Chang An Temple Iholo Lokukhanyisela KwamaBudha ngu-PCC Design - Swe WingChew and Kong MeeChew

Umdwebo Chang An Temple Iholo Lokukhanyisela KwamaBudha ngu-PCC Design - Swe WingChew and Kong MeeChew ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2021 Umklomelo Wesiliva we-A' Design Award Esigabeni Somncintiswano se-Ukudizayina Ezokwakha, Izakhiwo Nezinhlaka.

IsilivaEzokwakha· 2021

Chang An Temple Iholo Lokukhanyisela KwamaBudha

ngu PCC Design - Swe WingChew and Kong MeeChew

Iklayenti: PCC Sdn. Bhd

Umnqobi we-Umklomelo Wesiliva we-A' Design Award Esigabeni se-Ezokwakha

20,868

Umnqobi Womklomelo Oqinisekisiwe

Qinisekisa Isimo Somklomelo se-#106505

Vakashela Isayithi Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

Imibala

Ukuklama

Mayelana ne-Chang An Temple Iholo Lokukhanyisela KwamaBudha

Umklamo wethempeli usekelwe emcabangweni wezakhiwo zasendulo zase-Mpumalanga futhi kuhlanganiswe nezici zesimanje zezakhiwo. Ngaphezu kwalokho, ngaphandle kokuhlukile kwethempeli eliyinhloko, izakhiwo zendawo zidalwe ngengadi yendawo yeZen ene-gazebo yaseJapan ebomvu elikhazimulayo kanye namatshe abazwe ngobuciko bombhalo wezinkondlo zamaBudha. Ngakho-ke, kuvuse isimo sokuhlanganiswa kwesikhathi samanje nobuhle bendulo base-Mpumalanga.

Ukuqashelwa

Mayelana ne-Umklomelo Wesiliva we-A' Design Award

Chang An Temple Iholo Lokukhanyisela KwamaBudha iwinile uMklomelo Wesiliva we-A' Design Award, ukwaziswa okuhloniphekile ngokungajwayelekile okunikezwa imiklamo esezingeni eliphezulu, ebukekayo nethinta kakhulu. Abawinile beSiliva yimisebenzi egqamile kakhulu nedala kakhulu ebonisa ubungcweti obuphawulekayo, italente nobuhlakani babaklami babo. Chang An Temple Iholo Lokukhanyisela KwamaBudha ilindeleke ukuba ibe ngumsebenzi omuhle wesibonelo, onobungcweti obuphawulekayo nezinto ezintsha ezijulile. Lo mklamo owinile uMklomelo Wesiliva we-A' Design Award uyinto entsha ebonakala kakhulu nethakazelisayo esiza futhi isunduza imingcele yobuciko, isayensi, ukuklama nobuchwepheshe. Chang An Temple Iholo Lokukhanyisela KwamaBudha iyinto enomhawu omkhulu kuyo evusa izifiso, ilethe imizwa emihle futhi ivuse ukumangala nokuxakeka.

Ngemuva Kokuklama

Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: The exterior design of the temple illustrates the richness of elements and characteristics of ancient oriental architecture.
Approximately one-third of the site was intentionally allocated for the vastly Zen garden's landscape, to lure the eyes with beautiful nature as a luxury and great sense of welcoming entrance. The frontage manmade lake was complemented with an outdoor gallery of Chinese calligraphy and Buddhism statue stones carving along the pedestrian path circling to evoke the scene of the modern era emerging with ancient oriental characteristics.
Izilinganiso Nokupakisha: The project is with a building scale of 20,440 Square meter and an Land area of 39,254.50 Square meter
Amathegi: Oriental Architecture, Temple, Enlightenment Hall, Buddhism, Calligraphy, Nature
Ubuchwepheshe Bokukhiqiza: The site is situated in Malaysia, a hot-humid tropic country with high precipitation all over the year.
The construction structure is dominantly a reinforced concrete and masonry wall- sustainable and suitable for the hot tropic climate and minimal seismic zone.
Pitch roof and clay tiles are the most sustainable roof type to address the hot-humid and heavy rainfall.
The reflective pond surrounding the temple building footprint is another sustainable tool that acts as an air inter-cooler system, to reduce external air temperature before entering into the building and to reduce the dependency on the air-conditioner.
Inselele Yokudweba: The challenging part of the building is the conversion of technology. The ancient oriental architecture is created through timber building structure, whereas the timber structure is not capable of to current era. Hence, the conversion of ancient timber structure into a concrete structure without losing any aesthetic feeling and actual proportion of ancient oriental architecture is our main challenges
Ucwaningo: Chinese calligraphy and Buddhism statue stones carving are essential in traditional Chinese architecture. They hold a high philosophical and historic value.

Those stones are introduced into the Zen garden landscapes as an outdoor gallery along the pedestrian path circling the lake - to complement the atmosphere towards the sense of oriental and its origin.

The interior design of the enlightenment hall is decorated with many of those stones at the columns, walls, and ceilings - to enrich the spiritual moods and to complement the purpose. In other words, it recreates a modern version of Mogao Cave temple in Dun Huang, China.
Ugqozi: The inspiration for this theme of the design is through the Tang, Song, and Ming Dynasty architecture - emphasizing the traditional elements of details such a roof, screens, and sculptures into the modern touch to create a progressing architecture, Neo Oriental.
Traditional lanterns are significant ornaments in Chinese tradition that were being translated into the façade design as a Chinese screen with frosted glass backlight effects – to create a neo-oriental illuminated by the modern vibe.
Ubude Bephrojekthi: The project expected started in October 2020 Selangor, Malaysia and will finish in year 2022
Ukuhamba Kokusebenza: Besides the usage for Main Temple Hall, the building also takes the experience of visitors in the outdoor Buddhist calligraphy garden into account. The project is set up according to various functions, including a prayer hall, indoor and outdoor Buddhist cultural caligraphis museum, meditation, etc.
Amalungu Eqembu: Creative director: SW Chew, KM Chew
Design Assistant:Nor Azmi Bin Nor Saidon, Mohamad Hisamudin
Amakhredithi Ezithombe: All image credited by PCC Design Sdn. Bhd