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Devil Ohun Elo Ìkọ́ni fún Ẹ̀kọ́ Àgbékalẹ̀ Ìṣẹ̀dá láti ọwọ́ Lisa Winstanley

Devil Ohun Elo Ìkọ́ni fún Ẹ̀kọ́ Àgbékalẹ̀ Ìṣẹ̀dá láti ọwọ́ Lisa Winstanley jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àwòrán, Àpèjúwe àti Ìbánisọ̀rọ̀ Ojú-Ìwòran.


FàdákàÀwòrán· 2026

Devil Ohun Elo Ìkọ́ni fún Ẹ̀kọ́ Àgbékalẹ̀ Ìṣẹ̀dá

látọ̀wọ́ Lisa Winstanley

Oníbàárà: Design Ethics & Visual Integrity Lab (DEVIL)

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Àwòrán

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Àwọ̀

Àpẹrẹ Náà

Nípa Devil Ohun Elo Ìkọ́ni fún Ẹ̀kọ́ Àgbékalẹ̀ Ìṣẹ̀dá

Devil jẹ́ ohun èlò ìdánilẹ́kọ̀ọ́ tí a ṣẹ̀dá fún Ilé-ìṣẹ́ Ìwádìí Ìwà Rere Àgbékalẹ̀ àti Òtítọ́ Ìran (Design Ethics and Visual Integrity Lab). Ohun èlò yìí jẹ́ ètò ìbánisọ̀rọ̀ ìran tí ó ní ìkópa gbogbo ènìyàn, tí ó dojúkọ ọ̀rọ̀ jíjí iṣẹ́ ìran ẹlòmíràn tí ó sì ń ṣe àtìlẹ́yìn fún ìṣe àgbékalẹ̀ tí ó bá ìwà rere mu nínú ẹ̀kọ́ iṣẹ́ ọnà àti àgbékalẹ̀. Àwọn iṣẹ́ tí a ṣètò, àwọn káàdì ìtọ́ni àti ìdánimọ̀ ìran tí ó ṣọ̀kan ni ó ń darí iṣẹ́ ṣíṣe pẹ̀lú ìrònú jíjinlẹ̀. Àwọn ohun tí a tẹ̀ jáde ní ìwé iṣẹ́, fọ́ldà àkànṣe, pósítà, àwọn káàdì ìfìwéránṣẹ́ àti ìwé àkọsílẹ̀, tí a ṣe lórí bébà Munken Polar Rough pẹ̀lú ẹ̀ṣọ́ spot UV. Ohun èlò yìí ń ṣe àtìlẹ́yìn fún ẹ̀kọ́ àjọṣepọ̀ ní oríṣiríṣi àyíká ìkọ́ni.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Devil Ohun Elo Ìkọ́ni fún Ẹ̀kọ́ Àgbékalẹ̀ Ìṣẹ̀dá jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Devil Ohun Elo Ìkọ́ni fún Ẹ̀kọ́ Àgbékalẹ̀ Ìṣẹ̀dá yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Devil Ohun Elo Ìkọ́ni fún Ẹ̀kọ́ Àgbékalẹ̀ Ìṣẹ̀dá jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
The Design Ethics & Visual Integrity Lab (DEVIL) toolkit is a participatory visual communication system designed to address visual plagiarism and cultivate ethical design practice for art and design faculty. It integrates structured activities, prompt cards, and a cohesive visual identity to guide reflective making. Distinct in its practice-led methodology, it translates research into tangible, scalable design artefacts that support critical, collaborative learning across contexts
Ìwọ̀n àti Àpò
Toolkit components are designed for modular workshop use. Custom folder: 190 × 240 mm (closed), 791 × 260 mm (open with pocket), produced on 350 gsm Spectrum Black with silkscreen or blind spot UV detailing and elastic closure. Inserts: 160 × 210 mm, 150 gsm Munken Polar Rough, 22 pages. Neon dividers: 160 × 210 mm. Poster: 200 × 200 mm with custom fold. Postcards: A6. Notepad: A5.
Àwọn Àkọlé
visual integrity, visual plagiarism, ethical design, participatory design, design toolkit, visual communication, design education, creative ethics, workshop design
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
The toolkit was developed through a practice-led, iterative design process, combining participatory workshops with prototyping and visual testing. Outputs include a suite of printed and physical artefacts such as a workbook, custom folder, poster, postcards, notepad, and branded objects including enamel pins, tote bags, mugs, and pencils. Production features Munken Polar Rough paper stock and spot UV detailing on black and neon substrates, creating a tactile, high-contrast visual system.
Ìpèníjà Àpèsè
The primary challenge was translating complex, often ambiguous ethical issues into a clear and usable design system. Visual plagiarism sits within shifting cultural, legal, and technological contexts, particularly with the rise of AI. Balancing academic rigour with accessibility required iterative testing. Additional constraints included material production choices and ensuring the toolkit remained adaptable across diverse international teaching contexts.
Ìwádìí
Practice-led design research aimed to address visual plagiarism and strengthen ethical decision-making in visual communication. Using participatory workshops and iterative prototyping, data was gathered through observation, discussion, video and audio recordings, and artefact analysis. Participants included international art and design faculty. The research informs the creation of a best practice toolkit in progress, to be disseminated to the creative community.
Ìmísí
This project comes from a simple observation, most ethical issues in design are not obvious, they sit in the small decisions we make every day, how we source, adapt, and transform images. That idea shaped both the name and identity, grounded in the belief that the devil is in the details. Built from real studio and workshop experience, the toolkit makes these hidden tensions visible through a hands-on, designer-focused system.
Àkókò Iṣẹ́ Àkànṣe
The project commenced in January 2025 in Singapore and was completed in June 2025 at Nanyang Technological University. It was developed and tested through a series of participatory workshops conducted across multiple international locations, including Singapore, the United Kingdom, Australia, China, Taiwan, and Vietnam.
Ìlànà Ìṣiṣẹ́
The toolkit is designed as a guided, hands-on experience. Participants move through structured activities using the workbook, supported by printed artefacts that prompt reflection, discussion, and making. The folder organises materials into stages, allowing users to navigate at their own pace. Interaction is tactile and collaborative, encouraging users to question decisions, share perspectives, and actively construct more considered design outcomes.
Ìfọwọ́sí Àwòrán
Image #1: Photographer Lisa Peh (After Dusk Media), Art Director Lisa Winstanley, DEVIL Toolkit, 2025.
Image #2: Photographer Lisa Peh (After Dusk Media), Art Director Lisa Winstanley, DEVIL Toolkit Artefacts, 2025.
Image #3: Photographer Lisa Peh (After Dusk Media), Art Director Lisa Winstanley, DEVIL Workbook and Folder, 2025.
Image #4: Photographer Lisa Peh (After Dusk Media), Art Director Lisa Winstanley, DEVIL Postcards and Poster, 2025.
Image #5: Photographer Lisa Peh (After Dusk Media), Art Director Lisa Winstanley, DEVIL Branded Objects, 2025.

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