Yatsugatake Villa Ivilla ngu-Kiyotoshi Mori and Natsuko Kawamura

Umdwebo Yatsugatake Villa Ivilla ngu-Kiyotoshi Mori and Natsuko Kawamura ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2022 Umklomelo Webhulonzi we-A' Design Award Esigabeni Somncintiswano se-Ukudizayina Ezokwakha, Izakhiwo Nezinhlaka.

IbhulonziEzokwakha· 2022

Yatsugatake Villa Ivilla

ngu Kiyotoshi Mori and Natsuko Kawamura

Iklayenti: MDS Co., Ltd.

Umnqobi we-Umklomelo Webhulonzi we-A' Design Award Esigabeni se-Ezokwakha

11,775

Umnqobi Womklomelo Oqinisekisiwe

Qinisekisa Isimo Somklomelo se-#129187

Vakashela Isayithi Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

Imibala

Ukuklama

Mayelana ne-Yatsugatake Villa Ivilla

I-Yatsugatake Villa yindawo yokuhlala yasehlobo etholakala e-Hokuto-City, e-Yamanashi, e-Japan. Lesi sakhiwo sakhiwe ngamashubhu amathathu enesimo esifana ne-trapezoid ahlelwe ngendlela yesimo se-fan futhi avuleka ngasenyakatho eningizimu. Isikhala esibanzi esivulekile ngaseningizimu sivumela ukungena kokukhanya kwelanga ngesikhathi sasebusika obubandayo, kanti uphahla oluyelulwe kanye nezindonga ezisemaceleni zivimbela ilanga elivuthayo ehlobo. Amafasitela asenyakatho naseningizimu avumela umoya ukuthi udlule ngaphakathi. Kusetshenziswa ukwakhiwa kwendabuko yamapulangwe aseJapan, ngokusebenzisa i-cedar, i-plaster kanye nezikrini ze-shoji. Izikrini ze-shoji ezivaliwe zinikeza ukukhanya okuthambile, kanti ezivulekile zibumba isithombe sezintaba ezizungezile.

Ukuqashelwa

Mayelana ne-Umklomelo Webhulonzi we-A' Design Award

Yatsugatake Villa Ivilla iwinile uMklomelo Webhulonzi we-A' Design Award, ukwaziswa okuhloniphekile kakhulu okunikezwa imiklamo ephawulekayo eyehlukaniswa ukudala, ubuhlakani nobukhali bengqondo. Abawinile beBhulonzi yimisebenzi enobuchule obukhulu nedala ngokumangalisayo eqinisekisa isipiliyoni esibanzi, umcabango nobuhlakani babaklami babo. Yatsugatake Villa Ivilla ilindeleke ukuba ibe yinto exatshwa kakhulu, edunyiswayo nethandwayo, enobungcweti obuphawulekayo nezinto ezintsha. Lo mklamo owinile uMklomelo Webhulonzi we-A' Design Award uhlanganisa izindlela ezinhle kakhulu ebuciko, esayensi, ekuklameni nasebuchwepheshe futhi uhamba phambili ngenxa yokunaka kwawo imininingwane. Yatsugatake Villa Ivilla iyanelisa izidingo ngokumangalisayo, ithinta izifiso, iheha imizwa futhi ikhanga ukufuna ukwazi.

Ngemuva Kokuklama

Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: The exterior is characterized by three modern trapezoid tubes, deforming the traditional Japanese space under deep eaves to frame the landscape in four directions. The form was derived from meticulous calculation of precipitation, the sun's movement in summer and winter, and the thermal environment. Shoji paper screens offer a space filled with soft light iconic of Japanese culture when closed, and switch to the majestic scenery framed by the walls when opened, providing two alternating scenes.
Izilinganiso Nokupakisha: Site Area 691.00m2
Total Floor Area 110.01 m2 (1F 71.65 m2, 2F 38.36 m2)
W17,400mm x D12,300mm x H6,139mm
Amathegi: Villa, Sun light, Wind, Fan-shape, Wooden, Mountain, Three adjacent shells, Sho-ji, Eaves, Farming
Ubuchwepheshe Bokukhiqiza: Contrary to the contemporary style guided by precipitation, sun rays and the surrounding environment, the construction of the house incorporates traditional Japanese wooden construction methods, with earthquake-resistant walls and large openings. Traditional Japanese techniques and components are used throughout, including plastering on the curved openings and fittings such as shoji and ranma (partition with ventilation and daylighting functions), creating a vernacular architecture.
Inselele Yokudweba: In Japan, especially in rural areas, the number of carpenters capable of building elaborate wooden houses is decreasing, and it was difficult to find a builder who could construct a building with a unique (challenging) design. In spite of the modern design, Japanese cedar and plastering materials are used, and shoji screens as well as other traditional materials handed down from generation to generation are fit in by the indigenous module method, enabling the definition of a Japanese space.
Ucwaningo: Three trapezoid tubes with north-south openings sit wide open towards the south to maximize winter daylight. Glass surfaces are set back from the roof edge to avoid direct south sun rays in summer. Side walls are arranged to block the west sun. The footprint is set back from the roof edge, partly to reduce soil excavation (deep foundation below the frost line is required), creating a sitting area free from rain dripping from the roof. It is a modern version of traditional Japanese engawa space.
Ugqozi: With exterior walls arranged to resemble a fan, the house provides framing for the landscape, maximizing the location on a plateau surrounded by fields and trees with panoramic view of mountain ranges in the distance. It is a summer resort, slightly cooler than humid summers in Tokyo, and yet the sun rays are strong and the winters are cold. The roof was extended to block direct sunlight in the summer and side walls to keep the western sun out, resulting in a series of tubular forms.
Ubude Bephrojekthi: The project was completed in Hokuto-City, Yamanashi, Japan in 2012
Ukuhamba Kokusebenza: Considering the cold winter, the building is built in a fan shape, open to the south, in order to maximize the sunlight while the sun moves. On the other hand, in summer, the roofs and walls of the trapezoid tubes block the strong sun rays, creating shadows inside, and windows at the north and south let the breeze through to cool the airy space. The layout, guided by the thermal environment, provides various interior scenes of varying depths as seen through the openings that connect the spaces.
Amalungu Eqembu: Kiyotoshi Mori
Natsuko Kawamura
Amakhredithi Ezithombe: Photography: Toshiyuki Yano