Umdwebo Gordafarid Isambatho ngu-Mina Aliyari ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2025 Umklomelo Wensimbi we-A' Design Award Esigabeni Somncintiswano se-Ukudizayina Imfashini.

InsimbiImfashini· 2025

Gordafarid Isambatho

ngu Mina Aliyari

Iklayenti: Kahkeshan Shahab Danesh

Umnqobi we-Umklomelo Wensimbi we-A' Design Award Esigabeni se-Imfashini

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Umnqobi Womklomelo Oqinisekisiwe

Qinisekisa Isimo Somklomelo se-#167683

Vakashela Isayithi Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

Imibala

Ukuklama

Mayelana ne-Gordafarid Isambatho

Gordafarid isambatho esakhiwe ngamakhaphethi asePheresiya asetshenziswe kabusha. Amakhaphethi alukiwe ngesandla acekelwe phansi futhi angasenasizo enziwa isakhiwo somzimba futhi agcina isakhiwo sawo sokuqala. Izikhindi zenziwa ngelineni ngesobunjwa esithathwe ohlangothini, esiphefumulelwe yizingubo zabantu bomdabu base-Iran. Isibopho sekhanda sihlanganisa i-geometry yaseIran nesobunjwa se-origami. Isikhwama esenziwe ngentambo yensimbi eyisipiringi kanye nendwangu singanikezwa izinhlobo ezahlukene emzimbeni. Izibopho eziguqukayo zivumela ushintsho esilinganisweni nakumsebenzi. Ingxenye yekhaphethi ingaphinde ilengiswe odongeni noma ibekwe phansi.

Ukuqashelwa

Mayelana ne-Umklomelo Wensimbi we-A' Design Award

Gordafarid Isambatho iwinile uMklomelo Wensimbi we-A' Design Award, ukwaziswa okuhloniphekile okunikezwa imiklamo emihle ehlangabezana nezidingo zobungcweti nezemboni ezilindelekile ezimpahleni ezihlelwe kahle. Abawinile beNsimbi babonisa ikhono elikhulu, ubungcweti obuphezulu, ukuqonda kochwepheshe namandla okudala abadali babo. Gordafarid Isambatho ilindeleke ukuba ibe yinto exatshwa kakhulu, edunyiswayo nethandwayo esebenzayo nenezinto ezintsha. Lo mklamo owinile uMklomelo Wensimbi we-A' Design Award uhlanganisa izindlela ezinhle kakhulu zemboni futhi unezimfanelo zobuchwepheshe ezifanelekile ezihlanganiswe nolwazi nethalente. Gordafarid Isambatho iyahlonishwa ngenxa yokucophelela kwayo futhi ihlelelwe ukulethela izinguquko zomgangatho wempilo ezisiza ukwenza umhlaba ube yindawo engcono.

Ngemuva Kokuklama

Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: This dress is a bridge between history and modernity
Reusing damaged and unusable handicrafts (Iranian carpets) and introducing them into the fashion industry without changing the original structure of the work, as well as the headband, which is a combination of Iranian geometry and modern origami technique

The items have multiple uses,
A springy and soft shawl that we can give different forms to on the body
. A carpet that can be worn or hung on the wall or placed on the floor as a work of art
Izilinganiso Nokupakisha: Blouse : width 250mm x 500mm
Pants: width 700mm x 1100mm
One look size 38
Amathegi: Sustainable fashion, fashion design, clothing, cultural design, origami technique, persian carpet, redesign, draping
Ubuchwepheshe Bokukhiqiza: This garment uses environmentally friendly materials such as linen in the pants and carpet in the torso

The pants are made using the draping technique, modeled after the clothing of Iranian tribes.

The garment and accessories use variable straps to allow for changing size and function.

A combination of metal spring wires and fabric is used to create a flexible and formable scarf.
Inselele Yokudweba: Our main challenge in this project is how to combine the main concept, i.e. free woman, with the identity of Iranian culture and art, and also the correct interaction of these two concepts with fashion with a modern approach, considering sustainable fashion.
Paying attention to the fact that not everything damaged is worthless and can be given meaning and life again by redesigning.
And another problem solved by the project is how to transform handicrafts into clothing while maintaining the original structure of the material and its harmony with the body's form and anatomy, which has turned it into a comfortable and stylish garment.
Ucwaningo: Research and Investigations:
Historical facts about the clothing, arts and crafts of Iranian peoples throughout history have been made according to the different empires, and the commonalities and consequences of each part of their clothing have been considered. For this project, historical books such as the Shahnameh have been referred to in order to better understand the authenticity of Iran and the influential Iranian women, their role and power.
Ugqozi: The inspiration for this design is the expression of courage, freedom and beauty of women against anti-women thinking, who stand amidst the limitations of which the Maripach spring shawl is a symbol of these thoughts, and despite their wounds, which are shown on the torso of the dress with the damaged carpet, they inspire beauty and freedom.

Because of the social, cultural and artistic meaning of this work, we named it Gard Afridi, a symbol of a brave and free woman in Ferdowsi's Shahnameh.
Ubude Bephrojekthi: The project started in May 2024 in Semnan and Finished in December in 2024 in semnan .
Ukuhamba Kokusebenza: Transmitting a sense of authenticity and beauty using an old Persian carpet, hand-woven trousers inspired by the Persian tribal customs, a red headband worn by Achaemenid warriors after winning a war, and a spring shawl that expresses limiting thinking like a cocoon wrapped around a woman, but a woman with her courage inspires freedom and beauty.
Amalungu Eqembu: Mina Aliyari
Shahin Nayyer
Amakhredithi Ezithombe: Images #1 to #5 : Photographer Mahdie Jalali ,Gordafarid ,2024