Umdwebo New Year Umfanekiso ngu-Jui-Ping Lee ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2024 Umklomelo Wensimbi we-A' Design Award Esigabeni Somncintiswano se-Ubuciko Bedijithali.

InsimbiUbuciko Bedijithali· 2024

New Year Umfanekiso

ngu Jui-Ping Lee

Umnqobi we-Umklomelo Wensimbi we-A' Design Award Esigabeni se-Ubuciko Bedijithali

52,919

Umnqobi Womklomelo Oqinisekisiwe

Qinisekisa Isimo Somklomelo se-#158137

Vakashela Isayithi Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

Imibala

Ukuklama

Mayelana ne-New Year Umfanekiso

Egcekeni elithulile, phakathi kokuwa kweqhwa lebusika okuthambile nemibala egqamile yamaqabunga asekwindla, kuhlezi umfanekiso omuhle ogqoke i-Kimono enhle kakhulu. Lesi sithombe sivusa umoya we-Wabisabi, sibonisa ubuhle bokuba wedwa nokuthula. Amaphethini athambile ahloba indwangu, ikakhulukazi ama-Pines, amele ukuhlonipha; kanye ne-Seigaiha enesigqi emele ukuthula kolwandle. Ukusondeza kuveza imininingwane eyengeziwe eyinkimbinkimbi, ipuleti letshe elinegama lomculi libekwe ngakwesokunxele; futhi phezu kwe-Kimono, kunamaphethini amagundane amele unyaka omusha ka-2020, unyaka wamagundane.

Ukuqashelwa

Mayelana ne-Umklomelo Wensimbi we-A' Design Award

New Year Umfanekiso iwinile uMklomelo Wensimbi we-A' Design Award, ukwaziswa okuhloniphekile okunikezwa imiklamo emihle ehlangabezana nezidingo zobungcweti nezemboni ezilindelekile ezimpahleni ezihlelwe kahle. Abawinile beNsimbi babonisa ikhono elikhulu, ubungcweti obuphezulu, ukuqonda kochwepheshe namandla okudala abadali babo. New Year Umfanekiso ilindeleke ukuba ibe yinto exatshwa kakhulu, edunyiswayo nethandwayo esebenzayo nenezinto ezintsha. Lo mklamo owinile uMklomelo Wensimbi we-A' Design Award uhlanganisa izindlela ezinhle kakhulu zemboni futhi unezimfanelo zobuchwepheshe ezifanelekile ezihlanganiswe nolwazi nethalente. New Year Umfanekiso iyahlonishwa ngenxa yokucophelela kwayo futhi ihlelelwe ukulethela izinguquko zomgangatho wempilo ezisiza ukwenza umhlaba ube yindawo engcono.

Ngemuva Kokuklama

Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: An elegant figure with splendid Kimono, serenely sitting in a yard on a cold winter's day at new year, with colourful leaves and slowly showering snow around her that represents the traditional artistic term, Wabisabi (beauty of solitude and tranquility).

If we zoom in, it can be seen that the Patterns are mainly Pines, which is used in the most formal kimono, to be worn only on ceremonious occasions; and also "Seigaiha (sea waves)", which represents tranquility.

Aside from that, the stone plate on the left reads the pen-name of the artist; and on the kimono, there are patterns depicting mice, to celebrate 2020, the year of mouse.
Izilinganiso Nokupakisha: Original dimensions at 5600*3150 px, with 935 canvas layers
Amathegi: Illustration, Kimono, Furisode, Kouyou, Karesansui
Ubuchwepheshe Bokukhiqiza: Drawn using a Wacom Cintiq Pro 32, with software Easy Paint Tool SAI 2.0
Inselele Yokudweba: The key challenge is to make a painting while keep the authenticity of the elements - the kimono, the karesansui ("dry yard") and the red leaves. While many other illustrators prefer drawing kimono-like outfits, this work must be authentic on the kimono design so it can fit the theme properly; under such condition, the creating process became much more difficult due to the fact that it can not be a free-form creation, but a restricted one that the combination of all the elements in the painting must be meticulously designed and crafted.
Ucwaningo: Research especially on the meaning of the kimono patterns was conducted, to better represent kimono while avoid improper designs. Books and documents are examined, and different combinations of patterns are tried in the painting, and the one with best both cultural and visual effect was determined, resulting in a design which is both having superb color representation and cultural meaning that befit the theme of the work (new year).
Ugqozi: When I was sitting alone in my home watching a video about how Kimono's (traditional Japanese dress) are made, I suddenly imagined a figure in Karesansui (Japanese stone yards), surrounded by maples and wearing the most fine, magnificent Kimono; and I, a "photographer", would quietly approach, crouching on the ground and capture the evanescent moment with a single-lens-reflex camera (which is my canvas and pen)
Ubude Bephrojekthi: The vague inspiration of it formed since 2017-2018, and the actual drawing started in December 2019, finished & published in January 2020.
Ukuhamba Kokusebenza: At first sight, you will immediately focus on the figure in the middle, in spite of the fact that the saturation level of the background is much higher. This is called the "blurring perspectives" technic that by burring out items whilst no obvious perspective cues, it creates a huge sense of space, and can lead the beholder to focus their sight at once at the non-blurred items, namely the figure in this painting, sitting in the middle, creating a "photo-like" effect.