Stone Plant Sculpture Ère Ọgba láti ọwọ́ Udo Hubert Dagenbach

Stone Plant Sculpture Ère Ọgba láti ọwọ́ Udo Hubert Dagenbach jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2017 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ìlú àti Ọ̀nà.

FàdákàOhun-èlò Ìlú· 2017

Stone Plant Sculpture Ère Ọgba

látọ̀wọ́ Udo Hubert Dagenbach

Oníbàárà: Glasser and Dagenbach

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ohun-èlò Ìlú

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #54950

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Stone Plant Sculpture Ère Ọgba

Ère Igi Okuta jẹ́ ọgba ìdánilójú tí a ṣe gẹ́gẹ́ bí kúbù tí ó ní ìwọ̀n 130 nípa 130 nípa 130 sentimita. Ìdajì kan jẹ́ pátákò òkúta ìmùkì Jurassic, tí a gé láti inú ihò-òkúta ní gúúsù Jámánì. Àwọn ojú òkúta tí a lè rí ni a fín tí a sì fọ̀ láti fún un ní ìrísí ọjọ́-orí. Ìdajì mìíràn jẹ́ ti ewéko yew mẹ́rin, tí a gé sí ìwọ̀n tí ó parí lẹ́yìn tí a gbìn wọ́n. Ìlà tí ó fẹ́rẹ̀ẹ́ jẹ́ diagonal ni ó ń fi ààlà si ibi tí òkúta àti ewéko ti pàdé. Ìṣàpẹẹrẹ yìí jẹ́ ìtumọ̀ ilẹ̀ Yúróòpù ti àwọn ọgba Zen ti Japan. Kúbù náà dúró lórí pápá kòríko pẹrẹsẹ, kò sì nílò ìtọ́jú púpọ̀.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Stone Plant Sculpture Ère Ọgba jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Stone Plant Sculpture Ère Ọgba yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Stone Plant Sculpture Ère Ọgba jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: Two companies asked for a series of gardens, objects which show the possibilties combining their products. Jurrasic limestones and plants. So we created the idea for the most minimalistic garden, a european interpretation of Japanese Zen Gardens. Forming a cube with a pruned yew and a limestone. The joint between both is defined by an almost diagonal line through the cube.
Two materials - plant and stone - a simple shape.
Ìwọ̀n àti Àpò: The stone plant sculpture forms a cube of 130 x130 x 130 cm. It consists of Lime stone and Yew hedge plants which are planted close to the stone to form the intended cube together. The stone is placed on a concrete foundation.
Àwọn Àkọlé: minimal garden, minimalistic garden, garden sculpture, cube garden, plant stone, land art, minimal art, jurrasic marble, limestone, yew
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: One part of the garden cube is produced from a piece of Jurrasic marble, also called limestone. It was produced in a South German Quarry of the Franken Schotter Company. It was cut out of a raw block. The standing side and the side facing the plants are diamond saw cut. The visible surfaces are chisselled and brushed, what gives it a aged look. The other half is planted from four Taxus baccata, yew, from Bruns Nursery which have been properly pruned to the final size after planting.
Ìpèníjà Àpèsè: It was a challenge not to choose a solution which looked too natural and showed expectable designs. So we have struggled to be maximum minimalistic, showing a clear, simple solution that immediately could be understood by the international guests of the nursery and the United World College. To do less than could be possible is the most challenging step. Our fear that strong frosts could cool down the stone so much that the plants will be harmed and killed by it did not come true even in the high mountains of Armenia
Ìwádìí: The request of two companies to do a work with the products they produce needed a research on similar projects. We found that doing this in a expectable and already common way would not give a good impression. So we found that the solution should be reduced to message they want to tell their clients with this action: "Our products fit together very well". By keeping it simple the impression is stronger.
Ìmísí: Since long time I searched for a European equivalent of Japanese Garden designs. Finally the minimalistic ideas of the Bauhaus period gave a hint what could be possible. The suggested project is one out of a series of projects which we have done in this way. Whilst Japanese Gardens often use the scale 1:3 to reflect a real landscape in a new and abstract way, this project does not reflect any landscape and does not use any scale. It is the maximum reduction of a garden ending up as a sculpture.
Àkókò Iṣẹ́ Àkànṣe: The project started in 2002 as a joint venture between the Franken Schotter Quarry and the Bruns nursery. After its realization in 2003 it stood in Bad Zwischenahn, North Germany, in front of the adminitrative office of Bruns Nursery. In 2015 the project was moved to The United World College in Dilijan Armenia, where it is installed now permanently at the Prince of Wales avenue.
Ìlànà Ìṣiṣẹ́: The garden cube needs low maintenance. The hedges should be properly pruned 3 times a year to show a perfect impression.
The stone needs a yearly cleaning with simple water by using a high pressure cleaner. The placement on a flat piece of lawn is essential to make it work visualy.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀: all copyrights belong to Udo Dagenbach, glasser and dagenbach, 2006
Àwọn Ọmọ Ẹgbẹ́: Draftswoman: Katrin Weincke
Installation: Bruns Nursery
Stone works: Franken Schotter Quarries
Ìfọwọ́sí Àwòrán: Image #1 Udo Dagenbach, garden cube, 2007
Image #2 Udo Dagenbach, garden cube, 2007
Image #3 Udo Dagenbach, garden cube, 2007
Image #4 Udo Dagenbach, garden cube, 2007
Image #5 Udo Dagenbach, garden cube, 2007