Zig Otita láti ọwọ́ Jules S. Jaffe jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ilé.
IrinOhun-èlò Ilé· 2020
Zig Otita
látọ̀wọ́ Jules S. Jaffe
Oníbàárà: Jules S. Jaffe
Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ohun-èlò Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #89459Àpẹrẹ Náà
Nípa Zig Otita
Apẹrẹ jẹ atilẹyin nipasẹ ifẹ lati ṣafihan awọn ohun-ini alailẹgbẹ ti igi ni ipo ti awọn italaya imọ-ẹrọ ti o nilo ẹwa mejeeji ati iṣẹ ṣiṣe. Si Jules S. Jaffe, eyi ni ipenija ti apẹrẹ aga. Ipenija nibi ni lati pese iduroṣinṣin ati agbara lati gba rilara ti ina ati ẹdọfu ni apẹrẹ ikẹhin. Abajade otita naa ni agbara apẹẹrẹ ṣugbọn o tun ni rilara ti ina ati alaafia ti geometry, ibaṣepọ pada si awọn Pythagoreans lati ọdọ ẹniti onise apẹẹrẹ.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Irin A' Design Award
Zig Otita jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Zig Otita yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Zig Otita nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The stool employs a unique triple mitered joint that did not exist before. The challenge here was to provide enough stability and strength to accommodate a feeling of lightness and tension in the final design.
- Ìwọ̀n àti Àpò
- 505 x 185 x 180
- Àwọn Àkọlé
- stool, chair, sitting device
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The design was realized in maple because it has the requisite capability to be accurately cut without worrying about splintering. This is actually version 4.2 that took place over 2 years with a variety of materials (oak) and a variety of machining techniques. Ultimately, a set of table saw fixtures that were precisely measured and inclined were used to have the surface meet with extremely high accuracy. The challenge with any cantilever is strength and stability. Hence the large mating surfaces. There are no screws or any other metal parts used in construction. Only wood. Purity of materials was a prime consideration.
- Ìpèníjà Àpèsè
- The continuous challenge of creating functional items that are also aesthetically pleasing is a constant challenge. Research in form, function and the engineering needed to accomplish the mutual goals of fulfilling those aspirations is a constant pursuit. Ancient concepts related to the golden triangle and its harmony with human perception is related to the construction of this stool as it incorporates a triangular structure that also needs to be extremely stable. The final realization was an exercise in precise and multi-dimensional angles.
- Ìwádìí
- As with all projects the tension between good design and stability and strength in construction is paramount. In this case, many of the preliminary designs, when constructed cracked under the weight of the sitter. In addition, since the surface between the base and the supporting rod and the supporting rod and the seat are not orthogonal, it took a great deal of geometric reasoning to make those top and bottom surfaces parallel, as in any design close to this.
- Ìmísí
- Overall the stool is an homage to Gerrit Rietveld. However it incorporates a Zen-like feeling of peacefulness and rest but with the tension of a cantilever. Hence, it uses contrasting elements to achieve its unique design. The stool inspires sitting upright in a meditative position and is also excellent for artists such as guitarists and cellists to use as it has no protruding parts and the base retracts from the seat edge. It is very stable but allows freedom of movement.
- Àkókò Iṣẹ́ Àkànṣe
- The project took 2 years to execute in a workshop in La Jolla, CA, USA.
- Ìlànà Ìṣiṣẹ́
- Simply sit on it.
- Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
- None
- Àwọn Ọmọ Ẹgbẹ́
- Jules S. Jaffe (only)
- Ìfọwọ́sí Àwòrán
- Image # 1: Jules S. Jaffe, 2019.
Optional image #2 Jules S. Jaffe, 2019.
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