Ro54 Indlu Yomndeni Owodwa ngu-Arshia Mahmoodi

Umdwebo Ro54 Indlu Yomndeni Owodwa ngu-Arshia Mahmoodi ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2023 Umklomelo Wegolide we-A' Design Award Esigabeni Somncintiswano se-Ukudizayina Ezokwakha, Izakhiwo Nezinhlaka.

IgolideEzokwakha· 2023

Ro54 Indlu Yomndeni Owodwa

ngu Arshia Mahmoodi

Iklayenti: Arshia Architects

Umnqobi we-Umklomelo Wegolide we-A' Design Award Esigabeni se-Ezokwakha

19,961

Umnqobi Womklomelo Oqinisekisiwe

Qinisekisa Isimo Somklomelo se-#144546

Vakashela Isayithi Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

Imibala

Ukuklama

Mayelana ne-Ro54 Indlu Yomndeni Owodwa

I-RO54 iyindlu yomndeni owodwa eyakhiwe endaweni esegqumeni eLos Angeles. Le ndlu isebenzisa isakhiwo samazinga ahlukene ngezitezi ezihlelwe ngokushiyana zizungeze isikhala esiphakathi nendawo. Izitebhisi eziyibhuloho eziphakathi nendawo ziletha ukukhanya kwelanga nokuxhumana ngokubuka kuya ezingeni elijule kakhulu, okunciphisa ibanga lomzimba nelengqondo phakathi kwamagumbi. Igobolondo langaphandle lasikwa ngomshini we-CNC kusukela kumklamo wedijithali futhi lilandela izimo zezimoto ezishelelayo. Ingxenye engalekelelwe engamafidi ayi-16 esitezi sesibili yakha uphahla lomnyango wokungena. Izinhlelo zezindlu ezivulekile zivumela ukuthi ifenisha ihlelwe kabusha.

Ukuqashelwa

Mayelana ne-Umklomelo Wegolide we-A' Design Award

Ro54 Indlu Yomndeni Owodwa iwinile uMklomelo Wegolide we-A' Design Award, ukwaziswa okuhloniphekile kakhulu okunikezwa imiklamo yeklasi yokuqala, emangalisayo nephawulekile. Abawinile beGolide yimiklamo emisha kakhulu, enombono ongaphambili futhi egqamile ebonisa ubuhlakani, ukuhlakanipha nobuchule babaklami babo. Ro54 Indlu Yomndeni Owodwa ilindeleke ukuba ibe yinto entsha edunyiswe kakhulu, ebeka isitayela futhi ebalulekile elethe inani elingakaze libonwe. Lo mklamo owinile uMklomelo Wegolide we-A' Design Award ungumgomo omangalisayo nohlonishwayo osiza kakhulu futhi osunduza imingcele yobuciko, isayensi, ukuklama nobuchwepheshe. Ro54 Indlu Yomndeni Owodwa idala imizwa ejulile yesifiso, ivuse intshiseko, ikhuthaze ukudala futhi iyasiheha.

Ngemuva Kokuklama

Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: Automotive inspired intelligible shell, CNC milled from digital design.
Split level architecture with central bridging stairs to allow sunlight and visual connection to the deepest level.
Dynamic 16 ft cantilever of the second floor creating an entrance canopy and shaded prelude.
Fluidity in circulation and open floor plans that allow for rearrangement of furniture and interior decoration.
Correlation of exterior form and interior hulk.
Museum-quality basement grand room.
Izilinganiso Nokupakisha: 17246mm x 19735mm x 7315mm
Amathegi: split-level configuration, sensory performance, streamline automotive aesthetics, dynamic cantilever, fluidity circulation G exterior & interior correlation
Ubuchwepheshe Bokukhiqiza: Automotive inspired intelligible shell, CNC milled from digital design.
Split level architecture with central bridging stairs to allow sunlight and visual connection to the deepest level.
Dynamic 16 ft cantilever of the second floor creating an entrance canopy and shaded prelude.
Fluidity in circulation and open floor plans that allow for rearrangement of furniture and interior decoration.
Correlation of exterior form and interior hulk.
Museum-quality basement grand room.
Inselele Yokudweba: How can we minimize the physical and psychological distances between different chambers in a residential assemblage? Most homes are constructed with rooms arranged in either horizontal or vertical layouts, which often lead to partitioning and separation due to privacy or functional requirements. Walls, doors, and other barriers typically divide these spaces.
Ucwaningo: Our aim for tackling this stoic problem was to reduce the time (Δt) required to access other spaces in the program, physically or psychologically. We looked at the problem on a horizontal plane (xy axis), where we aimed to dissolve all unnecessary divisions. This meant direct visual connection from one space to most other spaces in the house, which shortened the time of accessing information in other parts of the house, therefore reducing its psychological distances.
Ugqozi: The design vocabulary was informed by streamline automotive aesthetics, proposing every technology in the house to have exponent performance discreetly, allowing the architectural space to deliver a sensory performance.
Ubude Bephrojekthi: 07/2017-06/2022
1254 Roberto Ln, Bel Air, CA 90077, USA
Ukuhamba Kokusebenza: The project itself provided for an inclusive engagement with its surrounding space by means of large open spaces and utilization of the ideals of transparency for honest integration into its surrounding community. There is little to hide and what belongs to the house belongs to the neighborhood and conversely, what belongs to the neighborhood is brought into the house. The architecture in turn demands a change of attitude from its occupants towards the community, to be open and to be known.
Amapathenti: Copyrights belong to Arshia Architects;
Amakhredithi Ezithombe: Image #1: Photographer Yuheng Huang, Exterior View, 2022.
Image #2: Photographer Renee Parkhurst, Living Room, 2022.
Image #3: Photographer Paul Vu, Library, 2022.
Image #4: Photographer Paul Vu, Kitchen, 2022.
Image #5: Photographer Renee Parkhurst, Exterior View, 2022.