Reading Tea Ilé Tii láti ọwọ́ Ling Zhou jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
WúràInú Ilé· 2020
Reading Tea Ilé Tii
látọ̀wọ́ Ling Zhou
Oníbàárà: Chongqing Zhou Decoration Design Co., Ltd.
Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #96973Àpẹrẹ Náà
Nípa Reading Tea Ilé Tii
Reading Tea jẹ́ ọ̀ṣọ́ inú ilé tii kan tí ó gba àyè mítà onígun mẹ́rin 380 ní Chongqing. Àgbékalẹ̀ rẹ̀ so àwọn ohun èlò ìbílẹ̀ ti Ṣáínà pọ̀ mọ́ ọ̀nà ìgbàlódé nínú ìṣètò àyè. Wọ́n pín àwọn igi àdánidá sí àwọn ege igi tí ó fẹ̀ tó mílímítà 100 tí ó sì nípọn tó mílímítà 5. Àwọn ege rírọ̀ wọ̀nyí ni wọ́n tẹ̀ sí àwọn ìrísí oníkọ̀rọ̀ tí ó pa ìwà igi mọ́ tí ó sì ṣẹ̀dá ìrísí àyè tuntun. Àwọn ògiri igi àti àwọn ògiri irin aláìlábàwọ́n tí àwọ̀ wọn jọra so àwọn agbègbè náà pọ̀. Wọ́n dán òkúta àdánidá sí ojú tí kò dọ́gba tí ó bá igi mu. Àwọn àwọ̀ eérú àti àwọn tílì ilẹ̀ oníbílẹ̀ parí àyíká pẹ̀lẹ́ náà.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award
Reading Tea Ilé Tii jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé Reading Tea Ilé Tii yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Reading Tea Ilé Tii ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Nowadays, most of the Chinese tea spaces are dominated by the traditional Chinese style. In order to break the fixed thinking, the designer uses the relationship between the wood wall and the stainless steel wall with the same tonality to connect the whole space, which seems to be independent but closely related to each other, so as to overlap the multiple levels of space and show the pure design details.
- Ìwọ̀n àti Àpò
- The project covers a total of 380 square meters. In the entrance area, natural logs are used as the main materials. The designer divides the original logs into wood chips with a width of 100 mm and a thickness of 5 mm. The processed wood chips are flexible and can be bent and folded at will, which makes the design more possible.
- Àwọn Àkọlé
- Interior, Commercial, Tea House, Oriental Elements, Natural, Elegant, Cultural, Modern
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The circular space form made of wood chips retains the characteristics of woodiness, but people also see the formation of new space form. The designer hopes to break the tradition and keep it at the same time, so as to achieve the symbiosis of culture and architecture. The natural stone is polished to form the uneven surface, which also makes the visual sense of stone and wood more perfect and harmonious.
- Ìpèníjà Àpèsè
- Under the premise of not replacing the original Chinese furniture, it is a big difficulty to renovate the shop in a modern way. Chinese window made of wood is our most common and traditional way, but in this space, the designer hopes that the traditional elements have changed, so the bronze stainless steel material instead of the traditional wood material, making Chinese window and style both Chinese direction and not too traditional.
- Ìwádìí
- The design purpose of this case is not simply to seek aesthetic changes. In addition to aesthetic feeling, we must also give consideration to practicality and durability, so that the space will last forever. For the designer, it is the most valuable thing to create a comfortable tea space and make users feel happy. He thinks that each material can present different forms of expression through design.
- Ìmísí
- Party A hopes that the renovated space can retain the traditional Chinese elements, but does not want to see the traditional Chinese appearance. Therefore, the designer uses the spatial design method to create the state of the whole teahouse, and expresses to people that even the traditional Chinese materials can also have a different sense of design direction. He re sized the wood to create a new spatial framework, which is the highlight of the project.
- Àkókò Iṣẹ́ Àkànṣe
- The project started in June 2019 in Chongqing and finished in October 2019 in Chongqing.
- Ìlànà Ìṣiṣẹ́
- The spatial tone is made of gray, coupled with natural lying wood texture and rustic gray floor tiles, creating a simple fashion full of organic style, presenting a rustic and natural aesthetic point of view.
- Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
- Copyrights belong to Ling Zhou, 2019.
- Àwọn Ọmọ Ẹgbẹ́
- Ling Zhou
- Ìfọwọ́sí Àwòrán
- Image #1: Photographer Chuan He, Entrance Area, 2019.
Image #2: Photographer Chuan He, Entrance Area 2, 2019.
Image #3: Photographer Chuan He, Reception Desk, 2019.
Image #4: Photographer Chuan He, Box, 2019.
Image #5: Photographer Chuan He, Box 2, 2019.
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