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Love Symbol Iṣẹ Akọkọ Ile-iyẹwu Inu láti ọwọ́ Chin-Shu Chen

Love Symbol Iṣẹ Akọkọ Ile-iyẹwu Inu láti ọwọ́ Chin-Shu Chen jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.


IrinInú Ilé· 2020

Love Symbol Iṣẹ Akọkọ Ile-iyẹwu Inu

látọ̀wọ́ Chin-Shu Chen

Oníbàárà: Fe Design Company

Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Inú Ilé

11,056

Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #88469

Àwọ̀

Àpẹrẹ Náà

Nípa Love Symbol Iṣẹ Akọkọ Ile-iyẹwu Inu

Aami Ifẹ jẹ apẹrẹ inu ile-iyẹwu fun ile kan ti o ni iwọn 150 ẹsẹ onigun mẹrin ni Taipei, Taiwan. Ògiri àkọ́kọ́ ti yàrá ìjókòó ni a fi òkúta mábù̀lì àdánidá ṣe, pẹ̀lú àwọ̀ tí ó máa ń yí padà díẹ̀díẹ̀ tí ó ń rán ni létí àwòrán ilẹ̀ tí a fi kikun inki ti ìlà-oòrùn ṣe. Ògiri òkúta náà gùn dé inú àlọ́nà ilé náà. Lẹ́yìn ògiri àkọ́kọ́, gbọ̀ngàn Buddha kan wà tí ó ń fi ìkọ̀wé ọwọ́ tí bàbá ìdílé fúnra rẹ̀ kọ hàn. A lo igi lórí àjà láti fi ìgbóná àti ìmọ̀lára kún ààyè náà àti láti so àwọn àgbègbè gbogbo ènìyàn àti aládàáni pọ̀ mọ́ra wọn. Àgbègbè gbogbo ènìyàn jẹ́ ìdajì-ṣíṣí, tí ó sì ń gba ìmọ́lẹ̀ àdánidá. Àpẹrẹ yìí pa ìrántí àti èrò-inú ìdílé náà mọ́.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Irin A' Design Award

Love Symbol Iṣẹ Akọkọ Ile-iyẹwu Inu jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Love Symbol Iṣẹ Akọkọ Ile-iyẹwu Inu yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Love Symbol Iṣẹ Akọkọ Ile-iyẹwu Inu nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
The stone of gradient colors and correspondence with oriental ink-painting landscape has been selected for the main wall of the living room, which is extended to the hallway to imply the heritage of sentiment. The back of the main wall is designed as a Buddha Hall, featuring the calligraphy drawn by the father, injecting the room with abundantly artistic foundation.
Ìwọ̀n àti Àpò
The interior space is 150 square feet without the expression of too many different materials. The designer was requested for customization in the pre-construction phase and developed with the extensive expression from lifestyle.
Àwọn Àkọlé
Marble wall, oriental ink-painting, natural lighting, humanistic dimension
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
The ceiling is designed with wood, the scope introducing public area to the private space, which also corresponds with the hallway and the stone, adding warmth to the room. In the public area featuring natural materials, the coarse or fine patterns show the release of organized linear and dimensional impression.
Ìpèníjà Àpèsè
The public area is semi-open designed with integration of the movement and natural lighting between the internal and external space, which is simple and delicate. And in the private domain, the room freely releases the imagination for life and implementing sentimental dimension towards humanity while blending arts in between the lines and dimensions, which correspond with the lighting, colors and materials through low-profile but remarkable style.
Ìwádìí
Designer was requested for customization in the pre-construction phase and developed with the extensive expression from lifestyle. The main wall in the living room extends the majestic and spacious atmospheres through the special patterns of natural marble, incorporated with the wood features of ceiling and wall. Designer pursues and builds a humanistic construction space through the authenticity of design, providing the dwellers with the surviving situation that passes down the beautify relation and sentiment.
Ìmísí
The 150 square feet unit customized for design in the pre-construction phase is a gift left behind by the deceased father to his wife and children. The fathers care and love for the family can be observed from the location of the building to the interior layout and arts.
Àkókò Iṣẹ́ Àkànṣe
The project started in January 2018 and finished in August 2018 in Taiwan, Taipei.
Ìlànà Ìṣiṣẹ́
The dining room arranges for an absolutely tranquil image of the space through rational colors but also explains the sentimental and warm cultural attitude through the embellishment of vibrant colors. The material in general introduces the co-existence of coldness and warmth, realizing the sentimental performance between sense and sensibility through every unexpected turn. The study room on contrary emphasizes on functional arrangement by taking consideration of the function of work processing.

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