设计师 Atelier Brueckner 的作品 Audemars Piguet 博物馆室内设计 荣获了极具声望的 2022 A' Design Award 金奖，竞赛类别为室内空间与展览设计。
金室内· 2022
Audemars Piguet 博物馆室内设计
设计师： Atelier Brueckner
客户: Audemars Piguets
室内类别A' Design Award 金奖获奖者
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关于 Audemars Piguet 博物馆室内设计
爱彼博物馆工坊(Musée Atelier Audemars Piguet)是为一家瑞士制表商打造的博物馆室内空间。展陈面积达1,100平方米,坐落于瑞士力洛克山谷的布拉苏斯——正是这家公司的创立之地。参观者沿着流动的螺旋路线前行,伴随精心编排的叙事展开,每个篇章都拥有各自独特的设计语言。雕塑、自动人偶与动态装置为展览赋予节奏韵律,并在视觉上与周边自然景观相互呼应。光影与倒影随着一日时辰和四季更迭而不断变幻。
荣誉认可
关于A' Design Award 金奖
Audemars Piguet 博物馆室内设计是 A' Design Award 金奖得主，这是授予一流、绝妙而杰出设计的极为崇高的认可。金奖得主是极具创新、极富远见且璀璨夺目的创作，反映出其设计师的天才、智慧与才干。预计Audemars Piguet 博物馆室内设计将成为一项备受赞誉、引领潮流、气势恢宏的发明，带来前所未有的价值。这件赢得 A' Design Award 金奖的设计是一个壮观而受人敬重的项目，极大地造福并拓展艺术、科学、设计和技术的边界。Audemars Piguet 博物馆室内设计激起强烈的渴望，唤起激情，鼓励创造力，令我们着迷。
设计幕后
媒体资料包
由设计师提供的致谢、团队成员及技术详情。
- 独特属性
- The Musee Atelier Audemars Piguet immerses visitors in the Swiss watch manufacturers past, present and future. It is situated in the historical location where the company was established: the small village of Le Brassus. In the exhibition, reflections and shadows combine to create a spectacle in which the course of time is inscribed. Visitors experience the route as a flowing continuum with a composed narration where each chapter has its own design language.
- 尺寸与包装
- The exhibition area is 1,100 sqm.
- 标签
- Watch, Audemars, Piguets, craftmanship, luxury
- 生产技术
- Optically flowing transitions characterise the exhibition. Depending on the time of day and the season, the overall impression changes. Reflections and shadows combine to create a spectacle in which the course of time is inscribed. Visitors experience the rhythmically flowing route as a flowing continuum with a composed narration. Each chapter has its own design language and is introduced by an interlude, a mechanical sculpture or an artistically designed display item.
- 设计挑战
- Premium Swiss watchmaker Audemars Piguet stands for meticulous precision, use of the highest quality materials and the best craftmanship. These values were translated into the spacial design and the visitor experience. Creating these innovative concepts and bringing them to life is not only a magical process, but also requires a lot of preparation: from floorplans and renderings to models and planning of technical details.
- 研究
- The scenography of the museum shows the milestones of the brands development and related technical innovations as well as the entire design process. This starts from the origins of watch making in the Vallee de Joux, passes over the escapements and the complications by putting emphasis on the Royal Oak series.
- 灵感
- The visitors immerse the Swiss watch manufacturers past, present and future. In the exhibition, reflections and shadows combine to create a spectacle in which the course of time is inscribed. Visitors experience the route as a flowing continuum with a composed narration where each chapter has its own design language. The history of the company serves as a starting point of the narration. Visitors travel through the building as they would through the spring of a timepiece.
- 项目周期
- The Musee Atelier Audemars Piguet is situated in the historical location where the company was established: the small village of Le Brassus, Switzerland. It was finished in June 2020.
- 操作流程
- The scenography offers a diverse experience of watchmaking with crescendos, highpoints and contemplative moments. Various sculptures, automata and kinetic installations give rhythm to the exhibition, which is optically linked to the surrounding landscape.
In the heart of the spiral, visitors approach the Complications. They are demonstrated by mechanical installations and give visitors a feeling about the complexity of the watch mechanisms. Eight watches with Grande Complications are placed around the Universelle, the most complicated watch that Audemars Piguet has ever created. - 团队成员
- Wassim Melki
Sungha Kim - 图片版权
- General Planning, Exhibition Design, Scenography, Graphic Design: ATELIER BRÜCKNER
Light Planning with: LDE Belzner Holmes
Media Planning with: medienprojekt p2
Architecture: BIG Bjarke Ingels Group
Photography: Giovanni Emilio Galanello
Illustrator: Benjamin Guschlbauer
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