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Discovery and Exploration Àyè Ìfihàn láti ọwọ́ Biwei Zhu

Discovery and Exploration Àyè Ìfihàn láti ọwọ́ Biwei Zhu jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.


WúràInú Ilé· 2020

Discovery and Exploration Àyè Ìfihàn

látọ̀wọ́ Biwei Zhu

Oníbàárà: Wilbur Studio

Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Inú Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #82218

Àwọ̀

Àpẹrẹ Náà

Nípa Discovery and Exploration Àyè Ìfihàn

Ìwádìí àti Ìṣàwárí jẹ́ àyè ìfihàn fún àwọn ohun ìwalẹ̀ tí a ṣẹ̀ṣẹ̀ rí láti Shaanxi, orílẹ̀-èdè Ṣáínà. Nǹkan bí ọgọ́rùn-ún márùn-ún (500) ohun ìṣẹ̀ǹbáyé, láti ìgbà àtijọ́ títí dé àkókò Ìjọba Tang, ni a fi hàn ní àyè tí ó tó 485 mítà onígun mẹ́rin pẹ̀lú gíga tí ó jẹ́ mítà 2.7. A lo àwọn àwòrán oníléńlé tí ó jẹ́ sẹ̀ǹtímítà 10 pẹ̀lú 10 àti sẹ̀ǹtímítà 30 pẹ̀lú 30 gẹ́gẹ́ bí èdè ìríran, tí ó ń tọ́ka sí àwọn onígun mẹ́rin tí àwọn awalẹ̀pìtàn máa ń yà. Àwòrán oníléńlé náà ń ran àwọn àlejò lọ́wọ́ láti mọ ìwọ̀n ohun kọ̀ọ̀kan nínú ìfihàn tí ó kún fọ́fọ́. A ti kọ́kọ́ ṣe àwọn ohun èlò bàbà oníṣirò ọ̀tọ̀ọ̀tọ̀ tẹ́lẹ̀ láti fi àwọn ohun náà mọ́ ògiri láìséwu.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award

Discovery and Exploration Àyè Ìfihàn jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé Discovery and Exploration Àyè Ìfihàn yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Discovery and Exploration Àyè Ìfihàn ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
The objects on display are the latest archaeological findings in Shaanxi in recent years. In this limited space, the audience can feel the charm of archaeological discoveries and understand the results of archaeological research in Shaanxi. The soul of the project is not about design, but in providing new experience for the historical and cultural heritage.
Ìwọ̀n àti Àpò
485 square meter. The existing height is 2.7 meter.
Àwọn Àkọlé
Exploration, Discovery, Proportion, Scale
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
The work started in the design with a lot of sketches and drawings for the combined display of different implements. In order to ensure stability and safety, they designed fixed structures of different sizes and let the factory process them in advance.The fixed structure is made of copper material, which is processed and manufactured by professional technicians according to the drawings, and finally installed on site.
Ìpèníjà Àpèsè
Cultural relics vary in size, variety and weight, so how to show the best effect in an appropriate way has become the most difficult part of our design activities. We integrate the visual grid application into the design, and try to perceive the scale relations of various cultural relics in the dense display through the grid. Another part of the difficulty is that there are about 150 bronze mirrors,.ceramic and tiles in one area, and how to fix them on the wall safely and aesthetically is a problem. In order to solve this problem, we designed different types of fixed copper structures and spent one month to process it.
Ìwádìí
Proportion and scale are the core of design.How to classify different kinds and sizes of objects in limited space,and then interpret them with visual aesthetics is the goal of design research.The designer considers using 10*10CM and 30*30CM grid as visual language in space,and then think about the transformation of time and space.Grid is a square symbol used by archaeological excavators in exploring and drawing.At the same time, people can also perceive the scale relationship of various cultural relics in such a dense display space through grid vision,which is a new understanding and experience in function or visual aesthetics.
Ìmísí
About 500 artifacts from prehistory to Tang Dynasty are exhibited in this space. These cultural relics have certain historical and artistic value and are the national treasure of China. In order to present the exhibition to the audience more clearly and intuitively at the first time, they designed the exhibition according to the objective conditions, trying to create different exhibition experience.
Àkókò Iṣẹ́ Àkànṣe
The project started in August 2018 and finished in October 2018 in Xi'an City.
Ìlànà Ìṣiṣẹ́
This is an intensive display design created in a limited space. It uses modern techniques to deduce the continuous history and culture, while seeking the sense of order, and the mixing of multiple levels of visual impact to complete the artistic expression of space.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
Copyrights belong to Biwei Zhu,2018
Àwọn Ọmọ Ẹgbẹ́
Design Director: Biwei Zhu
Project manager:Gong Li
Engineering management:Sizhe Liu
Construction Manager:Tao Zhang
Engineering construction:Shaanxi Daqin Expo Co., Ltd.
Design team :Wilbur Design Studio.
Ìfọwọ́sí Àwòrán
Wilbur Images

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