Porous Manifold I-Tearoom Yase-Japan ngu-Ryumei Fujiki and Yukiko Sato

Umdwebo Porous Manifold I-Tearoom Yase-Japan ngu-Ryumei Fujiki and Yukiko Sato ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2019 Umklomelo Wesiliva we-A' Design Award Esigabeni Somncintiswano se-Ubuciko Obuhle.

IsilivaUbuciko Obuhle· 2019

Porous Manifold I-Tearoom Yase-Japan

ngu Ryumei Fujiki and Yukiko Sato

Iklayenti: F.A.D.S + Fujiki Studio, KOU::ARC

Umnqobi we-Umklomelo Wesiliva we-A' Design Award Esigabeni se-Ubuciko Obuhle

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Umnqobi Womklomelo Oqinisekisiwe

Qinisekisa Isimo Somklomelo se-#72501

Vakashela Isayithi Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

Imibala

Ukuklama

Mayelana ne-Porous Manifold I-Tearoom Yase-Japan

Leli yigumbi letiye lase-Japan lesikhashana eliboniswe ku-Echigo-tsumari Art Triennale 2018 futhi linesakhiwo esisidleke esinesikhala samatatami amabili esishumekwe esikweleni esingamamitha ayishumi. Kulo mbukiso, abadwebi bezakhiwo bacelwe ukuthi baphendule esihlokweni sokuthi bangawunqoba kanjani umqondo wesikhala esifana nesakho esasidlangile ekhulwini lama-20. Uhlaka lwamathambo lwaklanywa kusetshenziswa iphethini engahleliwe eyayibizwa ngokuthi i-Voronoi Division ukuze ihlanekezele indawo eyodwa. Futhi kwahlongozwa ukuthi izakhiwo nenani elikhulu izimbobo lokho kungase kuvulwe futhi ivalwe njengoba kudingeka ukuxhumana ngaphandle like into ephilayo.

Ukuqashelwa

Mayelana ne-Umklomelo Wesiliva we-A' Design Award

Porous Manifold I-Tearoom Yase-Japan iwinile uMklomelo Wesiliva we-A' Design Award, ukwaziswa okuhloniphekile ngokungajwayelekile okunikezwa imiklamo esezingeni eliphezulu, ebukekayo nethinta kakhulu. Abawinile beSiliva yimisebenzi egqamile kakhulu nedala kakhulu ebonisa ubungcweti obuphawulekayo, italente nobuhlakani babaklami babo. Porous Manifold I-Tearoom Yase-Japan ilindeleke ukuba ibe ngumsebenzi omuhle wesibonelo, onobungcweti obuphawulekayo nezinto ezintsha ezijulile. Lo mklamo owinile uMklomelo Wesiliva we-A' Design Award uyinto entsha ebonakala kakhulu nethakazelisayo esiza futhi isunduza imingcele yobuciko, isayensi, ukuklama nobuchwepheshe. Porous Manifold I-Tearoom Yase-Japan iyinto enomhawu omkhulu kuyo evusa izifiso, ilethe imizwa emihle futhi ivuse ukumangala nokuxakeka.

Ngemuva Kokuklama

Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things.
Izilinganiso Nokupakisha: Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan.
Amathegi: Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
Ubuchwepheshe Bokukhiqiza: It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
Inselele Yokudweba: Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture.
Ucwaningo: Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION).
Ugqozi: Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century.
Ubude Bephrojekthi: This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture.
Ukuhamba Kokusebenza: As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people.
Amapathenti: F.A.D.S + Fujiki Studio, KOU::ARC
Amalungu Eqembu: ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto
Amakhredithi Ezithombe: Masahiro Hoshida, Fujiki Studio, KOU::ARC