Event Idanimọ Wiwo láti ọwọ́ Shimizu Ryo jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àwòrán, Àpèjúwe àti Ìbánisọ̀rọ̀ Ojú-Ìwòran.
IrinÀwòrán· 2020
Event Idanimọ Wiwo
látọ̀wọ́ Shimizu Ryo
Oníbàárà: Ryukoku Museum
Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Àwòrán
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #88556Àpẹrẹ Náà
Nípa Event Idanimọ Wiwo
Ifihan kan ti o gba ohun kikọ olokiki ti a pe ni Sanzo Hoshi lati oju ti o yatọ patapata. Nitorina, awọn apẹẹrẹ gbiyanju ọna tuntun si apẹrẹ wiwo. O ni ẹda ti onisẹpo mẹta pẹlu ijinle ti o mu ki kikun kikun pẹlu ojiji biribiri ti eniyan kan. Lakoko ti o fẹ pe Xuanzui ati Sanzo Hoshi jẹ eniyan kanna, awọn apẹẹrẹ ṣe ilana lati ni ojiji biribiri lati ranti aworan apẹrẹ.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Irin A' Design Award
Event Idanimọ Wiwo jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Event Idanimọ Wiwo yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Event Idanimọ Wiwo nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- An exhibition that takes up a popular character called Sanzo Hoshi from a completely different perspective. Therefore, We tried a new approach to visual design. It has a three-dimensional composition with a depth that makes the painting hollow with the silhouette of a person.
- Ìwọ̀n àti Àpò
- While appealing that Xuanzui and Sanzo Hoshi are the same people, We made a strategy to have the silhouette remember the iconic image.
- Àwọn Àkọlé
- japanese graphic design, editorial design, exhibition, visual Identity, illustration,
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- By widely placing the name Xuan, we aimed to appeal the exhibition title. In addition, the color design was adjusted to the taste of the exhibit, and the design was integrated including the venue.
- Ìpèníjà Àpèsè
- I iconified the silhouette of the ginseng and arranged the same illustration as the taste.
- Ìwádìí
- Based on the story about Xuan, we made my first image grow. In addition, we have interviewed a huge amount of materials related to him and the image that the exhibition aims for. We also grasped the space of the venue in advance and made an alignment with the visuals.
- Ìmísí
- Based on the story about Xuan (Sanzo Hoshi), we made my first image grow. In addition, we have interviewed a huge amount of materials related to him and the image that the exhibition aims for. We also grasped the space of the venue in advance and made an alignment with the visuals.
- Àkókò Iṣẹ́ Àkànṣe
- The project started in October 2014 and finished August 2015.
- Ìlànà Ìṣiṣẹ́
- I iconified the silhouette of the ginseng and arranged the same illustration as the taste. Aiming for visual appeal with titles and icons
- Àwọn Ọmọ Ẹgbẹ́
- SHIMIZU Ryo
- Ìfọwọ́sí Àwòrán
- Photo: SHIMIZU Ryo
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