Haleiwa Ijoko láti ọwọ́ Melissa Mae Tan jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ilé.
FàdákàOhun-èlò Ilé· 2020
Haleiwa Ijoko
látọ̀wọ́ Melissa Mae Tan
Oníbàárà: Beyond Function
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ohun-èlò Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #99707Àpẹrẹ Náà
Nípa Haleiwa Ijoko
Haleiwa ṣe agbera rattan alagbero sinu gbigba awọn agbọn omi ati gbe simẹnti iyatọ kan. Awọn ohun elo adayeba sanwo wolẹ si aṣa atọwọdọwọ ni Philippines, ṣe atunṣe fun awọn akoko lọwọlọwọ. So pọ, tabi lo bi nkan asọye kan, imudaniloju apẹrẹ ṣe ki ijoko yii ṣe deede si awọn aza oriṣiriṣi. Ṣiṣẹda iwọntunwọnsi laarin fọọmu ati iṣẹ, oore ati agbara, faaji ati apẹrẹ, Haleiwa jẹ itunu bi o ti lẹwa.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Haleiwa Ijoko jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Haleiwa Ijoko yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Haleiwa Ijoko jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Legacy meets contemporary. Grace meets strength. Sweeping curves seamlessly merge with striking lines. Rattan, a pliant material commonly used in indigenous Philippine furniture, gets a modern upgrade when paired with a solid metal frame. This chair's form and weave pay tribute to the rich history of the material and the artisans that have crafted pieces from it, while breaking away from tradition just enough to create a statement.
- Ìwọ̀n àti Àpò
- 640mm width x 850mm depth x 830mm height
- Àwọn Àkọlé
- haleiwa, chair, rattan, woven, handmade, indigenous
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- Rattan is a sustainable material commonly used for weaving due to its durability. A cantilever design would not have been practical, and thus metal framing was used to add stability. As a nod to the handwoven rattan, the metal was manually bent to shape.
- Ìpèníjà Àpèsè
- Stability was a key concern. The width of the legs that connect the base to the seat posed a challenge. The design of a triangular base was the solution that balanced the structural and aesthetic. Internal support placement also posed a challenge since the design shows all of its skeletal composition. The supports had to be created and then strategically located in order to maximize stability, while being as inconspicuous as possible.
- Ìwádìí
- The research focus for the Haleiwa was on the balance and stability based on its unconventional form. The optimum placements of supports and dimensions of elements were studied and tested throughout the prototyping period.
- Ìmísí
- This piece was inspired by the concept of balance. The balance between strength and fluidity, modern and traditional, complexity and simplicity.
- Àkókò Iṣẹ́ Àkànṣe
- The chair was conceptualized in August 2019 and prototype finished October 2019. Designed and manufactured in Manila, Philippines
- Ìlànà Ìṣiṣẹ́
- The chair is wide enough for the user to sit comfortably in any position. Cushions are also provided for additional ease and comfort without distracting from the visual impact.
- Àwọn Ọmọ Ẹgbẹ́
- Melissa Mae Tan
- Ìfọwọ́sí Àwòrán
- All images: Photographer Berwin Coroza, 2020
Oníṣọwọ́
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