The Allegory Ukufakwa Kwezobuciko ngu-FunDesign.tv - Tomoko Nagao

Umdwebo The Allegory Ukufakwa Kwezobuciko ngu-FunDesign.tv - Tomoko Nagao ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2024 Umklomelo Wesiliva we-A' Design Award Esigabeni Somncintiswano se-Ubuciko Obuhle.

IsilivaUbuciko Obuhle· 2024

The Allegory Ukufakwa Kwezobuciko

ngu FunDesign.tv - Tomoko Nagao

Iklayenti: FunDesign.tv

Umnqobi we-Umklomelo Wesiliva we-A' Design Award Esigabeni se-Ubuciko Obuhle

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Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

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Ukuklama

Mayelana ne-The Allegory Ukufakwa Kwezobuciko

I-Allegory iwukufakwa kwezobuciko komphakathi okuhlala njalo okubekwe enkabeni yenkundla yepaki yezemidlalo eTaipei. Umklamo uthatha kuma-fresco ophahleni esitayela seBaroque neRococo bese uwahlanganisa nezimpawu zezinkundla ze-baseball, izimpahla zabathengi kanye nezokuzijabulisa. Ukuhleleka kwawo kulinganisa amamitha ayi-11.4 ngo-11.4 futhi kuhlanganisa amaphaneli ensimbi ecast iron angama-37, izibalo zezingelosi eziyi-10 kanye namapuleti angamashumi amahlanu anesimo sezimbali. Izifanekiso zamapulangwe ziqoshwa ngomshini, zibunjwe ngensimbi ngendlela ye-sand casting bese zigcwaliswa ngesandla nge-epoxy resin enemibala. Njengoba libekwe lilingane nesiyilo sephansi, izinkomba ezine zomsebenzi zihola abantu ukuwela inkundla.

Ukuqashelwa

Mayelana ne-Umklomelo Wesiliva we-A' Design Award

The Allegory Ukufakwa Kwezobuciko iwinile uMklomelo Wesiliva we-A' Design Award, ukwaziswa okuhloniphekile ngokungajwayelekile okunikezwa imiklamo esezingeni eliphezulu, ebukekayo nethinta kakhulu. Abawinile beSiliva yimisebenzi egqamile kakhulu nedala kakhulu ebonisa ubungcweti obuphawulekayo, italente nobuhlakani babaklami babo. The Allegory Ukufakwa Kwezobuciko ilindeleke ukuba ibe ngumsebenzi omuhle wesibonelo, onobungcweti obuphawulekayo nezinto ezintsha ezijulile. Lo mklamo owinile uMklomelo Wesiliva we-A' Design Award uyinto entsha ebonakala kakhulu nethakazelisayo esiza futhi isunduza imingcele yobuciko, isayensi, ukuklama nobuchwepheshe. The Allegory Ukufakwa Kwezobuciko iyinto enomhawu omkhulu kuyo evusa izifiso, ilethe imizwa emihle futhi ivuse ukumangala nokuxakeka.

Ngemuva Kokuklama

Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: "The Allegory" of the Taipei Big Dome unfolds across multiple layers, drawing inspiration from the iconic ceiling fresco by Italian artist Giovanni Battista Tiepolo, whose Baroque legacy transcended into the early 17th century. Visually, the classic Rococo is intricately woven into the canvas. The fusion of Rococo aesthetics with symbols such as baseball stadiums, consumer goods, and entertainment forms a rich tapestry of diverse beliefs.
Izilinganiso Nokupakisha: The composition comprises 37 panels forming the main dome fresco, 10 standalone angel figures, and 50 smaller flower-shaped cast iron plates. The dimensions measure 11.4 meters by 11.4 meters, occupying a total area of 129.96 square meters. The artwork is seamlessly embedded, flush with the existing floor, creating a harmonious integration with the surroundings.
Amathegi: tomoko, arte, Japan, Milano, fundesign, Taipei, Dome, Taiwan
Ubuchwepheshe Bokukhiqiza: The artwork is composed of a set of panels, each initially carved into a wooden mold through mechanical processes. Subsequently, the sand-casting technique is employed to create a molded metal version through metal pouring. After applying a rust-resistant primer, skilled artisans then meticulously hand-fill the concave surfaces of the panels with colored epoxy resin, resulting in exquisite, vibrant, and durable covers. To prevent rapid hardening of the epoxy resin pigments, only one color can be applied at a time during the process, and a dust-free environment must be maintained throughout.
Inselele Yokudweba: In the beginning, they explored the sports park's historical context, uncovering insights from archives. The sports park's origins date back to Taiwan's Japanese era when it functioned as a tobacco factory. The installation's site was previously a sports field for factory workers, featuring a baseball field. This historical background enriched the artwork with numerous baseball symbols, aligning with the park's current role of hosting world-class baseball games. Situated in a popular plaza, the installation's four directions are intentionally oriented, acting as functional guides for individuals moving toward their destinations.
Ucwaningo: Manholes, originating in Japan in the 1950s as standard features weighing approximately 80 pounds, have evolved beyond their utilitarian roots. Since the 1980s, a creative transformation has taken place, with many covers featuring artistic designs that depict the unique scenery and native flora of each town. Recognizing the potential to turn this functional element into a form of urban art, we leverage the durability and visual appeal of these covers. Our innovative approach involves crafting them into captivating landscape art installations, seamlessly integrating them into the bustling squares where people predominantly traverse. This enhances the aesthetic appeal of public spaces and showcases the fusion of utility and artistry in urban design.
Ugqozi: As the central plaza within the commercial architectural ensemble of Taipei Big Dome Sports Park, this public art installation not only bears the responsibility of artistic expression but also embodies the functional aspect of guiding people in their directions. The artist's uniquely flattened painting style is seamlessly integrated into the molded cast iron flooring of the plaza, with detailed coloring applied using epoxy resin, laid across the walkways.
Ubude Bephrojekthi: The artwork successfully passed inspection on February 6, 2024, and is set to be publicly displayed this summer. As a permanent public art piece, it will stand as an iconic landmark coexisting with the Taipei Big Dome Sports Park, symbolizing a harmonious integration within the surroundings.
Ukuhamba Kokusebenza: The artwork employs a diverse palette, standing out in the predominantly gray-toned ambiance of the sports park. Amidst the overall grayscale setting, it swiftly captures attention with its vivid colors. The various baseball-themed details within the artwork actively resonate with the park's primary function of hosting baseball games. Stepping into the piece, individuals not only experience a visual spectacle of artistic style but also gain a deeper understanding of this public art as an interpretive element within the sports park.
Amalungu Eqembu: Artist: Tomoko Nagao
Designer: FunDesign.tv
Carrie Chang
SK Chen
Clara Kao
Amakhredithi Ezithombe: FunDesign.tv