence of 220 Years of the Library 展覽係備受推崇嘅 2023 A' Design Award 鐵獎得獎作品，獲獎類別為室內空間及展覽設計。

鐵室內· 2023

Essence of 220 Years of the Library 展覽

由 Maria Gazdag

客戶: Lulla Interiors

室內類別嘅 A' Design Award 鐵獎得獎者

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經驗證嘅獲獎者

驗證設計 #148235 嘅獲獎狀態

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設計

關於 Essence of 220 Years of the Library 展覽

Essence 是為慶祝匈牙利國家塞切尼圖書館成立 220 週年而舉辦的教育展覽。基於書籍生產歷史的視覺故事情節旨在引導遊客穿越相當分散的空間。從牛皮紙到數位表面，從天鵝絨到畫布，從手稿到印刷文本，用於向讀者傳遞訊息的材料和技術被用作設計元素。顏色和紋理與科維納斯的裝訂、《建國憲章》和帆布書籍的裝訂有關。

榮譽認可

關於A' Design Award 鐵獎

Essence of 220 Years of the Library 展覽是 A' Design Award 鐵獎得主，這是授予滿足人們對設計精良的創作所期待的專業與工業要求的優良設計的聲望認可。鐵獎得主展現出其創作者的高超技藝、高度專業化、專家級的理解力和創造能力。預計Essence of 220 Years of the Library 展覽將成為一件備受推崇、令人欽佩且被珍愛的創作，既實用又創新。這件贏得 A' Design Award 鐵獎的設計整合了行業最佳實踐，並擁有與專業知識和才華相結合的稱職技術特性。Essence of 220 Years of the Library 展覽因其嚴謹而受到尊重，旨在提供有助於讓世界變得更美好的生活品質改善。

設計背後

新聞資料包

由設計師提供嘅製作人員名單、團隊成員同技術詳情。

獨特屬性: The exhibition and the new corporate identity created for the anniversary are interlocked, playing important parts in shaping the library’s new image. The common areas of the working library are used by employees and readers as well as visitors. The library building is in the castle district with lots of tourists who are interested in what is being treasured in the impressive building. Therefore, the exhibition has to communicate to visitors with very different background knowledge. Complexity of the story and the diversity of the space called for flexibility in term of designing the exhibition elements.
尺寸同包裝: The brief was to utilize some 1300m2 of common area. The characteristics and functionality of the space used by the exhibition had to be kept intact. In most of the areas the exhibition elements had to be lined along the walls, not to change the functionality of the building. Overhead structures are used to tie areas together where content called for it. Some light effects were added but used sparingly not to change the ambiance of the library, and not to increase energy consumption unnecessarily. The aim was to create an environment which is exciting for exhibition visitors, but homely and warm for employees and readers.
標籤: cultural education, exhibition in a library, interactive exhibition, books, history
生產技術: Sustainability was an important aspect considered when planning to transform the large, empty, somewhat inhospitable marble cladded spaces. The aim was to use structural material as sparingly as possible, which also helps to keep the characteristics of the spaces. Changing high consuming light fittings and using new light fixtures with adjustable 4000K LED lights apart from reducing energy consumption helped to create a more hospitable ambiance. Reusing picture frames from the storages after giving them a new lease of life with new colours allowed to keep costs lower, and makes it easy to change content in the future.
設計挑戰: The diversified venue and content called for a design element to provide a link visually between the different contents. Nowadays libraries are working on moving their enormous content to the digital space, therefore, the old register cabinets, being distinct elements of libraries for a long time, are disappearing slowly. The catalogue tab used both in cabinets and on digital platform was implemented as a visual link, marking areas, framing content. This also reinforces the impression that these treasures are pulled out of the enormous collection hidden in the storages.
研究: To accompany the story, a visual storyline guides visitors through the exhibition. Hence is the citation of materials, techniques used to pass information to the readers throughout time. Vellum to digital surface, velvet to canvas, manuscript to printed texts etc. Lilac velvet comes from binding of Corvinas, deep red velvet from the binding of the founding charter, anthracite grey from canvas binding. Gold has been highlighting books from manuscripts to present-day editions. The new corporate identity and the interior are reflecting these historical aspects and forming a very strong new image of the institution.
靈感: Essence, Esszencia in Hungarian, was dedicated to celebrate the 22Oth anniversary of the founding of the National Szechenyi Library. In 18O2 Count Szechenyi transformed his private library into a Hungarika collection, thus laying the foundations of the Hungarian National Library. The story told also recalls the Corvina Library of king Matthias as it can be considered a historical predecessor. The curators of Essence targeted to present the complexity and multi layered nature of the more than ten million documents. These aspects were to be presented in an integrated educational exhibition in the common area of the building.
項目時長: Designing the first stage of the project started in January 2022, the second stage was completed on site by 26. November 2022.
National Szechenyi Library Budapest, Hungary
操作流程: The space is rather fragmented. This disadvantage was turned to advantage by allocating the themes according to the space rather than forcing and changing the natural flow. The independently interpretable exhibition sections are linked together with a visual storyline creating an integrated story. Interactive screens provide more information and the experience of turning the pages of books treasured in the storages. At the sound terminals visitors can listen to old soundtracks or to present-day guardians of the collection talking about some treasures kept in the library.
團隊成員: Creative concept and exhibition design: Maria Gazdag
Graphic design: Tamas Takacs
圖片來源: Photographer: Gyorgy Darabos