Porous Manifold Japanese Tearoom láti ọwọ́ Ryumei Fujiki and Yukiko Sato jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2019 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ọnà Dídára àti Iṣẹ́ Ọnà Ìgbékalẹ̀.
FàdákàIṣẹ́ Ọnà Dídára· 2019
Porous Manifold Japanese Tearoom
látọ̀wọ́ Ryumei Fujiki and Yukiko Sato
Oníbàárà: F.A.D.S + Fujiki Studio, KOU::ARC
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Iṣẹ́ Ọnà Dídára
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #72501Àpẹrẹ Náà
Nípa Porous Manifold Japanese Tearoom
Eyi jẹ yara tea Japanese fun igba diẹ ti o ṣafihan ni Echigo-tsumari Art Triennale 2018 ati pe o ni eto itẹ-ẹiyẹ pẹlu aaye tatami meji ti a fi sii ni onigun ẹsẹ mẹwa mẹwa. Ninu ifihan yii, a beere lọwọ awọn ayaworan ile lati dahun si akori bi o ṣe le bori imọran aaye isokan ti o jẹ gaba lori ni ọrundun 20th. A ṣe apẹrẹ egungun naa nipa lilo apẹrẹ laileto eyiti a pe ni Pipin Voronoi lati yi aaye isokan po. Ati awọn ti o ti dabaa wipe awọn faaji pẹlu kan ti o tobi nọmba ti iho ohun ti o le wa ni la ati ni pipade bi ti nilo lati ṣe ibasọrọ pẹlu awọn ita bi a alãye ohun.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Porous Manifold Japanese Tearoom jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Porous Manifold Japanese Tearoom yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Porous Manifold Japanese Tearoom jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things. - Ìwọ̀n àti Àpò
- Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan. - Àwọn Àkọlé
- Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
- Ìpèníjà Àpèsè
- Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture. - Ìwádìí
- Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION). - Ìmísí
- Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. - Àkókò Iṣẹ́ Àkànṣe
- This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture. - Ìlànà Ìṣiṣẹ́
- As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people. - Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
- F.A.D.S + Fujiki Studio, KOU::ARC
- Àwọn Ọmọ Ẹgbẹ́
- ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto - Ìfọwọ́sí Àwòrán
- Masahiro Hoshida, Fujiki Studio, KOU::ARC
Oníṣọwọ́
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