Umdwebo Forest Archetype Indlu ngu-Genta Takano ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2026 Umklomelo Webhulonzi we-A' Design Award Esigabeni Somncintiswano se-Ukudizayina Ezokwakha, Izakhiwo Nezinhlaka.

IbhulonziEzokwakha· 2026

Forest Archetype Indlu

ngu Genta Takano

Iklayenti: Gla

Umnqobi we-Umklomelo Webhulonzi we-A' Design Award Esigabeni se-Ezokwakha

8,183

Umnqobi Womklomelo Oqinisekisiwe

Qinisekisa Isimo Somklomelo se-#174638

Vakashela Isayithi Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

Imibala

Ukuklama

Mayelana ne-Forest Archetype Indlu

I-Forest Archetype iyiphrojekthi yokuhlala eguqula uhlelo lwendawo lwehlathi libe yifomu lokwakha eligoqekile. Lo mklamo uhlelwa ngohlelo lwesakhiwo olunezigaba kunokuhlukaniswa kwamagumbi okuvamile. Izakhi zesakhiwo ezimile zichaza ukuhamba nemisebenzi ngenkathi zigcina ukuqhubeka okubonakalayo kuwo wonke umkhathi wangaphakathi. Lokhu kuhlanganiswa kwezigaba kudala izikhala ezivulekile nezindawo ezisemncane ezingaphandle ezisekela ukusetshenziswa kwansuku zonke okuguqukayo. Ngomqondo wesakhiwo ocacile nokulandelana kwendawo, indlu ifinyelela ukucebile nokuvuleka ngenkathi ihlala ihlonzwe ngobungako bayo.

Ukuqashelwa

Mayelana ne-Umklomelo Webhulonzi we-A' Design Award

Forest Archetype Indlu iwinile uMklomelo Webhulonzi we-A' Design Award, ukwaziswa okuhloniphekile kakhulu okunikezwa imiklamo ephawulekayo eyehlukaniswa ukudala, ubuhlakani nobukhali bengqondo. Abawinile beBhulonzi yimisebenzi enobuchule obukhulu nedala ngokumangalisayo eqinisekisa isipiliyoni esibanzi, umcabango nobuhlakani babaklami babo. Forest Archetype Indlu ilindeleke ukuba ibe yinto exatshwa kakhulu, edunyiswayo nethandwayo, enobungcweti obuphawulekayo nezinto ezintsha. Lo mklamo owinile uMklomelo Webhulonzi we-A' Design Award uhlanganisa izindlela ezinhle kakhulu ebuciko, esayensi, ekuklameni nasebuchwepheshe futhi uhamba phambili ngenxa yokunaka kwawo imininingwane. Forest Archetype Indlu iyanelisa izidingo ngokumangalisayo, ithinta izifiso, iheha imizwa futhi ikhanga ukufuna ukwazi.

Ngemuva Kokuklama

Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: This project is a residential building that reinterprets the spatial structure of a forest within a compact domestic setting.
Instead of relying on conventional room divisions, the house is organized through a layered structural system that integrates architecture and built in furniture.
Large, trunk like elements form the spatial backbone of the house, enabling diverse activities and visual connections.
By combining structural clarity with spatial flexibility, the design achieves richness and openness while remaining restrained in scale.
Izilinganiso Nokupakisha: Number of floors: 2 above ground
Eaves height: 5885mm
Maximum height: 6386mm
Site area: 1293.00m2
Building area: 85.11m2
(Building coverage ratio: 6.58%, allowable: 60%)
Total floor area: 124.14m2
(Floor area ratio: 9.60%, allowable: 200%)
First floor area: 72.16m2 Second floor area: 51.98m2
Construction type: Timber structure
Amathegi: house, architecture, forest, spatial structure, timber
Ubuchwepheshe Bokukhiqiza: The ceiling above the central void was finished with a low gloss metallic surface to control light reflection and enhance spatial depth.
This surface subtly reflects changes in daylight and surrounding vegetation throughout the seasons, contributing to environmental continuity without direct visual imitation.
Large suspended panels beneath the ceiling were designed as abstracted elements derived from surrounding trees, using simplified geometry and controlled spacing.
These elements modulate light, views, and scale, creating differentiated spatial conditions through material treatment rather than enclosure.
Inselele Yokudweba: The primary challenge was balancing continuity with the forest while maintaining architectural clarity and structural stability.
From a creative perspective, the project required reconciling Japanese spatial traditions, such as the fragmentation of small rooms, with contemporary residential needs.
From a technical standpoint, ensuring sufficient structural performance in a timber building led to the adoption of a reinforced frame using aramid fiber sheets to address lateral forces.
Material selection was also critical, as silver steel surfaces were carefully introduced to reflect seasonal light without overwhelming the interior.
These challenges required close coordination between design intent, structural constraints, and construction feasibility.
Ucwaningo: This project is based on design research exploring residential architecture adjacent to natural forests.
The objective was to understand how built space can coexist with a forest while maintaining continuity rather than separation.
The methodology involved on-site observation, spatial analysis, and iterative design testing.
Tools included site walks, sketches, physical models, and full-scale spatial studies.
The primary participants were the architect and the future occupants.
The result was a four layered spatial system that aligns architectural elements with the scale of trees.
This research demonstrates how architectural structure can enhance daily comfort and foster a closer relationship between living space and surrounding nature.
Ugqozi: This project was inspired by repeated observations of a forest adjacent to the site.
Through walking and spending time within this environment, I became aware of its spatial order, formed by the vertical presence of trees and their layered relationships.

Rather than imitating the forest as a natural form, the design seeks to abstract its vitality into a clear architectural system.
This led to the development of large, trunk like structural elements arranged in layered compositions, responding to the trees along the cliff and translating their spatial logic into architecture.
Ubude Bephrojekthi: The project was completed in 2017 in Sapporo, Hokkaido, Japan.
Ukuhamba Kokusebenza: The house is experienced through movement rather than fixed rooms.
As occupants walk through the interior, the layered walls gradually align with the scale and rhythm of the surrounding trees.
This creates a continuous flow between inside and outside, where built elements and natural scenery visually overlap.

Living within the house involves moving through changing degrees of openness, light, and enclosure.
This interaction allows daily activities to unfold naturally, producing a calm and immersive environment that feels connected to the adjacent forest rather than separated from it.
Amakhredithi Ezithombe: GLA