Ponto Ìṣe Pàtàkì: Alága apá láti ọwọ́ Roberta Banqueri jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ilé.
IdẹOhun-èlò Ilé· 2020
Ponto Ìṣe Pàtàkì: Alága apá
látọ̀wọ́ Roberta Banqueri
Oníbàárà: Pontoeu
Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ohun-èlò Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #83334Àpẹrẹ Náà
Nípa Ponto Ìṣe Pàtàkì: Alága apá
Ọ̀rọ̀ Ìwé: Ponto jẹ́ alága apá tí a ṣe fún àwọn ààyè kékeré àti onírúurú àdáni-inú. Àpẹrẹ náà lo àwọn ẹ̀yà díẹ̀. Ìlà wíwọ̀ gígùn kan ṣoṣo ni ó dá ìtọ́nà náà sílẹ̀, àwọn apá àti ẹ̀yìn ìjókòó. A fi aṣọ bo ìjókòó àti ẹ̀yìn rẹ̀, àti pé àpẹrẹ ara-ẹni ti ìjókòó náà ń ṣe àtìlẹ́yìn ìtura. A fi igi tí a yíká ṣe ìtọ́nà òde, àti pé àárín irin tóbọ́nù kan ń fún àwọn apá lókun. Àtìlẹ́yìn irin tóbọ́nù kan ní àpẹrẹ X ni ó gbé ìjókòó náà rọ̀. A lè da onírúurú irú àti àwọ̀ igi pọ̀ ní ibi tí àwọn ẹ̀yà tí a yíká ṣe pàdé. Ponto jẹ́ apá kan nínú ìdílé àwọn ìjókòó.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award
Ponto Ìṣe Pàtàkì: Alága apá jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Ponto Ìṣe Pàtàkì: Alága apá yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Ponto Ìṣe Pàtàkì: Alága apá ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The piece has a simple language, executed with few elements, a single elongated line and curves structure the seat, the arms and the backrest. At the point of fitting of turned parts can mix types and colors of wood, giving a unique effect to the whole. The seat and backrest are upholstered, the anotomic and organic form of the seat offer a user comfort. The wooden structure was reinforced with a metal tubular core.
- Ìwọ̀n àti Àpò
- 600mm x 600mm x 740mm the chair
700mm x 700mm x 740mm the armchair
500mm x 500mm x 1000mm the stool - Àwọn Àkọlé
- Brazil, Furniture, chair, robertabanqueri, braziliandesing, mobiliariobrasileiro
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The execution of the product is due to the union of technology of a machining center of 6 axes with the use of handcrafted processes. The entire external structure was made of solid wood turned, it took an internal reinforcement in metal to give resistance to part of the arm, and to the assembly, the structure that supports the seat is a metallic X shaped tubular structure, the arms were initially made by hand, around manual and later the drawing passed to the program, being executed by the machining center.
- Ìpèníjà Àpèsè
- The creative challenge was to be so simple as to stand, was to be different from the products known in the market, without being pretentious, have personality and functionality, small and light, despite being in solid wood, to run we use a wood called Tauari, light although tough, has light color and allows for dyeing.
- Ìwádìí
- The seemingly simple design contained a huge challenge, to make two big lines hold the whole set, to have a part that followed and turned an arm to support the user, it took some prototypes and tests of resistance, the first arms broke when subjected to weight that an adult human being applies to the sitting and lifting of the chair, then it was necessary to structure with a metal soul internally, but that alone was not sufficient, we had to study how much it should enter and what angle necessary for the solution to work.
- Ìmísí
- The motivation was to have a simple and elegant product, while small and versatile to get into any space or decor. The language should be contemporary and universal, the use of wood turned and leather, refers us to brazilian modernism, and the minimal of the piece does not refer to the concept of scandinavian simplicity.
- Àkókò Iṣẹ́ Àkànṣe
- The project started in july 2018 and finished february 2019, was exhibited in 35 Paralela Fair in São Paulo, SP, Brazil
- Ìlànà Ìṣiṣẹ́
- The Ponto line is composed of a family of seats, will meet all the seating needs, simply and small, the seat being rounded and having narrow sides offers a large internal space, something that can only be perceived by sitting, thus, as the comfort that provides the anatomical seat.
- Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
- Copyryghts by Roberta Banqueri Serra, 2019
- Àwọn Ọmọ Ẹgbẹ́
- Designer Assistent: Rodrigo Costa da Silva
Woodworkers: Alinor Zanotto
Ricardo Zanotto
Valdecir Zanotto
Factory: Todo Ind. de Móveis - Ìfọwọ́sí Àwòrán
- #1 Moresco, Ponto, 2019.
#2 Moresco, Ponto, 2019.
#3 Moresco, Ponto, 2019.
#4 Paulino, Ponto, 2020.
#5 Paulino, Ponto, 2020.
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