Riposo Ṣeto Kọfi láti ọwọ́ Mikhail Chistiakov

Riposo Ṣeto Kọfi láti ọwọ́ Mikhail Chistiakov jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ìdáná, Ohun-èlò Oúnjẹ, Ohun Mímu àti Ohun Ìṣe Oúnjẹ.

FàdákàOhun-èlò Ìdáná· 2020

Riposo Ṣeto Kọfi

látọ̀wọ́ Mikhail Chistiakov

Oníbàárà: Altavolo

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ohun-èlò Ìdáná

47,309

Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #99268

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Riposo Ṣeto Kọfi

Apẹrẹ ti iṣẹ yii ni atilẹyin nipasẹ awọn ile-iwe meji ti ibẹrẹ orundun 20a German Bauhaus ati avant-garde ti Russia. Geometry ti o muna ati iṣẹ ti a ronu daradara ni ibamu pẹlu ẹmi ti iṣafihan ti awọn akoko wọnyẹn: “kini rọrun ni lẹwa”. Ni akoko kanna tẹle awọn aṣa lode oni ti apẹẹrẹ apẹẹrẹ darapọ awọn ohun elo ifigagbaga meji ni iṣẹ yii. Ayebaye funfun wara tanganran ti wa ni iranlowo nipasẹ awọn ideri didan ti a ṣe ti okiki. Iṣiṣẹ ti apẹrẹ jẹ atilẹyin nipasẹ irọrun, awọn kapa irọrun ati lilo gbogbogbo ti fọọmu naa.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Riposo Ṣeto Kọfi jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Riposo Ṣeto Kọfi yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Riposo Ṣeto Kọfi jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: Thoughtful functionality and a bright contrast of textured cork and smooth milk-white porcelain for those who follow the latest trends and always choose comfort.
The handles of the teapot and cup are set aside a little more than usual so that they are less heated. The lid made of cork is also functional - it is impossible to burn yourself with it and because of its elasticity, it will not fall when pouring. The simple shape without hidden cavities or sharp corners means that the teapot, sugar bowl and cup are easy to wash.
Ìwọ̀n àti Àpò: Coffeepot 150х95х165mm 633g 600ml
Sugar bowl 110х110х80mm 382g 300ml
Cup 72x72x85mm 210g 220ml
Àwọn Àkọlé: Сoffee set, Coffee pot, Cup, Sugar bowl, Tableware, Porcelain
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: Hard-paste porcelain
Pressed cork
Ìpèníjà Àpèsè: The main technological challenge was to achieve a strict geometry of objects. As you know, it is quite difficult to get even lines in ceramics, and especially in porcelain. It was possible to solve this problem by selecting the optimal wall profiles and minor changes in the external surfaces. However, the basic design concept (straight geometric lines) remained unchanged.
Ìwádìí: Contrast is a key element of the design language of this project. Contrast of hard and soft, warm and cold, smooth and rough and so on. As part of the design, study different types of materials were tested such as wood, dark ceramics, and others. However, only the cork material has become the link that connects functionality, aesthetics and technology together.
Ìmísí: The concept is based on an approach to classical subjects from the point of view of functionalism and strict geometry. This project was inspired by the manifestos of the Russian avant-garde, the German Bauhaus and constructivism: what is functional and convenient is also beautiful.
Àkókò Iṣẹ́ Àkànṣe: The project started in 2018 and finished in 2019 in Saint-Petersburg, Russia.
Ìlànà Ìṣiṣẹ́: The design of this project addresses to an audience that is a little tired of the modern complex and dynamic world and promises honesty and simplicity.
Ìfọwọ́sí Àwòrán: Image #1: Photographer Kirill Kobyzev/ Art Director Iurii Solovev
Image #2: Photographer Kirill Kobyzev/ Art Director Iurii Solovev
Image #3: Photographer Kirill Kobyzev/ Art Director Iurii Solovev
Image #4: Photographer Kirill Kobyzev/ Art Director Iurii Solovev
Image #5: Photographer Kirill Kobyzev/ Art Director Iurii Solovev