设计师 Xiongming Li 的作品 Guizhou Sign Industry Association Office 办公室室内设计 荣获了极具声望的 2020 A' Design Award 银奖，竞赛类别为室内空间与展览设计。
银室内· 2020
Guizhou Sign Industry Association Office 办公室室内设计
设计师： Xiongming Li
客户: Guiyang Architectural Design Institute Co., Ltd.
室内类别A' Design Award 银奖获奖者
已验证的获奖者
验证 #99080 的获奖状态设计作品
关于 Guizhou Sign Industry Association Office 办公室室内设计
贵州省标识行业协会办公室是位于贵阳的一处368平方米的办公空间。灰与白构成主色调，大面积水泥饰面奠定沉稳的气质。开放的动线取代封闭的墙体，使平面布局自由通透，同时各功能区域界限清晰。天花外露的管线、铁艺球形玻璃吊灯以及陈列艺术品与书籍的展示墙，共同营造出独特氛围。二层大厅中大面积的格栅玻璃重新梳理了空间秩序，营造出长廊般的视觉效果。简洁的形式与清晰的结构贯穿整个室内。
荣誉认可
关于A' Design Award 银奖
Guizhou Sign Industry Association Office 办公室室内设计是 A' Design Award 银奖得主，这是授予顶级、华美而令人印象深刻的设计的极为崇高的认可。银奖得主是极其卓越、极具创造力的作品，展现出其设计师杰出的专业技能、才华与敏锐。预计Guizhou Sign Industry Association Office 办公室室内设计将成为一件出色的典范之作，兼具非凡的专业性与深刻的创新性。这件赢得 A' Design Award 银奖的设计是一项备受瞩目、令人钦佩的发明，造福并拓展艺术、科学、设计和技术的边界。Guizhou Sign Industry Association Office 办公室室内设计是一件令人羡慕的创作，它唤起渴望，带来积极的情感，并激发惊叹与赞叹。
设计幕后
媒体资料包
由设计师提供的致谢、团队成员及技术详情。
- 独特属性
- In this case, the designer uses an open and free moving line function partition to make up the sense of space closure, and uses a large area of cement ash to establish the temperament of the space. Through practical insights in appearance as well as through a continuous and slightly changed design idea, it not only expresses the business philosophy, humanistic quality and core value of the enterprise, but also meets the functional requirements hidden in the user.
- 尺寸与包装
- The project covers a total of 368 square meters. The simplicity of the space, the clarity of the structure and the purity of the materials are the aesthetic carriers of the case. Designers use the language of architecture and the way of light and shade, line and surface dialogue to design the space, strengthening the original sense of the space.
- 标签
- Interior, Office, Modern, Simple, Pure, Minimalist, Industrial Style, GSIA
- 生产技术
- Bare pipelines with industrial wind elements on the ceiling, iron-shaped spherical glass chandeliers with a rich sense of style, arts and books full of humanity on the display walls, injecting aesthetic marks into the mood of the space, reflecting the the professional, elegant, artistic and aesthetic features of the enterprise.
- 设计挑战
- The drop-down door integrates the thinking mode of modern architecture, it uses simple square nesting to form a matrix square column with great visual beauty, and then combined with lighting to create a sense of hierarchy, which gives people a progressive subjective experience and expands the depth and imagination of vision.
- 研究
- The interior continues the same visual experience as the exterior facade, calm and not lonely. Step by step, the visible part greatly retains the texture and the material itself. There is no superfluous decoration and furnishing here, but only the simple and elegant shape is used to express the dialogue between the design and the space, so as to balance the overall rigid texture and give people a sharp and concise feeling.
- 灵感
- In the Internet era, when capital and technology are reshaping the world, people's needs and behavior patterns are changing, and some traditional functional spaces are being changed. This case selects gray and white two kinds of color to regard as the main tone of the space. In the intersection of condensed and simple elements, under the cleaning of the pure and beautiful humanistic style, explore the most balanced state of human and space, and establish the harmony and warmth of the space.
- 项目周期
- The project started in April 2019 in Guiyang and finished in September 2019 in Guiyang.
- 操作流程
- A large area of grille glass is used in the hall on the second floor to deconstruct the order of the space and create a visual effect of the time corridor.
- 专利
- Copyrights belong to Xiongming Li, 2019.
- 团队成员
- Xiongming Li
- 图片版权
- Image #1: Photographer Chao Liang, Reception Desk, 2019.
Image #2: Photographer Chao Liang, Water Bar, 2019.
Image #3: Photographer Chao Liang, Office, 2019.
Image #4: Photographer Chao Liang, Corridor, 2019.
Image #5: Photographer Chao Liang, Negotiation Area, 2019.
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